Singing corporeality: reinventing the vocalic body in postopera - Previously published case studies

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Singing corporeality: reinventing the vocalic body in postopera

Novak, J.

Publication date

2012

Link to publication

Citation for published version (APA):

Novak, J. (2012). Singing corporeality: reinventing the vocalic body in postopera.

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Parts of the case studies presented here have appeared in:

“Postopera and De/Synchronous Narrating: Singing Letters, Multiplied Bodies and Dis

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“From Minimal Music to Postopera: Repetition, Representation and (Post) Modernity”, in Kyle Gann, Keith Potter, Pwyll ap Sion (eds.), Ashgate Companion to Minimalist and Post-Minimal Music, London, Ashgate, 2013 (forthcoming)

“Voices beyond corporeality: towards the prosthetic body in opera”, in Studies in Musical Theatre, Special issue 6.1, 2012, pp. 73-88.

“Throwing the Voice, Catching the Body: Opera and Ventriloquism in Philip Glass/Jean Cocteau La

Belle et la Bête”, in Music, Sound and Moving Image, vol. 5, no. 2, autumn 2011, pp. 137-156.

“Acousmatic Voice and Singing Body”, in Ziherl, Jerica (ed.), Pierre Schaeffer:mediArt, Proceedings of the international conference, Rijeka, MMSU, 2011, pp. 95-101.

“Monsterization of Singing: Politics of Vocal Existence”, in New Sound - International Magazine for

Music, 2010, vol. 36, no. 2, pp. 101-119. The article is available online:

http://www.newsound.org.rs/clanci_eng/09%20Jelena%20Novak.pdf, Accessed: June 5, 2012. “Opera Voice Mirroring Body”, in Engaging Objects, Reader for Bodily Interventions & Sensory

Disruptions, ASCA International Workshop, Amsterdam, University of Amsterdam, 2008, pp.

146-151.

“Operacija Dante - spektakl nemoguće sinhronizacije”, Teatron, no. 143, 2008, pp. 87-93.

"Corporeal Rememberance: Singing Body of Opera", in Tatjana Marković, Vesna Mikić (eds.), Musical Culture and Memory, Beograd, Faculty of Music, 2007.

“Contextualizing Opera in Postdramatic Context: Differences and Repetitions“, conference paper read at the First International Conference on Music and Minimalism, University of Bangor, Wales, UK, 2007. Online proceedings: http://www.bangor.ac.uk/music/events/Novak%20postopera.pdf, Accessed: November 15, 2010.

“Digitality of the Opera – Two Cases”, E-volucija no. 14, Umetnost kao informacija, 2006. http://www.bos.rs/cepit/evolucija/html/14/opera.htm, Accessed: May 15, 2012.