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(1)
(2)

ABSTRACT


The
 popularity
 of
 the
 children’s
 film
 genre
 has
 grown
 and
 become
 a
 much
 more
 lucrative
business
the
last
few
years.
This
research
aims
to
investigate
to
what
degree
 Word‐of‐mouth
 (hereafter
 WOM)
 may
 influence
 the
 decision
 process
 of
 children
 for
 watching
 a
 particular
 children’s
 film
 and
 the
 degree
 to
 which
 these
 children
 produce
 WOM
after
watching
the
film.
After
a
theoretical
review,
five
factors
were
distinguished
 that
are
of
importance
for
the
input
WOM
(WOM
received
before
watching
a
particular
 children’s
film).
These
factors
are
valence
(positive
or
negative
messages),
source
(from
 who
they
receive
WOM)
and
how
many
(amount
of
WOM
received).
There
are
two
other
 factors
 (control
 variables):
 type
 of
 film
 (mainstream
 or
 independent
 film)
 and
 with
 whom
 (option
 of
 with
 whom
 they
 can
 watch
 a
 particular
 children’s
 film)
 are
 also
 important
to
the
input
WOM.
A
questionnaire
and
a
Conjoint
analysis
experiment
were
 used
 to
 gather
 and
 analyze
 the
 information
 to
 be
 able
 to
 answer
 the
 main
 and
 sub
 questions
of
this
research.
Based
on
the
results,
this
research
demonstrates
that
WOM
 does
 indeed
 have
 an
 influential
 degree
 on
 the
 choice
 of
 children
 for
 watching
 a
 particular
children’s
film.
The
results
of
this
research
indicate
that
in
general
the
factors
 valence
 and
 how
 many
 are
 important
 in
 the
 choice
 for
 the
 children
 when
 watching
 a
 particular
children’s
film,
but
without
doubt
the
most
important
factor
is
source.
Next
to
 WOM,
the
control
variables
also
have
an
influence
in
the
decision
process
of
the
children
 to
 watch
 a
 particular
 children’s
 film.
 Furthermore,
 the
 sender/receiver
 characteristics
 (opinion
 leadership,
 susceptibility
 to
 normative
 influence,
 susceptibility
 to
 informational
influence,
preference
for
heavily
advertised
films,
gender
and
age)
play
a
 small
role
in
the
production
of
output
WOM
(amount
of
WOM
produced
after
watching
a
 particular
children’s
film).
There
are
little
differences
in
what
type
of
children
produce
 the
most
WOM
among
their
friends.
The
children
aged
8
are
the
ones
that
produce
the
 most
WOM,
thus
sharing
their
last
viewing
experience
with
most
of
their
friends.

 
 Key
words:
children’s
film;
input
WOM;
output
WOM;
valence;
source;
independent
film;
 mainstream
 film;
 opinion
 leadership;
 susceptibility
 to
 normative
 and
 informational
 influence


(3)

ACKNOWLEDGEMENTS


I
signed
up
for
the
Pathé
Unlimited
Pass
(PUC)
at
Pathé
cinemas,
since
its
introduction
 around
2005.
For
only
€
19,‐
per
month
I
have
unlimited
access
to
regular
showings
at
 all
Pathé
cinemas
throughout
the
Netherlands.
This
was
the
reason
I
started
going
to
the
 movies
more
often.
By
doing
so
I
started
to
realize
which
genres
were
more
appealing
to
 me.
 One
 of
 these
 genres
 in
 particular
 that
 captured
 me
 the
 most
 was
 the
 children’s
 genre.
While
searching
for
a
topic
for
my
master
thesis,
I
decided
to
better
understand
 this
genre,
so
I
chose
to
investigate
this
specific
film
genre.
I
want
to
know
what
factors
 influence
children
in
their
decision
process
to
watch
a
particular
children’s
film.
A
factor
 that
 might
 influence
 them
 could
 be
 WOM
 they
 receive
 from
 family
 and
 friends.
 By
 combining
 these
 two
 aspects
 I
 found
 my
 research
 topic.
 Therefore,
 this
 research
 determined
the
degree
to
which
children’s
WOM
influences
children’s
film.



(4)
(5)
(6)
(7)

1



INTRODUCTION


(8)

Each
 year
 hundreds
 of
 new
 films
 are
 released
 by
 Hollywood
 and
 independent
 filmmakers
 (Liu,
 2006).
 They
 spend
 millions
 each
 year
 promoting
 their
 blockbuster
 films.
Apart
from
this
film
promotion,
there
is
one
method
that
they
have
continued
to
 rely
on
to
draw
big
audiences
ever
since
the
dawn
of
the
film
industry:
WOM
(McLain,
 2008;
Zigu,
2011).



In
 order
 to
 try
 and
 avoid
 buying
 tickets
 to
 bad
 films,
 consumers
 rely
 on
 secondary
cues
‐the
opinion
of
critics
and
WOM
reviews
from
friends
who
have
already
 seen
 the
 film‐
 to
 give
 them
 an
 indication
 of
 its
 quality
 (Haupert,
 2006).
 Potential
 consumers
 become
 more
 aware
 of
 WOM
 and
 so
 do
 their
 opinions
 and
 decisions
 (Babutsidze,
2011).
Films
that
people
appreciate
and
enjoy
instantly
become
popular,
as
 people
create
a
buzz
amongst
their
close
ones.
People
will
recommend
family
members
 or
friends
to
watch
a
particular
film
if
they
themselves
find
it
interesting.
However,
even
 if
a
film
has
the
biggest
actors
and
the
most
extensive
marketing,
if
people
find
it
bad
 they
 may
 generate
 negative
 WOM,
 thereby
 destroying
 the
 hopes
 of
 the
 film’s
 success
 (Zigu,
2011).
This
is
the
case
for
any
genre
in
the
film
industry,
no
matter
how
small
or
 big.
 WOM
 can
 also
 create
 a
 certain
 reputation
 for
 that
 film
 without
 anyone
 ever
 watching
it.
Input
WOM
is
spread
by
a
sender
perceived
to
be
more
neutral.
Input
WOM
 is
 often
 more
 convincing
 than
 any
 other
 form
 of
 advertising.
 WOM
 cultivates
 the
 reputation
and
can
persuade
filmgoers
to
watch
a
particular
film.



(9)

Children’s
 film
 has
 become
 a
 much
 more
 lucrative
 enterprise
 than
 it
 was
 in
 the
 half
 century
 of
 Disney
 hegemony
 from
 the
 1930s
 to
 the
 1980s.
 As
 a
 consequence,
 there
 is
 now
much
more
competition
and
there
are
now
significantly
more
players
in
the
field
 (Booker,
2010).



To
further
elaborate
on
the
reason
why
the
genre
children’s
film
was
chosen,
the
 following
 facts
 will
 be
 discussed.
 Ten
 of
 the
 top
 25
 films
 released
 during
 2010
 were
 rated
G
and
PG
(MPAA,
2011).
Ticket
sales
for
G
and
PG
rated
films
have
fluctuated
the
 past
 couple
 of
 years,
 but
 have
 been
 on
 a
 rise
 again
 the
 last
 few
 years
 (for
 details
 see
 Appendix
I).
Another
important
factor
is
that
WOM
networks
among
children
can
be
of
 importance
to
innovation
activities.
This
has
two
reasons.
Firstly,
children
possess
the
 need
to
gain
knowledge
and
use
this
knowledge
in
the
role
of
consumers,
so
they
may
be
 involved
in
the
product
development
process
itself.
Secondly,
children
may
also
strongly
 influence
 each
 other
 in
 decisions
 to
 adopt
 innovations
 (Kratzer
 and
 Lettl,
 2009).
 Moreover,
 children’s
 WOM
 is
 relevant
 for
 this
 genre,
 since
 it
 strongly
 influences
 final
 decision.
Children
aged
6
to
12
have
72%
of
a
lot
or
some
influence
in
the
film
category
 (Del
Vecchio,
1997)
(for
details
see
Appendix
II).



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(11)

1.3
 STRUCTURE
OF
THE
PAPER


(12)

2


THEORETICAL
REVIEW














 This
chapter’s
main
focus
will
be
on
the
theoretical
review.
A
definition
of
WOM
will
be


given
firstly
to
help
gain
insight
into
the
term.
The
different
forms
of
WOM,
the
degree
of
 interpersonal
 influence
 of
 WOM
 and
 sender/receiver
 characteristics
 will
 be
 assessed
 afterwards.
This
chapter
ends
with
the
conceptual
model.



