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Introduc>on

 

         Demen/a  refers  to  a  group  of  disorders  that  affect  memory  

and  thinking.1  As  of  2016,  the  es/mated  prevalence  of  demen/a  

for  Canadians  was  564,000;  by  2031,  this  number  is  projected  to  

grow  to  937,000  Canadians.1  As  demen/a  progresses,  persons  

with  demen/a  (PwD)  experience  worsening  disability  which  has  a   physical,  psychological,  social  and  economic  impact  on  both  the  

PwD  and  their  family  caregivers  (CGs).2-­‐3  Non-­‐pharmacological  

interven/ons  for  PwD  have  been  able  to  maintain  or  improve   func/on  in  ADLs  and  cogni/on,  reduce  behavioural  symptoms  

and  reduce  CG  burden.4-­‐7    

         Choral  singing  is  a  new  approach  to  non-­‐pharmacological  

therapy  and  is  garnering  increased  interest  as  a  result  of  several  

pilot  studies.8-­‐10  As  PwD  and  CGs  par/cipate  in  choirs,  they  have  

the  opportunity  to  engage  in  a  meaningful  ac/vity  and  benefit  

from  social  engagement.8-­‐10  In  addi/on,  choral  singing  is  a  

physical  ac/vity  that  involves  the  whole  body  (e.g.,  

musculoskeletal,  respiratory)  as  well  as  the  senses  (vision,  

hearing,  balance  and  touch).11  Interven/ons  that  include  mild  to  

moderate  physical  exercises  have  also  shown  improvements  in   behavioural  symptoms,  performance  of  daily  living  ac/vi/es,   quality  of  life,  and  reinforced  posi/ve  sense  of  self,  as  well  as  

reducing  CG  burden.  4,12-­‐14  

Purpose  

         The  purpose  of  this  study  was  to  describe  exis/ng  community-­‐ based  choirs  for  PwD  and  their  CGs.  Although  there  is  growing   interest  in  choirs  for  PwD  and  a  number  of  publica/ons,  to  our   knowledge  there  has  been  no  effort  to  compare  and  contrast   these  choirs  in  terms  of  their  structure,  programs,  and  other   factors.  Thus  it  is  /mely  and  important  to  gather  informa/on  

about  these  choirs  and  their  perceived  benefits  as  well  as  lessons   learned  

Objec>ves  

1)  Describe  the  key  characteris/cs  of  the  choirs  (e.g.  purpose,  

program  structures,  sources  of  support/funding).  

2)  Explore  the  challenges  and  successes,  as  well  as  the  benefits  

to  par/cipants.

 

Methods

 

Sample.  A  convenience  sample  of  6  community  based  choirs  for  

PwD  and  their  family  CGs  were  recruited  using  email  contacts   from  an  internet  search.  Eligibility  criteria  included:  1)  

professionally  organized  choir  (i.e.,  not  music  therapy);  2)   program  targe/ng  PwD  and  CGs;  3)  community  based  (i.e.,  

par/cipants  are  living  at  home)  and  4)  english  Speaking.  

Data  Collec>on.  Semi-­‐structured  phone  interviews  were  

conducted  with  administrators  of  the  choirs.  Conversa/ons  were   audio  recorded  and  transcribed.  Ethics  approval  was  received  

from  the  University  of  Victoria  and  all  par/cipants  provided  

wriaen  consent  prior  to  par/cipa/on  in  the  study.  

Analysis.  Transcrip/ons  of  the  interviews  were  coded  in  a  

Microsoc  Excel  database  and  descrip/ve  analyses  were  

completed  to  address  the  objec/ves  of  the  study.    

Results

 

     Table  1.  Summary  of  choir  loca/ons  and  size  

                                   

         *Ra/o  of  CGs  to  PwD  is  1:1

 

 

         Table  2.  Summary  of  program  structures                                        

       Table  3.  Summary  of  program  structures                                                  

         *  are  CGs/previous  choir  members    whose  loved  one  with  demen/a    passed  away            **  annual  cost  $380  

 

•  The  majority  (n=5)  of  the  choirs  offer  a  public  performance  at  

least  once  per  choir  season.    

•  The  majority  (n=4)  of  the  choirs  rely  on  volunteer  choir  

administrators.  The  larger  programs  (n=2)  have  paid  choir   administrators  with  a  volunteer  board  of  directors.    

 

Results

 

Challenges:  

         Common  challenges  of  running  a  choir  for  PwD  and  their  CGs   included:  1)  keeping  sessions  engaging;  2)  selec/ng  music  that   works  well  for  the  group  (i.e.,  challenging  yet  familiar  or  simple   and  energe/c);  3)  having  a  large  enough  song  repertoire;  4)  

working  within  a  limited  budget;  5)  dealing  with  demen/a   progression;  6)  distance  and  transporta/on.  

Common  Success:  

         Structured  Social  Time.  Many  (n=4)  of  the  choirs  noted  the  

importance  of  a  planned  break  /me/social  /me  which  provides   valuable  /me  for  peer  support  and  rela/onships  to  develop.  The   social  /me  also  offers  an  opportunity  for  the  CG  to  relax  and  

interact  with  others  since  volunteers  help  to  ensure  a  safe  and   suppor/ve  environment  for  the  PwD.    

 

Benefits:  

         Purpose.  Choir  directors  report  the  PwD  and  CG  find  the  choir  

a  significant  source  of  meaning  and  purpose,  as  well  as  being   relaxing  and  fun.  

