Lectoraat Lifelong Learning in Music
Entrepreneurship in music
Kenniscentrum Kunst & Samenleving
Evert Bisschop Boele, 19-12-2012
1. Introduction
2. Uses and functions of music
3. ‘Musicking’ individuals
4. Music in the world of high culture
5. The musician as a provider of …
Your Audience
- Who are they?
- Where are they?
- What do they want from you?
- What can you offer them?
2. Uses and functions of
music
administrating broadcasting collecting composing contesting counterfacting crying dancing dj-ing doing exchange games leading making instruments meeting like-minded organising pageturning performing playbacking playing mediated music playing mediated music - background playing instruments playing instruments together producing rap
reading staff notation recording singing singing together talking teaching visiting concerts visiting dance performances watching audience watching musicians writing teaching materials
SELF
ART
SELF-EXPRESSION
THE
‘OTHER-WORLDLY’
PAST,
PRESENT,
FUTURE
THE PLACE
THE OTHER
…
THE
MATERIAL
WORLD
4. Music in the world of
high culture
Performance
MUSI-CIAN
ART
SELF-EXPRESSION
THE
‘OTHER-WORLDLY’
PAST,
PRESENT,
FUTURE
THE PLACE
THE OTHER
…
THE
MATERIAL
WORLD
Music as an Art
The social-normal individual of
Organized Modernity
The consumptive-creative individual of
Post-Modernity
5. The musician as a
provider of …
54 35 113 41 54 0 20 40 60 80 100 120
klassiek jazz pop/rock wereldmuziek overig
aa n ta l con ce rten 12 -25/4/2010
7,64 1,11 3,19 3,52 2,93 3,68 13,57 7,8 12,03 7,23 7,87 10,61 0 2 4 6 8 10 12 14 16
klassiek jazz pop/rock wereldmuziek overig gemiddeld
ge m id d eld e en tree ( €) 12 -25/4/2010
Gemiddelde entree (€) - genre
(stad Groningen)
Alle concertenBetaalde concerten