2.1
 DEFINITION
OF
WOM


There
 have
 been
 many
 definitions
 of
 WOM
 in
 literature.
 Arndt
 defines
 WOM
 as
 oral,
 person­to­person
 communication
 between
 a
 recipient
 and
 a
 communicator
 whom
 the
 recipient
 perceives
 as
 non­commercial,
 regarding
 a
 brand,
 product
 or
 service
 (Arndt,
 1967b).

This
definition
consists
of
three
essential
elements
(Kirby
and
Marsden,
2006).



Firstly,
 WOM
 is
 interpersonal
 communication.
 This
 element
 sets
 WOM
 apart
 from
 mass
 communication
 and
 other
 impersonal
 channels
 available
 to
 consumers.
 Furthermore,
the
code
of
this
type
of
communication
is
language.

Other,
less
tangible
 forms
do
not
qualify
for
the
label
‘WOM’
in
themselves.
An
actor
promoting
his
or
her
 new
film
or
the
entire
cast
speaking
out
about
making
the
film
does
not
automatically
fit
 into
 the
 principle
 of
 WOM.
 These
 practices
 might
 accompany
 WOM,
 but
 they
 are
 not
 essential
to
it,
because
they
are
not
seen
as
a
close
source.
This
is
the
reason
why
it
is
 often
 considered
 as
 advertising.
 Therefore,
 this
 research
 focuses
 on
 interpersonal
 messages
‐one‐to‐one
communication‐
and
neglects
–one‐to‐many
communication‐
for
 example
Facebook
and
Hyves.
 Secondly,
the
producers
of
WOM
are
not
motivated
commercially,
even
though
 the
content
of
WOM
communication
is
mostly
commercial,
or
at
least
it
is
perceived
that
 way.
The
producers
of
WOM
are
people
that
do
not
work
for
a
specific
company,
they
 just
talk
about
products
or
services
at
their
own
will.
 Thirdly,
the
content
of
WOM
communication
is
commercial
when
viewed
from
a
 marketing
 perspective.
 These
 commercial
 messages
 may
 have
 commercial
 consequences.
 WOM
 is
 viewed
 as
 non‐commercial
 when
 viewed
 from
 another
 consumer’s
perspective.
In
both
cases
commercial
entities,
products,
product
categories,
 brands
and
marketers
or
even
own
advertising
is
often
embedded
in
the
message.
This
 restriction
 in
 the
 meaning
 of
 the
 term
 underscores
 that
 WOM
 is
 a
 technical
 term
 appropriated
for
marketing,
consumer
behaviour
and
mass
media.


(13)

2.2
 FACTORS
INFLUENCING
THE
IMPACT
OF
WOM
ON
FINAL
DESICION
 The
following
section
will
highlight
the
factors
influencing
the
impact
of
WOM
on
final
 decision.

 
 Timing
(consumer’s
perspective):
when
is
a
message
sent?
 Valence
(content):
what
message
is
sent?
 Source
(sender):
who
is
sending
the
message?
 Receiver:
who
is
receiving
the
message?
 2.2.1
 TWO
TYPES
BASED
ON
TIMING


The
 following
 sections
 discuss
 the
 timing
 viewed
 from
 the
 consumer’s
 perspective
 as
 displayed
in
figure
1.
 
 FIGURE
1
 Consumer
timing
perspective
 
 


Consumers
 use
 WOM
 for
 two
 main
 reasons;
 risk
 reduction
 and
 social
 need.
 WOM
 can
 be
 differentiated
 on
 the
 basis
 of
 which
 direction
 the
 communication
 flows.
 Someone
 who
 is
 then
 considered
 to
 be
 the
 transmitter
 of
 the
 information
 does
 initial
 recommendations
 of
 a
 product,
 service
 or
 enterprise.
 WOM
 might
 be
 spread
 either
 before
or
after,
in
this
case,
an
experience.



(14)

It
 can
 be
 of
 financial,
 performance,
 physical,
 psychological
 and
 social
 risk
 (Jacoby
 and
 Kaplan,
1972).
Input
WOM
(receiver)
minimizes
such
a
risk
in
a
way
that
it
is
seen
as
a
 strategy
for
risk
reduction.
In
the
film
industry,
this
is
when
filmgoers
are
advised
to
go
 and
watch
a
particular
film.
Confidence
grows
stronger,
the
closer
the
advice
comes
to
 one’s
social
connection.
Information
that
comes
from
family
members
or
an
individual’s
 circle
of
friends
is
considered
more
reliable
than
impersonal
sources.
Input
WOM
among
 consumers
 is
 particularly
 important
 in
 the
 selection
 process
 of
 a
 product
 or
 service
 (Anton,
2009).



(15)

2.2.2

 TWO
TYPES
BASED
ON
VALENCE

 In
the
subsequent
sections
attention
will
be
paid
to
WOM
valence
from
the
consumer’s
 reception
perspective,
as
portrayed
in
figure
2.

 
 FIGURE
2
 Consumer
reception
perspective
 
 
 
 
 


The
 valence
 of
 WOM
 might
 be
 either
 positive,
 neutral
 or
 negative
 (Anderson,
 1998).
Not
many
studies
have
addressed
neutral
statements,
because
it
is
perceived
as
 less
informative
and
these
statements
are
not
as
important.
Neutral
statements
may
not
 contain
a
lot
of
informational
insight
and
many
times
individuals
do
not
know
how
to
 react.
 These
 statements
 have
 also
 little
 or
 no
 commercial
 relevance
 and
 they
 do
 not
 greatly
influence
behaviour.
These
are
the
reasons
why
most
studies
only
describe
WOM
 valence
as
either
positive
or
negative
(Hoyer
and
Macinnis,
2009).
In
this
research
the
 focus
will
be
on
WOM
valence
viewed
from
a
positive
and
negative
perspective.
Positive
 WOM
consists
of
when
positive
testimonials
and
endorsements
desired
by
the
company
 are
passed
along
among
individuals
in
their
target
group
(Buttle,
1998).

On
the
other
 hand,
 negative
 WOM
 includes
 behaviour
 such
 as
 product
 denigration,
 relating
 unpleasant
experiences,
rumour
and
private
complaining
(Anderson,
1998).
The
reason
 that
 WOM
 valence
 matters
 is
 very
 straightforward;
 positive
 WOM
 enhances
 an
 individual’s
 view
 on
 the
 expected
 quality,
 whereas
 negative
 WOM
 will
 reduce
 it
 (Liu,
 2006).




(16)

This
 is
 also
 known
 as
 positive
 WOM
 bias.
 It
 has
 to
 be
 said
 that
 most
 individuals
 who
 have
 extremely
 negative
 WOM
 share
 it
 with
 fewer
 people.
 On
 the
 other
 hand,
 people
 with
less
harsh
comments
about
a
product
or
service,
share
this
more
openly
with
other
 individuals.

