• No results found

Book Review of Digital Property: Currency of the 21st Century by Lesley Ellen Harris

N/A
N/A
Protected

Academic year: 2021

Share "Book Review of Digital Property: Currency of the 21st Century by Lesley Ellen Harris"

Copied!
2
0
0

Bezig met laden.... (Bekijk nu de volledige tekst)

Hele tekst

(1)

Citation for this paper:

Kim Nayyer, “Book Review of Digital Property: Currency of the 21st Century by Lesley Ellen Harris” (1999) 24:5 Can L Libr 215.

UVicSPACE: Research & Learning Repository

_____________________________________________________________

Faculty of Law

Faculty Publications

_____________________________________________________________

This is a published version of the following:

Book Review of Digital Property: Currency of the 21st Century by Lesley Ellen Harris Kim Nayyer

1999

This book review was originally published in Canadian Law Libraries, available online through:

http://www.heinonline.org/HOL/Page?handle=hein.journals/callb24&id=224&collect ion=journals&index=journals/callb

(2)

parative employment issues. This text will serve as a useful resource in the practitioner's library. The editors have in-cluded cases from the U.S. as well as Canada in their table of cases. An entire chapter is devoted to entry and exit under the provisions of NAFTA, e.g. B-1 visas and TN status. However the text is not limited to use for comparative is-sues: the chapter on employment issues in Canada stands on its own. The chapters on immigration to Canada and the U.S. would prove useful to immigration practitioners, again standing alone. They detail the procedural steps and outline potential hazards.

The editors also include copies of a series of forms use-ful in the relocation process: applications for visas, customs declarations and treasury forms, to name a fev,. The tax sec-tion contains the current tax agreements so that practisec-tion- practition-ers can make useful judgments in rendering advice to their clients. Should this text be updated on a quarterly basis, it would be an invaluable addition to an employer, employee, practitioner or library with interests in the mobility of indi-viduals between Canada and the U.S. The only thing that keeps me from recommending that this text become an addi-tion to any library, is the promise of the editors that it will be updated from "time to time." The value of such a text is in the commitment of the editors to maintain the quality of the product over time.

Roxane DeLdatrell

Commission for Labor Coopera/ion Dallas, Texas

Di talPropery: Curren9, of the 21' Cenfuto Lesley Ellen Harris.

Whitby ON: McGraw-Hill Ryerson, 1998. x, 230 p. In-cludes bibliographical references, appendices, index. ISBN 0-07-552846-0 (softcover) $22.99.

The author describes digital property as "the coming of age of intellectual property"(p.vi). Her thesis is that the popularization of computer networks, particularly the Internet, has made publishing an accessible activity for many more people than in earlier times. Consequently, the protec-tion of intellectual property, or intangible rights and entitle-ments, is relevant to many more people as well. Harris likens the current state of electronic media and the ease with which electronic publications can be created to the real estate mar-ket just prior to a boom. The book is meant to find its audi-ence in creators, publishers, distributors and consumers of digital intellectual property as well as in the entrepreneur seek-ing to capitalise on opportunities in electronic commerce.

In the first two chapters, Harris sets out to define or

establish some terms and concepts that are at the heart of the discussion in the remainder of the book. Readers unfa-miliar with exactly what intellectual property is, and how and by whom it can be created, will benefit from this introduc-tion. Mthough a fev of the terms or phrases she uses might strike some readers as faddish or trendy, the purposes of these chapters are to create a simple picture of some abstract concepts and to give the audience a common understanding of a language that might be foreign to some. The chapters serve these purposes well.

Most of the book is dedicated to a discussion of intel-lectual property principles in the context of digital prop-erty and the selling or licensing of it. The discussion is primarily directed toward readers who are interested in pub-lishing content, either for their own purposes or for insti-tutions for which they work. Harris briefly reviews a few examples of model Web sites that either serve as means of conducting such business or have the potential to do so. She also suggests some considerations for valuing property

that might be sold or licensed.

What most readers are likely to find of greatest practi-cal interest is Harris' discussion of copyright law and li-censing. Harris explains some fundamental copyright prin-ciples, including the extent of copyright protection and measures that can be implemented to maximize protection, the concept of the public domain, violations of copyright, and other potential interferences with legal rights. She also reviews some standard or common licensing agreement clauses and their potential consequences and implications. Harris concludes the book vith a brief overview of inter-national treaties that have relevance to digital property and its protection, and the text of two treaties is included in appendices. It should be noted that, although all members of the target audience likely can learn from this discussion, the perspective of the creator is reflected to a greater de-gree than is that of the consumer.

This interesting and readable book would be a useful reference source for content creators and individuals or in-stitutions distributing or publishing information and works in digital format. Consumers may find useful the summary of the legal issues and principles relevant to digital intellec-tual property. This summary also might serve as a useful refresher for the advisor, although the book is by no means a substantive law text. Harris makes it clear that the book should not be used to replace legal advice on cop)right is-sues; rather, it is intended to make the reader aware of the issues and factors that must be considered before any ven-ture is begun.

Kim Na'yer, LLB MUS Student, Unizersi~y of Alberta Cagay, AB

Referenties

GERELATEERDE DOCUMENTEN

My sound and video performance Fishing for Sound, which explores underwater sound in relation to sonified satellite data from space and sound in the mind, was programmed at

I identify and distinguish between two overlapping approaches to making the inaudible audible: audification by scaling existing vibratory signals into human hearing range;

Lucier builds directly on Payne and McVay’s analysis of the humpback whale song, using it not as a sound source in itself, but rather as a model for potential sounds,

The apparently simple process of recording sounds from a chosen environment and replaying them in another place and time, yields important insights into the use of technology,

Important new research issues that arose were: the use of and interaction with technology as related to electricity, energy and ultimately sound; the effect of combining image and

As an example, the necessity but difficulty of understanding the sonic qualities of the underwater environment that functions largely through sound, is explored through the

Uitgaande van deze opvatting van verbondenheid met de omgeving, is mijn artistieke werk het belangrijkste element van mijn onderzoeksmethode.. Het Scorescapes-project bestaat

— Scorescapes, Lecture in Sound and Score International Seminar, Orpheus Institute for Advanced Research in Music, Ghent.. — Tuning In and Spacing Out, College of Fine Arts,