This
works
both
ways,
as
people
who
are
not
completely
satisfied,
but
still
 have
 a
 rather
 pleasant
 experience
 with
 a
 product
 or
 service
 do
 not
 pass
 this
 on
 to
 as
 many
people.
On
average,
less
than
very
satisfied
customers
speak
to
significantly
fewer
 people
 about
 their
 experience
 than
 the
 most
 satisfied
 customers
 (Naylor
 and
 Kleiser,
 2000).
 However,
 more
 than
 half
 of
 dissatisfied
 consumers
 engage
 in
 negative
 WOM.
 Furthermore,
 dissatisfied
 consumers
 talk
 to
 three
 times
 more
 people
 about
 their
 bad
 experiences
 than
 satisfied
 consumers
 do
 about
 their
 pleasant
 experiences
 (Hoyer
 and
 Macinnis,
2009).
 Burzynski
and
Bayer
(1977)
researched
the
effect
of
positive
and
negative
WOM
 on
motion
picture
appreciation.
Filmgoers,
who
were
exposed
to
negative
WOM
prior
to
 viewing
the
film
subsequently,
also
expressed
more
negative
evaluations
of
the
film
than
 filmgoers
who
were
exposed
to
positive
WOM.
Negative
WOM
can
have
such
an
impact
 on
WOM
produced
(post)
that
in
some
cases
filmgoers
who
are
exposed
to
this
negative
 WOM
immediately
redeem
their
tickets
(Burzynski
and
Bayer,
1977).
People
are
eight
 times
 as
 likely
 to
 receive
 positive
 (favourable)
 rather
 than
 negative
 (unfavourable)
 WOM
 (Arndt,
 1967a).
 However,
 these
 results
 suggest
 that
 negative
 WOM
 has
 more
 effectiveness
in
shaping
others’
behaviour.
Sweeney
et
al.
(2005)
also
supported
similar
 results.
 They
 suggest
 that
 in
 consumer
 evaluation,
 negative
 information
 plays
 a
 much
 greater
 role
 than
 positive
 information.
 Moreover,
 people
 pay
 a
 lot
 more
 attention
 and
 hold
 on
 to
 negative
 WOM
 than
 they
 do
 to
 positive
 WOM.
 Negative
 WOM
 may
 be
 diagnostic
due
to
the
fact
that
it
has
more
significance
because
it
seems
to
tell
us
how
 information
 differs
 from
 one
 another.
 Most
 of
 the
 information
 people
 hear
 about
 a
 product
 or
 service
 is
 positive,
 so
 negative
 information
 may
 receive
 more
 attention
 because
 it
 is
 surprising,
 unusual
 and
 different.
 Additionally,
 negative
 WOM
 may
 also
 prompt
 consumers
 to
 attribute
 problems
 to
 the
 product
 or
 service
 in
 question,
 not
 to
 the
consumer
who
uses
it
(Hoyer
and
Macinnis,
2009).




(17)

However,
there
are
mixed
findings
about
the
degree
to
which
individuals
talk
when
they
 are
dissatisfied
about,
in
this
case,
a
film.
Some
studies
state
that
dissatisfied
consumers
 talk
 very
 little
 or
 not
 at
 all
 about
 a
 film,
 while
 other
 studies
 conclude
 that
 dissatisfied
 consumers
will
engage
more
often
in
interaction
to
voice
their
dissatisfaction.

 
 2.2.3
 TWO
TYPES
OF
SOURCE
BASED
ON
TYPE
OF
SENDER
 From
the
consumer’s
perspective,
this
section
of
the
paper
assesses
the
transmitter
of
 the
input
WOM.
There
are
different
methods
to
research
the
impact
of
WOM
often
based
 on
who
is
sending
‐source
and
source
credibility‐
the
message.

For
example,
the
study
 by
Gilly
et
al.
(1998)
used
theoretical
constructs
such
as
source
expertise,
demographic
 homophily,
perceptual
homophily,
seeker
expertise
and
opinion
leadership
of
source
to
 conduct
 their
 research.
 Another
 way
 to
 research
 source
 and
 source
 credibility
 is
 by
 applying
the
theory
of
the
strength
of
a
tie.



The
introduction
of
the
concept
the
strength
of
a
tie
proceeded
on
an
intuitive
 notion
 in
 defining
 the
 concept
 in
 terms
 of
 four
 elements.
 The
 strength
 of
 a
 tie
 is
 characterized
by
a
(probably
linear)
combination
of
the
amount
of
time,
the
emotional
 intensity,
 the
 intimacy
 (mutual
 confiding)
 and
 the
 reciprocal
 services
 (Granovetter,
 1973).
Strength
is
the
emotional
or
band
connection
individuals
have
with
one
another.
 A
consumer’s
social
relations
with
other
relevant
actors
typically
include
a
spectrum
of
 ties
 that
 range
 from
 strong
 primary
 to
 weak
 secondary
 (Brown
 and
 Reingen,
 1987).
 More
 intimate
 connections
 between
 close
 friends
 and
 family
 members
 are
 defined
 as
 strong
 ties;
 the
 source
 is
 someone
 who
 personally
 knows
 the
 decision‐maker.
 On
 the
 other
hand,
weak
ties
exist
between
acquaintances
or
business
associates;
someone
who
 is
 just
 an
 acquaintance
 or
 does
 not
 know
 the
 decision‐maker
 at
 all
 (Papakyriazis
 and
 Boudourides,
2001;
Duhan
et
al.,
1997).



(18)

Furthermore,
 strong
 ties
 were
 not
 only
 being
 perceived
 as
 more
 influential,
 but
 they
 were
 also
 far
 more
 numerous
 as
 sources
 of
 information
 than
 weak
 ties
 (Brown
 and
 Reingen,
 1987).
 Weak
 ties
 might
 have
 a
 greater
 impact
 on
 the
 rate
 of
 information
 dissemination
 than
 strong
 ties
 when
 network
 size
 is
 small,
 the
 amount
 of
 weak
 tie
 contacts
are
numerous
or
the
effect
of
advertising
is
weak.
Both
types
of
source
based
 on
 the
 type
 of
 sender
 are
 relevant
 and
 stronger
 than
 advertising
 (Goldenberg
 et
 al.,
 2001).


As
a
result,
both
strong
and
weak
ties
act
as
important
sources
in
the
dispersion
 of
 interpersonal
 communication
 through
 WOM
 for
 the
 film
 industry.
 This
 market
 dispersion
is
very
important.
Children
that
have
watched
a
film
can
spread
information
 to
family
members,
close
friends
or
individuals
outside
their
social
vicinity.
Although
it
 is
mentioned
above
that
WOM
received
from
strong
ties
is
perceived
as
more
influential,
 weak
 ties
 are
 also
 just
 as
 important,
 because
 they
 act
 as
 an
 activator
 for
 the
 flow
 of
 information.



2.3
 SENDER/RECEIVER
 CHARACTERISTICS
 THAT
 INFLUENCE
 WOM
 IMPACT
 AND
OUTPUT
WOM


Following
the
factors
that
influence
the
impact
of
WOM
on
final
decision
in
the
previous
 sections,
 these
 upcoming
 passages
 will
 assess
 the
 sender/receiver
 characteristics
 that
 influence
WOM
impact
and
output
WOM:
opinion
leadership,
consumer
susceptibility
to
 interpersonal
influence,
gender
and
age.

 
 2.3.1
 OPINION
LEADERSHIP
 
 Opinion
leadership
has
a
strong
influence
on
the
output
WOM.
Opinion
leaders
tend
to
 be,
 in
 many
 ways,
 similar
 to
 those
 they
 influence.
 They
 are
 more
 sociable,
 innovative
 and
more
interested
in
the
topic
of
the
product
or
service
in
question.
Moreover,
they
 typically
receive
and
transmit
more
information
about
a
given
topic.

An
opinion
leader
 may
be
expressing
a
need
to
help
others
make
a
more
informed
decision
or
may
simply
 wish
 to
 share
 a
 message,
 such
 as
 a
 particularly
 funny
 or
 controversial
 advertisement
 (Haywood,
1989).



(19)

He
 or
 she
 is
 just
 a
 channel
 of
 information
 and
 advice
 to
 other
 people
 (Brooks,
 1957).
 When
 opinion
 leaders
 possess
 many
 direct
 contacts
 and
 are
 also
 mutually
 interconnected,
they
are
considered
close
to
all
other
group
members.
Children
with
a
 high
degree
of
centrality
‐that
is,
with
many
direct
contacts
to
others
in
social
networks‐
 can
 be
 identified
 as
 opinion
 leaders.
 However,
 it
 is
 suggested
 that
 opinion
 leadership
 among
 children
 cannot
 be
 identified
 on
 the
 basis
 of
 betweenness
 centrality,
 meaning
 that
opinion
leaders
are
only
influential
in
very
local
terms.
Opinion
leaders
can
spread
 innovations,
but
many
opinion
leaders
are
necessary
in
order
to
achieve
a
broader
reach
 (Kratzer
and
Lettl,
2009).

 2.3.2
 CONSUMER
SUSCEPTIBILITY
TO
INTERPERSONAL
INFLUENCE
 The
degree
to
which
WOM
influences
the
decision
of
children
to
watch
a
particular
film
 is
 highly
 dependent
 on
 their
 susceptibility
 to
 interpersonal
 influence.
 Some
 children
 may
be
highly
susceptible
to
social
influence
and
in
that
case
WOM
might
have
a
strong
 effect.
On
the
other
hand,
incoming
WOM
might
have
not
much
effect
on
children
that
 are
not
susceptible
to
social
influence.
Individuals
with
low
self‐esteem
tend
to
be
more
 readily
influenced
than
others
(Janis,
1954).
There
are
two
types
of
social
influence
that
 can
 be
 distinguished
 namely,
 informational
 and
 normative
 influence
 (Deutsch
 and
 Gerard,
1955).



Informational
 influence
 is
 defined
 as
 the
 acceptance
 of
 information
 obtained
 from
 another
 as
 evidence
 about
 reality
 (Deutsch
 and
 Gerard,
 1955).
 Informational
 influence
 is
 based
 on
 the
 desire
 to
 make
 informed
 decisions.
 When
 faced
 with
 uncertainty,
an
individual
will
seek
information.
Of
the
many
available
sources,
the
most
 likely
 to
 be
 accepted
 are
 those
 that
 are
 viewed
 as
 credible.
 Those
 with
 presumed
 expertise
or
significant
others
are
considered
as
referents
with
high
credibility
(Bearden
 and
Etzel,
1982).
Informational
influence
may
happen
in
two
different
ways.
Individuals
 may
actively
be
searching
for
information
from
opinion
leaders
or
from
a
group
with
the
 appropriate
 expertise.
 Otherwise,
 the
 individuals
 draw
 a
 conclusion
 by
 observing
 the
 behaviour
of
significant
others
(Park
and
Lessig,
1977).



(20)

The
individual
wants
to
stand
out
among
others.
These
individuals
want
to
show
other
 individuals
who
they
are
and
do
so,
for
example,
by
talking
about
a
particular
film.
This
 way
they
can
distinguish
themselves
from
others.
It
is
also
reflected
in
the
acceptance
of
 positions
 expressed
 by
 others.
 The
 association
 can
 either
 attempt
 to
 resemble
 the
 reference
group
as
much
as
possible
or
flows
from
an
attachment
or
liking
for
the
group.
 The
individual
is
responsive
to
the
reference
group
out
of
a
feeling
for
it,
not
because
of
 a
desire
to
be
associated
with
it
(Bearden
and
Etzel,
1982).
Utilitarian
influence
reflects
 in
 attempts
 to
 comply
 with
 the
 wishes
 of
 others
 to
 achieve
 rewards
 or
 to
 avoid
 punishment.
Individuals
are
afraid
to
make
the
wrong
choices
in
fear
that
they
will
not
 be
accepted
within
or
that
they
will
be
kicked
out
of
the
group.
If
an
individual
feels
that
 certain
types
of
behaviour
will
result
in
rewards
or
punishment
from
others
and
if
these
 outcomes
are
viewed
as
important,
he
or
she
will
find
it
useful
to
meet
the
expectations
 of
these
significant
others
(Bearden
and
Etzel,
1982).



This
 research
 focuses
 on
 susceptibility
 to
 interpersonal
 influence.
 Consumer
 susceptibility
 to
 interpersonal
 influence
 is
 defined
 as
 follows:
 the
 need
 to
 identify
 or
 enhance
one’s
image
with
significant
others
through
the
acquisition
and
use
of
products
 and
brands,
the
willingness
to
conform
to
the
expectations
of
others
regarding
purchase
 decisions
and/or
the
tendency
to
learn
about
products
and
services
by
observing
others
 and/or
 seeking
 information
 from
 others
 (Bearden
 et
 al.,
 1989).
 McGuire
 (1968)
 concluded
that
consumer
susceptibility
to
interpersonal
influence
is
a
general
trait
that
 varies
across
individuals
and
that
an
individual’s
relative
degree
of
being
influenceable
 in
one
situation
tends
to
have
a
significantly
positive
relationship
to
his
or
her
degree
of
 being
influenceable
in
a
range
of
other
social
situations.
 
 2.3.3
 GENDER
AND
AGE


(21)

In
 particular
 young
 women
 have
 been
 found
 to
 be
 quite
 skilled
 at
 spreading
 WOM
 (Ranjbarian
et
al.
2011).
For
example,
Bush
et
al.
(2004)
found
that
females
were
more
 suitable
 than
 males
 to
 say
 positive
 things
 about,
 recommend
 products
 or
 services,
 encourage
friends
or
relatives
to
buy
certain
products
or
to
make
use
of
certain
services
 endorsed
by
their
favourite
athlete.



(22)
(23)

2.4.1
 TYPE
OF
FILM


Children’s
 film
 can
 be
 distinguished
 with
 regard
 to
 their
 style
 of
 production
 into
 mainstream
 and
 independent
 film,
 just
 like
 adult
 films.
 There
 are
 different
 lines
 of
 argumentation
about
the
definition
of
independent
films:
they
are
either
conceptualized
 as
experimental
films
or
as
ambitious
films
and
they
are
often
screened
at
festivals
and
 less
 frequently
 in
 cinemas.
 In
 the
 special
 case
 of
 children’s
 films,
 independent
 film
 is
 defined
 in
 opposition
 to
 mainstream
 films
 as
 ambitious
 films,
 which
 tackle
 difficult
 topics
and
are
not
produced
for
entrainment
purposes
only
(Völcker,
2005).
This
notion
 already
 implies
 that
 mainstream
 films
 are
 the
 dominant
 species
 in
 the
 film
 industry,
 aimed
at
the
mass
market,
whereas
independent
films
are
in
general
focused
on
a
niche
 market
(Gemser
et
al.,
2007).
This
research
will
use
films
produced
into
the
mainstream
 category,
but
also
independent
films
(mainly
local
films).
 2.4.2
 WITH
WHOM


This
 section
 focuses
 on
 the
 control
 variable
 with
 whom
 (coordinated
 consumption
 effect)
children
can
watch
a
particular
children’s
film.
The
degree
to
which
consumers
 are
 influenced
 by
 the
 intended
 behaviours
 of
 others
 is
 referred
 to
 as
 the
 coordinated
 consumption
 effect.
 In
 this
 case,
 the
 more
 individuals
 intend
 to
 go
 and
 watch
 a
 given
 film,
the
more
likely
these
consumers
are
to
find
somebody
else
to
accompany
them.
The
 social
pressures
to
join
in
are
also
much
greater.
The
coordinated
consumption
effect
is
 most
likely
to
occur
at
the
film’s
release.
Characteristics
are
that
the
particular
film
has
 been
 advertised
 heavily
 or
 immediately
 after
 launch
 when
 the
 advertising
 effects
 still
 remain
strong
(Broekhuizen
et
al.,
2011).



(24)

2.5
 CONCEPTUAL
MODEL



(25)

3



RESEARCH
METHODOLOGY


This
 chapter
 describes
 the
 research
 methodology.
 Firstly,
 the
 methodology
 for
 measuring
WOM
will
be
explained.
Secondly,
the
data
collection
will
be
presented.
This
 chapter
will
end
with
the
measurement
of
the
variables.

 
 3.1
 METHODOLOGY
FOR
MEASURING
WOM
 Traditional
attempts
to
measure
WOM
are
based
on
two
principal
techniques:
inference
 and
 survey
 (Dellarocas,
 2004).
 The
 questionnaire
 method
 will
 be
 used
 to
 collect
 relevant
information
regarding
the
influence
of
children’s
WOM
on
children’s
film.

The
 reason
 for
 choosing
 a
 questionnaire
 is
 because
 it
 has
 three
 specific
 objectives.
 Firstly,
 the
questionnaire
translates
the
information
needed
into
specific
questions.
Secondly,
it
 also
 urges
 the
 respondent
 to
 become
 involved
 and
 lastly,
 it
 also
 minimizes
 response
 error
 (Malhotra,
 2004).
 Moreover,
 surveys
 remain
 the
 most
 popular
 method
 to
 study
 WOM,
 largely
 because
 individuals
 can
 be
 asked
 directly
 about
 their
 communication
 habits;
 the
 error
 then
 lies
 in
 the
 self‐reporting
 of
 behaviour
 (Dellarocas,
 2004).

 Furthermore,
 another
 reason
 for
 choosing
 the
 questionnaire
 method
 is,
 because
 in
 reality
 it
 is
 very
 difficult
 ‐if
 not
 impossible‐
 to
 exactly
 observe
 who,
 when
 and
 over
 which
films
the
children
talk
about
24
hours
a
day
and
7
days
a
week.
If
in
reality
this
 research
 had
 been
 conducted
 based
 solely
 on
 observation,
 it
 would
 have
 become
 tremendously
difficult
to
detect
and
analyze
all
the
different
communication
flows.



(26)

Regarding
 cognitive
 and
 social
 development,
 John
 (1999)
 classifies
 three
 consumer
 socialization
 stages:
 the
 perceptual
 stage
 (3‐7
 years),
 the
 analytical
 stage
 (7‐11
 years)
 and
the
reflective
stage
(11‐16
years).
The
stage
of
development
of
a
child
will
in
fact
 influence
 their
 performance
 on
 each
 of
 the
 tasks
 involved
 in
 answering
 a
 question.
 Children
first
have
to
understand
the
question
and
determine
the
intended
meaning.
In
 the
second
step
they
have
to
retrieve
information
from
memory
and
use
this
to
come
to
 a
 tentative
 answer.
 They
 then
 have
 to
 formulate
 the
 answer,
 either
 by
 choosing
 the
 appropriate
response
category
or
by
actively
verbalizing
their
thoughts
(Borgers
et
al.,
 2000).



For
 this
 research
 it
 was
 decided,
 based
 on
 the
 above
 description,
 to
 target
 children
 from
 seven
 to
 twelve
 years
 old
 to
 fill
 out
 the
 questionnaire.
 This
 is
 because
 these
children
find
themselves
in
the
analytical
and
reflective
stage
and
children’s
film
is
 aimed
mostly
at
children
up
to
twelve
years
old.
Furthermore,
the
cognitive
growth
of
 children
for
filling
out
the
questionnaire
was
taken
into
account
and
this
is
why
all
the
 questions
were
phrased
simply,
making
them
easier
to
answer.



(27)

Consequently,
 for
 this
 research
 the
 respondents
 were
 confronted
 with
 16
 films
 (profiles)
which
allow
to
estimate
the
main
effects
for
each
factor
level
of
a
full
fractional
 factorial
design.



There
 are
 three
 methods
 to
 conduct
 a
 Conjoint
 analysis.
 In
 the
 first
 method,
 respondents
are
asked
to
assign
a
preference
score
to
each
profile.
This
type
of
method
 is
typical
when
a
Likert‐type
scale
is
used
or
when
the
respondents
are
asked
to
assign
a
 number
 from
 one
 to
 a
 hundred
 to
 indicate
 preference.
 In
 the
 second
 method,
 respondents
 are
 asked
 to
 assign
 a
 rank
 to
 each
 profile
 ranging
 from
 one
 to
 the
 total
 number
 of
 profiles.
 In
 the
 third
 method,
 respondents
 are
 asked
 to
 sort
 the
 profiles
 in
 terms
of
preference
(SPSS,
2011).
The
first
‐preference
score
method‐
was
used
for
this
 research,
 because
 it
 is
 much
 easier
 for
 the
 children
 to
 take
 part
 in
 by
 giving
 a
 score
 between
1
(unhappy
face)
and
10
(happy
face)
for
each
film.
The
other
two
methods
are
 more
complex
for
the
children
to
rank
or
sort
each
of
the
films
(profiles)
according
to
 their
 preference.
 This
 can
 become
 more
 difficult
 for
 the
 children,
 compared
 to
 only
 assigning
a
score
to
a
film
in
terms
of
how
gladly
they
would
want
to
watch
each
of
the
 16
different
films.



3.2
 DATA
COLLECTION


The
 questionnaire
 had
 to
 be
 adapted
 to
 the
 cognitive
 limitations
 for
 the
 chosen
 age
 group
of
this
research.
Standard
research
questionnaires
for
adults
could
not
be
used.
 The
 reason
 for
 this
 being
 is
 that
 their
 phase
 language
 is
 still
 developing
 and
 reading
 skills
are
just
being
acquired.
Understanding
language
is
very
important
for
data
quality.
 The
 biggest
 difference
 between
 questionnaires
 for
 adults
 and
 children
 is
 the
 use
 of
 negatively
 phrased
 questions
 (Borgers
 et
 al.,
 2000).
 As
 a
 result,
 for
 this
 research,
 negatively
 phrased
 questions
 are
 avoided,
 because
 the
 children
 will
 not
 easily
 understand
those
questions.



3.2.1
 PRETEST


(28)

On
 request,
 the
 questionnaire
 is
 available
 in
 Dutch
 to
 the
 interest
 of
 the
 reader.
 The
 English
version
of
the
questionnaire
is
enclosed
in
Appendix
III.




Before
 the
 research
 could
 be
 conducted
 at
 the
 selected
 primary
 schools,
 the
 questionnaire
was
tested
under
some
children
to
see
if
they
understood
the
questions
 and
were
able
to
answer
them
appropriately.
On
the
Bastiaan
square
in
the
city
of
Delft
 the
 questionnaire
 was
 tested
 on
 some
 children
 aged
 seven
 to
 twelve
 years.
 After
 the
 questionnaire
was
tested,
several
adjustments
were
made
to
the
questionnaire
to
make
 it
more
understandable
for
the
chosen
age
group
of
this
research.



3.2.2
 SCHOOL
SELECTION
AND
CLASS
PRESENTATION


Data
 for
 this
 research
 was
 gathered
 from
 schoolchildren
 attending
 randomly
 selected
 primary
 schools
 throughout
 the
 Netherlands.
 This
 was
 done
 to
 ensure
 a
 more
 representative
and
diverse
sample.
This
approach
is
similar
to
the
one
that
was
used
in
 the
research
of
Kratzer
and
Lettl
(2009).
The
primary
schools
located
in
the
Netherlands
 were
 contacted
 and
 information
 about
 the
 research
 was
 given.
 After
 obtaining
 permission
 from
 several
 of
 the
 primary
 schools
 to
 conduct
 this
 research,
 the
 data
 collection
started.
To
make
it
more
appealing
to
the
children
to
completely
fill
out
the
 questionnaire,
 several
 cinema
 tickets
 were
 raffled
 off
 under
 the
 participating
 classrooms.
 This
 research
 was
 conducted
 at
 three
 different
 primary
 schools
 in
 the
 Netherlands:
 O.B.S.
 De
 Pendinghe
 situated
 in
 Groningen,
 R.K.
 Cornelis
 Musiusschool
 in
 Delft
 and
 G.B.S.
 De
 Mikkelhorst
 in
 Haren.
 The
 total
 number
 of
 respondents
 for
 this
 research
totalled
194
children
in
13
classrooms.
Children
from
grade
4
(7
and
8
years),
 grade
5
(8
and
9
years),
grade
6
(9
and
10
years),
grade
7
(10
and
11
years)
and
8
(11
 and
 12
 years)
 took
 part
 in
 this
 research.
 Grade
 4
 totalled
 only
 one
 classroom,
 while
 grade
 5/6
 totalled
 seven
 classrooms
 and
 five
 classrooms
 for
 grade
 7/8.
 However,
 the
 net
sample
included
152
valid
and
acceptable
samples;
78.35%
of
the
total
amount
of
 respondents.
 The
 incomplete
 questionnaires
 were
 not
 used
 and
 deleted
 from
 the
 sample.




(29)

In
the
beginning
of
the
presentation
it
was
explained
to
the
children
that
if
they
did
not
 understand
a
question,
they
were
free
to
raise
their
hands,
so
that
the
question
could
be
 clarified
in
order
for
him
or
her
to
be
able
to
fully
understand
it
and
answer
it
correctly.



For
 the
 second
 part
 of
 the
 research
 ‐the
 Conjoint
 analysis‐
 the
 children
 were
 asked
 to
 give
 a
 score
 from
 one
 (lowest)
 to
 ten
 (highest)
 to
 a
 set
 of
 16
 films
 (profiles)
 according
to
their
preference.
The
16
films
each
described
different
combinations
of
the
 five
 chosen
 attributes.
 One
 by
 one,
 all
 the
 16
 films
 were
 displayed
 with
 the
 aid
 of
 the


Microsoft
 Office
 program
 PowerPoint®
 in
 the
 classroom
 using
 a
 SMARTBoard®.


Appendix
 IV
 gives
 the
 examples
 for
 the
 first
 two
 films.
 The
 children
 needed
 to
 give
 a
 score
between
one
(unhappy
face)
and
ten
(happy
face)
to
each
of
the
16
films
on
the
 form
they
were
given.
A
copy
of
this
score
method
can
be
found
in
Appendix
V.


The
information
obtained
from
the
questionnaires
and
the
Conjoint
analysis
was
 treated
 confidentially.
 The
 closed
 questions
 and
 the
 Conjoint
 analysis
 were
 analyzed
 through
 the
 statistical
 program
 SPSS
 (Statistical
 Package
 for
 the
 Social
 Sciences).
 The
 open
 questions
 were
 analyzed
 through
 the
 Microsoft
 Office
 program
 Excel®.
Figure
 5


(30)

FIGURE
5
 Data
sources
to
test
the
conceptual
model
 
 
 3.3
 
MEASUREMENT
OF
THE
VARIABLES
 The
chosen
variables
for
this
research
were
taken
from
previous
researchers
that
have
 examined
similar
or
semi‐similar
variables
in
their
respective
studies.
In
some
cases
the
 questionnaire
 items
 were
 adapted
 to
 the
 purpose
 of
 this
 research,
 so
 that
 it
 was
 understandable
and
suitable
for
the
children
to
respond.



(31)

3.3.1
 QUESTIONNAIRE


The
variable
opinion
leadership
(questions
1,
2
and
3)
was
measured
by
using
the
scale
 measure
 from
 the
 research
 of
 Kratzer
 and
 Letll
 (2009).
 The
 preference
 for
 heavily
 advertised
films
variable
indicating
less
versus
heavily
advertised
films
(questions
4,
5
 and
 6)
 was
 adapted
 from
 Basuroy
 et
 al.
 (2006)
 and
 Boatwright
 et
 al.
 (2007).
 The
 variables
for
susceptible
to
normative
influence
(questions
7,
8
and
9)
and
susceptible
to
 informational
 influence
 (questions
 10,
 11
 and
 12)
 were
 measured
 by
 using
 the
 questionnaire
 items
 from
 the
 research
 of
 Bearden
 et
 al.
 (1989)
 and
 Mangleburg
 et
 al.
 (2004).
 The
 variables
 evaluation
 of
 last
 experience
 and
 amount
 of
 WOM
 produced
 (questions
13,
14
and
15)
was
measured
by
adapting
the
scale
used
by
Broekhuizen
et
 al.
 (2011).
 
 Gender
 (question
 16)
 and
 age
 (question
 17)
 were
 included
 as
 background
 variables.
Adaptations
of
Likert‐type
scales
to
better
suit
children
have
included
the
use
 of
unhappy,
neutral,
or
happy
faces
and
a
thermometer
(to
represent
a
continuous
scale)
 (Reynolds
 and
 Kamphaus,
 2003).
 Therefore,
 questions
 1
 through
 12
 were
 valued
 by
 continuously
using
the
five
point
Likert
scales
measurement
system
and
were
divided
 between
always
(1)
and
never
(5).


3.3.2
 CONJOINT
ANALYSIS


The
 Conjoint
 analysis
 has
 five
 attributes
 (factors),
 which
 are
 shown
 in
 table
 1.
 These
 attributes
 are:
 valence,
 source,
 how
 many,
 type
 of
 film
 and
 with
 whom.
 The
 valence
 attribute
has
two
options,
either
positive
or
negative.
The
second
attribute
is
source
and
 it
has
four
options.
This
attribute
specifies
where
the
children
obtain
information
from;
 family
members,
school
friends,
friends
in
their
neighbourhood,
or
friends
that
live
far
 away.
Under
the
how
many
attribute
there
are
also
four
options
namely,
that
they
might
 have
received
recommendations
from
one
individual,
two
individuals,
three
individuals,
 or
from
four
or
more
individuals.
The
attribute
type
of
film
has
only
two
options
namely,
 independent
film
or
mainstream
film.
The
last
attribute
is
with
whom
they
go
and
watch
 the
 film.
 This
 attribute
 also
 has
 four
 options.
 The
 children
 can
 go
 alone,
 with
 their
 parents,
with
one
or
two
friends
or
with
three
or
more
friends.
In
Appendix
VI,
the
16
 different
films
used
for
this
research
have
been
outlined.



(32)
(33)

4



DATA
ANALYSIS
AND
RESULTS


(34)

4.2
 OPINION
LEADERSHIP


(35)
(36)

4.4
 SUSCEPTIBILITY
TO
NORMATIVE
INFLUENCE


Table
 7
 illustrates
 the
 mean
 and
 standard
 deviation
 of
 the
 items
 that
 were
 used
 to
 measure
susceptibility
to
normative
influence.



(37)
(38)

4.6
 EVALUATION
OF
LAST
FILM
EXPERIENCE
AND
THE
AMOUNT
OF
WOM

 PRODUCED


4.6.1
 LAST
VIEWED
FILM


(39)

(40)

4.6.3
 AMOUNT
OF
WOM
PRODUCED


(41)

4.7
 CORRELATION
BETWEEN
THE
VARIABLES
 
 Correlation
between
the
variables
described
above
is
presented
in
table
15.
The
Pearson
 correlation
test
showed
that
there
are
10
significant
correlations
(linear
relationships)
 between
the
variables
(p<0.05).

 There
is
a
significant
correlation
between
opinion
leadership
on
the
one
hand,
 susceptibility
 to
 normative
 influence,
 susceptibility
 to
 informational
 influence,
 the
 amount
of
WOM
produced
and
age
on
the
other.
This
suggests
that
opinion
leaders
are
 more
 susceptible
 to
 normative
 and
 informational
 influence.
 Opinion
 leaders
 continuously
need
to
listen
to
a
lot
of
information
(high
amount
of
WOM)
coming,
often,
 from
 friends
 and
 this
 could
 greatly
 influence
 a
 respondent.
 Furthermore,
 older
 respondents
are
often
seen
as
opinion
leaders.



A
 positive
 significant
 correlation
 is
 also
 present
 between
 the
 preference
 for
 heavily
 advertised
 films
 on
 the
 one
 hand,
 susceptibility
 to
 normative
 influence
 and
 susceptibility
 to
 informational
 influence
 on
 the
 other.
 This
 indicates
 that
 the
 respondents,
that
have
a
preference
for
heavily
advertised
(mainstream)
films
are
also
 more
susceptible
to
normative
and
informational
influence.
The
reason
for
this
might
be
 that
they
want
to
satisfy
their
needs
and
are
afraid
to
make
wrong
film
choices
or
they
 do
not
want
to
hear
bad
stories
about
a
particular
film
from
other
individuals.



There
is
a
significant
correlation
between
susceptibility
to
normative
influence
 on
 the
 one
 hand,
 susceptibility
 to
 informational
 influence
 and
 the
 amount
 of
 WOM
 produced
 on
 the
 other.
 Thus,
 the
 respondents
 that
 are
 more
 susceptible
 to
 normative
 influence
are
also
more
susceptible
to
informational
influence.
It
can
be
suggested
that
 the
more
the
respondents
are
susceptible
to
normative
influence,
the
more
WOM
they
 produce.


(42)
(43)
(44)

4.8
 CONJOINT
ANALYSIS


To
analyze
the
second
part
of
this
research,
the
Conjoint
analysis
experiment,
a
similar
 approach
 was
 used
 as
 the
 example
 given
 in
 the
 PDF‐file
 of
 SPSS
 (2011).
 Information
 from
relevant
articles
and
books
were
also
used
to
explain
certain
terms
related
to
the
 Conjoint
analysis
more
thoroughly.



4.8.1
 UTILITY
SCORES


A
 utility
 score,
 or
 part‐worth,
 is
 derived
 from
 the
 responses
 of
 each
 individual,
 which
 measures
the
unique
subjective
judgment
of
preference
(Chan,
2005).
The
16
films
vary
 in
their
performance
on
the
attributes
and
by
analyzing
the
preference
for
each
of
the
16
 films,
 it
 is
 possible
 to
 assess
 the
 importance
 of
 the
 attributes.
 
 The
 importance
 scores
 can
be
used
to
determine
the
utility
scores.
A
higher
utility
score
means
that
the
factor
 levels
 have
 larger
 positive
 values,
 whereas
 a
 lower
 utility
 score
 means
 that
 the
 factor
 levels
have
larger
negative
values
(SPSS,
2011).


(45)


 
 
 
 
 
 
 
 
 

 
 
 
 
 
 
 
 
 
 Furthermore,
these
utilities
can
be
added
together
to
give
a
total
utility
per
film.
 There
are
16
films,
as
it
is
outlined
in
appendix
V.
For
example,
the
total
utility
of
film
1
 with
 valence
 positive,
 source
 friends
 that
 live
 far
 away,
 how
 many
 four
 or
 more
 individuals,
type
of
film
mainstream
film
and
with
whom
with
one
or
two
friends
would
 give
the
following:


(46)

Table
17
displays
the
estimated
total
utility
and
the
actual
utility
(mean)
for
all
 the
16
films
(Appendix
V).

Film
13
has
the
highest
total
utility
and
the
highest
mean.
 This
means
that
film
13
has
the
greatest
preference
among
respondents.
On
the
other
 hand,
 film
 3
 has
 the
 lowest
 total
 utility
 and
 the
 lowest
 mean
 and
 thus
 indicates
 that
 respondents
‐if
they
were
given
the
opportunity
to
watch
this
film‐
will
not
likely
choose
 to
watch
it.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 



 Table
 18
 shows
 the
 correlation
 between
 the
 estimated
 and
 the
 actual


(47)


 
 
 
 
 4.8.2
 RELATIVE
FACTOR
IMPORTANCE
SCORES
FOR
THE
WHOLE
GROUP
 
 Relative
importance
is
how
much
difference
each
of
the
factors
(attributes)
could
make
 in
 the
 total
 utility
 of
 the
 product
 or
 service.
 Relative
 factor
 importance
 scores
 thus
 represent
the
categories’
influence
on
the
respondents’
overall
judgments.
The
relative
 factor
 importance
 score
 is
 equal
 to
 the
 difference
 between
 the
 highest
 and
 lowest
 standardized
 utility
 scores
 (parts‐worth)
 for
 a
 given
 factor,
 divided
 by
 the
 sum
 of
 the
 differences
 for
 all
 factors
 and
 multiplied
 by
 100%
 (Burke
 and
 Cooper,
 2009).
 The
 relative
factor
importance
scores
represent
percentages
and
the
property
that
they
sum
 up
to
100
(SPSS,
2011).



(48)


 
 
 
 
 
 
 
 
 


4.8.3
 RELATIVE
 FACTOR
 IMPORTANCE
 SCORES
 FOR
 THE
 SENDER/RECEIVER
 CHARACTERISTICS


The
following
sections
will
give
the
relative
factor
importance
scores
for
the
following
 variables:
 opinion
 leadership,
 preference
 for
 heavily
 advertised
 films,
 susceptibility
 to
 normative
influence,
susceptibility
to
informational
influence,
gender
and
age.
Using
the
 median
 split,
 the
 variables
 were
 divided
 into
 two
 groups
 namely
 opinion
 leadership
 (low
 versus
 high),
 preference
 for
 heavily
 advertised
 films
 (low
 versus
 high),
 susceptibility
 to
 normative
 influence
 (low
 versus
 high),
 susceptibility
 to
 informational
 influence
(low
versus
high),
gender
(boys
versus
girls)
and
age
(7‐9
years
versus
10‐12
 years).
The
differences
in
importance
ratings
are
checked
between
the
groups.


4.8.3.1
OPINION
LEADERSHIP


In
 table
 20
 the
 importance
 scores
 for
 opinion
 leadership
 are
 shown.
 The
 factor
 with
 whom
has
the
highest
overall
preference
score
for
the
groups
with
low
and
high
opinion
 leadership,
 whereas
 the
 factor
 how
 many
 has
 the
 lowest
 score
 in
 determining
 overall
 preference
in
both
groups.
For
the
group
with
low
opinion
leadership,
WOM,
which
has
 a
combined
effect
of
51.31%,
is
more
important
than
the
combined
effect
of
the
control
 variables
 regarding
 the
 decision
 process
 for
 watching
 a
 particular
 children’s
 film.
 The
 group
 of
 high
 opinion
 leadership
 found
 the
 combined
 effect
 of
 the
 control
 variables
 (50.78%)
to
be
more
important
than
WOM
in
the
decision
process
to
watch
a
particular
 children’s
film.



(49)


 
 
 
 
 
 
 
 
 
 
 
 
 4.8.3.2
PREFERENCE
FOR
HEAVILY
ADVERTISED
FILMS
 
 The
result
of
the
importance
scores
regarding
preference
for
heavily
advertised
films
is
 displayed
in
table
21.
The
factor
how
many
has
the
lowest
overall
preference
score
for
 the
 groups
 with
 low
 and
 high
 preference
 for
 heavily
 advertised
 films.
 Although
 those
 with
a
preference
for
heavily
advertised
films
do
not
seem
to
find
the
factor
type
of
film
 more
 important,
 it
 can
 be
 said
 that
 they
 rely
 less
 on
 WOM.
 This
 may
 hint
 that
 strong
 advertising
acts
as
a
replacement
for
WOM.
The
factor
with
whom
has
the
highest
score
 in
 determining
 overall
 preference
 for
 respondents
 in
 both
 groups.
 The
 factor
 source
 plays
a
significant
role
in
overall
preference
within
both
groups,
but
not
as
significant
as
 the
factor
with
whom.
The
group
with
low
preference
for
heavily
advertised
films,
which
 has
 a
 combined
 effect
 of
 51.33%,
 finds
 WOM
 to
 be
 more
 important
 compared
 to
 the
 group
 with
 a
 high
 preference
 for
 heavily
 advertised
 films
 in
 the
 decision
 process
 to
 watch
a
particular
children’s
film.



(50)
(51)

4.8.3.4
SUSCEPTIBILITY
TO
INFORMATIONAL
INFLUENCE


(52)
(53)


 
 
 
 
 
 
 
 
 
 
 4.9
 CONCEPTUAL
MODEL
RESULTS
 
 In
this
paragraph
the
results
of
the
different
relationships
of
the
conceptual
model
will
 be
briefly
summarized.

 
 4.9.1
 QUESTIONNAIRE
DATA

 4.9.1.1
Output
WOM
 
 Using
the
questionnaire
data
there
is
a
significant
mean
difference
in
degree
of
amount
 of
 WOM
 produced
 across
 age.
 Respondents
 aged
 8
 (with
 an
 average
 of
 12.94)
 talked
 much
more
with
their
friends
about
their
last
film
experience.
As
a
consequence,
they
 produce
the
most
WOM
compared
to
respondents
of
age
11
(with
an
average
of
3.83).
 This
age
group
talks
the
least
about
their
last
film
experience
with
their
friends.
There
is
 an
indication
that
the
more
positive
the
respondents
are
with
their
last
viewed
film,
the
 more
WOM
they
produce.
Precaution
should
be
taken
when
generalizing
this
indication,
 because
 it
 was
 not
 significant.
 Moreover,
 opinion
 leadership
 (0.37),
 susceptibility
 to
 normative
 influence
 (0.38)
 and
 susceptibility
 to
 informational
 influence
 (0.23)
 are
 significantly
correlated
with
the
amount
of
WOM
produced.


(54)

4.9.2
 CONJOINT
ANALYSIS


(55)

5



CONCLUSION


In
 this
 chapter
 the
 results
 discussed
 in
 the
 previous
 chapters
 will
 take
 on
 a
 more
 abstract
level.
The
main
research
question
and
the
sub
questions
will
be
answered
first,
 followed
 by
 the
 theoretical
 and
 managerial
 implications.
 This
 paper
 will
 end
 with
 the
 limitations
of
this
research
and
suggestions
for
possible
future
research.


5.1
 RESULTS


This
research
is
the
first
to
specifically
address
children’s
WOM,
since
there
is
not
much
 known
 about
 the
 degree
 to
 which
 children
 spread
 WOM,
 the
 valence
 (positive
 or
 negative
 messages)
 or
 the
 impact
 on
 film
 choice.
 Therefore,
 this
 research
 has
 tried
 to
 shed
 some
 light
 on
 the
 influences
 of
 children
 leading
 up
 to
 a
 particular
 choice
 for
 a
 specific
children’s
film.



The
following
two
sub
questions
were
formulated
in
order
to
be
able
to
answer
 the
main
research
question.


(56)

Especially
 those
 that
 have
 a
 preference
 for
 heavily
 advertised
 films,
 attribute
 great
 importance
to
with
whom
they
go
to
see
a
film
(see
table
21).



2.
What
factors
influence
the
production
of
output
WOM?


The
 sender/receiver
 characteristics
 (opinion
 leadership,
 susceptibility
 to
 normative
 influence,
 susceptibility
 to
 informational
 influence,
 preference
 for
 heavily
 advertised
 films,
 gender
 and
 age)
 play
 a
 small
 role
 in
 the
 production
 of
 output
 WOM.
 There
 are
 little
differences
in
what
type
of
children
produce
the
most
WOM
among
their
friends.
 The
 differences
 in
 traits
 cannot
 explain
 the
 amount
 of
 WOM
 produced.
 The
 only
 significant
mean
difference
is
in
the
amount
of
WOM
produced
across
age.
The
children
 aged
 8
 are
 the
 ones
 that
 produce
 the
 most
 WOM,
 thus
 sharing
 their
 last
 viewing
 experience
 with
 most
 of
 their
 friends.
 There
 is
 no
 significant
 mean
 difference
 in
 the
 amount
of
WOM
produced
across
gender.
Even
though
there
is
also
no
significant
mean
 difference
 in
 the
 amount
 of
 WOM
 produced
 across
 evaluation
 of
 last
 film
 experience,
 there
is
a
indication
that
if
the
children
find
their
last
film
experience
to
be
very
good,
 the
more
WOM
they
will
produce.
Most
output
WOM
is
positive.
This
is
also
referred
to
 as
positive
WOM
bias.
This
is
exactly
the
reason
why
the
more
positive
they
are
about
 the
films,
the
more
WOM
they
produce.
The
correlation
table
(table
15)
shows
that
the
 difference
 in
 opinion
 leadership,
 susceptibility
 to
 normative
 and
 susceptibility
 to
 informational
influence
also
explain
the
production
of
WOM.



This
research
is
aimed
at
answering
the
following
main
research
question:



“To
what
degree
does
WOM
influence
the
choice
of
children
for
watching
a
 children’s
film
and
how
do
these
children
engage
in
WOM
after
watching
the
film?”


(57)

The
children
aged
8
are
the
ones
that
share
most
of
their
last
film
experience
with
their
 friends.
 This
 indicates
 that
 they
 produce
 most
 WOM
 after
 watching
 a
 particular
 children’s
film.
Furthermore,
the
children
that
have
a
preference
for
heavily
advertised
 films
are
also
more
susceptible
to
normative
and
informational
influence
and
produce
 more
WOM.
Socially
susceptible
individuals
are
the
ones
that
have
a
greater
preference
 for
watching
heavily
advertised
films,
because
they
want
to
be
accepted
and
do
not
want
 to
make
a
wrong
choice.
Heavily
advertised
(mainstream)
films
are
generally
accepted
 on
a
more
broader
scale.

 5.2
 THEORETICAL
IMPLICATIONS


The
 main
 theoretical
 contribution
 of
 this
 research
 to
 WOM
 literature
 is
 that
 WOM
 received
 and
 produced
 by
 children
 has
 an
 influence
 in
 the
 decision
 process
 of
 the
 children
to
watch
a
particular
children’s
film.
This
research
shows
how
WOM
works
for
 children
‐the
degree
of
WOM
influence
on
the
actual
behaviour
of
a
child‐
to
be
precise.
 This
is
one
of
the
first
researches
to
investigate
children’s
WOM
in
this
product
category
 and
shows
that
children’s
WOM
is
positively
relevant
for
the
children’s
film
genre.

 
 From
a
promotional
activity
point‐of‐view,
WOM
is
considered
to
be
one
of
the
 most
influential
methods
that
moviegoers
rely
on
in
the
film
industry.
This
is
in
line
with
 previous
 research
 (e.g.,
 Haupert,
 2006;
 McLain,
 2008;
 Zigu,
 2011)
 and
 what
 is
 against
 previous
 research
 (e.g.,
 Bush
 et
 al.
 2004;
 Ranjbarian
 et
 al.,
 2011)
 is
 that
 the
 sender/receiver
characteristics
‐opinion
leadership,
susceptibility
to
normative
influence,
 susceptibility
 to
 informational
 influence,
 preference
 for
 heavily
 advertised
 films,
 gender
 and
age‐
play
very
little
to
no
role
in
generating
output
WOM.
This
indicates
that
there
is
 little
difference
in
what
kind
of
children
produce
the
most
WOM
among
their
friends.

An
 explanation
 could
 be
 that
 the
 children
 find
 it
 difficult
 to
 make
 sense
 of
 those
 characteristics.
 For
 example
 it
 does
 not
 really
 matter
 if
 the
 children
 are
 or
 not
 susceptible
to
normative
or
informational
influence,
although
there
is
little
difference
in
 relative
 factor
 importance
 scores.
 It
 might
 be
 that
 the
 chosen
 age
 group
 is
 more
 susceptible
to
normative
and
informational
influence.



(58)

Remarkably,
the
factor
how
many
has
a
negative
influence
on
the
children’s
decision
 to
 watch
 a
 particular
 children’s
 film.
 The
 more
 individuals
 recommend
 a
 particular
 children’s
 film
 to
 a
 child,
 the
 less
 he
 or
 she
 wants
 to
 watch
 that
 film.
 This
 can
 be
 explained
 by
 the
 fact
 that
 a
 child
 may
 have
 the
 tendency
 to
 disagree
 with
 the
 WOM
 sender.
 The
 children
 might
 not
 want
 to
 watch
 a
 particular
 children’s
 film
 if
 more
 individuals
recommend
it
to
them
for
watching,
because
they
might
think
that
they
are
 the
last
ones
to
watch
that
film.
They
might
want
to
watch
a
particular
children’s
film
 only
 if
 nobody
 or
 fewer
 individuals
 recommend
 it
 to
 them.
 The
 children
 may
 thus
 display
signs
of
reactance,
to
the
extent
that
too
many
recommendations
irritate
them
 (Hoffmann
and
Broekhuizen,
2009).
Another
explanation
could
be
that
recommendation
 received
 from
 a
 close
 friend
 whose
 past
 recommendations
 have
 been
 right
 on
 target
 may
be
more
than
enough
to
get
to
the
child
to
watch
a
new
film
even
if
it
is
in
a
genre
 he
or
she
generally
dislikes
(Linoff
and
Berry,
2011).



This
research
shows
that
the
factor
type
of
film
‐mainstream
films‐
(see
table
16)


is
not
very
important.

This
research
gives
an
explanation,
driven
by
the
fact
that
WOM
 received
 from
 friends
 may
 be
 seen
 as
 more
 reliable
 as
 a
 source
 for
 film
 information,
 rather
 than
 mainstream
 film
 advertisement
 on
 television,
 radio,
 magazines
 or
 the
 internet
 (heavy
 advertised
 films).
 Therefore,
 WOM
 messages
 are
 perceived
 as
 being
 more
personally
relevant
than
commercial
advertising
messages
(Nickels,
1984).



Based
on
some
previous
empirical
studies
(e.g.,
Van
Eck
et
al.,
2011),
opinion
leaders
 tend
 to
 be
 less
 susceptible
 to
 normative
 and
 informational
 influence.
 In
 contrast,
 this
 research
 shows
 that
 opinion
 leaders
 tend
 to
 be
 more
 susceptible
 to
 normative
 and
 informational
 influence
 based
 on
 the
 correlation,
 as
 seen
 in
 table
 15.
 This
 can
 be
 clarified
 by
 the
 fact
 that
 opinion
 leaders
 by
 definition
 communicate
 more
 frequently
 with
 others
 regarding
 their
 product
 or
 service
 domain
 of
 expertise.
 Furthermore,
 to
 determine
their
position
they
need
to
assess
social
information
frequently.
They
are
as
 such
 constrained
 by
 the
 norms
 and
 information
 of
 the
 social
 system
 in
 which
 they
 operate.
 Opinion
 leaders
 probably
 do
 not
 rely
 entirely
 on
 norms
 and
 information
 of
 others
to
make
decisions
about
the
products
or
services
in
their
area
of
expertise
(Clark
 and
Goldsmith,
2005).



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