“The  choir  changed  their  lives.  It’s  what  they  get  up  for.  It  gives   them  something  to  work  on.  Something  was  expected  of  them  and  

they  could  do  it.”    

“One  care  partner  says  that  his  wife  talks  about  the  program  all   week  long  when  it  is  in  session  because  it  is  the  thing  she  looks  

forward  to  during  the  week.”    

“When  things  are  really  tough  at  home  with  my  partner  (PwD),  I   just  think  about  next  Thursday  and  coming  to  choir  and  that  helps  

me  get  through.”  

         Empowerment.  The  choir  offered  opportuni/es  to  learn,  to  

engage  and  to  communicate  with  others.  

“One  of  the  men  that  takes  part  in  the  choir  can  really  not  make   himself  understood  with  words  because  of  his  aphasia  and  he  can  

sing.  He  can  sing  beauIfully.  It  gives  him  an  opportunity  to   contribute,  be  successful  and  be  good  at  something”  

 

“Once  someone  gets  diagnosed  society  writes  them  off  as  ‘This   person  isn’t  going  to  be  able  to  think  any  more  or  be  part  of  things  

anymore.’  Through  singing  they  can  be  part  of  things,  they  can   learn,  they  can  be  engaged.”  

         Enjoyment.  The  choir  provides  a  suppor/ve  sehng  that  allows  

par/cipants  to  interact  with  others  and  have  fun  together.    

“One  caregiver  said  that  she  doesn’t  remember  the  last  Ime  her   husband  smiled  before  he  came  to  the  choir  and  started  singing”  

 

“They  celebrate  something  they  are  sIll  able  to  do.  They  are  

happy  to  be  engaged  and  happy  to  interact  with  people  that  know   what  they  are  going  through.”  

         Caregiver  Support.  Social  networks  have  expanded  and  

informa/on  is  shared  informally  between  caregivers.    

“When  the  care  partners  are  talking  to  each  other,  they  are  likely   to  give  referrals  or  insights  in  to  other  resources  in  the  community  

that  they  are  using  (i.e.  in  home  help,  assisted  living,  

transportaIon  services).  It  means  a  lot  more  to  the  people  when   they  talk  to  someone  that  has  had  personal  experience  with  it.”  

Discussion  

         Findings  from  our  interviews  suggest  that  choral  programs  

improve  the  quality  of  life  of  PwD  and  CGs  and  can  be  ini/ated  at   a  low  cost  with  volunteer  support.  Our  findings  fit  well  with  the   limited  studies  available,  showing  that  PwD  have  the  capacity  to   be  engaged,  learn  new  songs,  and  find  enjoyment  in  choir  

par/cipa/on.8-­‐10  From  these  results  we  see  that  PwD  are  able  to  

contribute  to  a  professionally  led  choir  and  par/cipate  in  public   performances.    The  benefits  of  the  choir  extend  to  CGs  by  offering   respite  that  may  allow  them  to  con/nue  in  their  role  for  longer  

and  allow  them  to  develop  connec/ons  with  other  CGs  who  

understand  their  experience.  The  benefits  for  CGs  was  also  seen  

in  the  literature.9-­‐10    

 

Limita>ons.  This  is  a  descrip/ve  pilot  study  with  a  small  sample  

size.  There  are  addi/onal  programs  which  we  were  not  able  to   contact  due  to  /me  and  resource  limits.    

 

Conclusion  

         A  community-­‐based  choir  provides  a  valuable  opportunity  for   both  PwD  and  CGs  to  share  an  enjoyable  ac/vity  in  a  suppor/ve   sehng.  Sugges/ons  for  future  research  include  using  a  

randomized  control  trial  that  will  allow  comparison  of  the  impact   and  benefits  of  the  choir  versus  other  interven/ons  (e.g.,  

exercise)  for  PwD  and  their  CGs.    

 

Acknowledgements

 

This  research  was  supported  by  the  Jamie  Cassels  Undergraduate   Research  Award,  University  of  Victoria.  

Bibliography  

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Name    (n=6)   Loca>on(s)   Year   program   started  

Choir  Size  

When  Created  

Current  Size   PwD*  

Circle  of  Music   Waterloo,  ON   (Canada)   2016   30       n/a   10   Intergenera/onal   Singers   Woodstock,  ON   (Canada)   2013   23       n=23   1  choir   3   The  Alchemy   Chorus   Canberra   (Australia)     2016   50       n=60   1  choir   30  

Sing  Here  Now   Choir   Portland/ Beaverton,  OR   (USA)   2011   20       n=36   2  choirs   18   Giving  Voice   Chorus   Minn/St.  Paul,   MN    (USA)   2014   30       n=174   3  choirs   ~74   Forget-­‐Me-­‐Not   Chorus     Cardiff/Newport,   South  Wales   (UK)   2011   40   n=125   3  choirs   ~62   Name   Singing  

Dura>on     Structured  Social  Time   Weeks/yr   Prac>ce  Loca>on(s)     Prac>ce  Loca>on  Fees    

Circle  of  Music   40  min.   40  min.   30   Church   Donated   Intergenera/onal  

Singers   60  min.   0  min.   16   Re/rement  Home   Donated   The  Alchemy  

Chorus   90  min.   30-­‐40  min.   40   Community  Centre   Rented   Sing  Here  Now  

Choir   75  min.   25  min.   16   Alz  Assoc  Office;  Church   Donated   Giving  Voice  

Chorus      

       

90  min.   30  min.   40   Community  Centre;  

Music  School   Donated  

Forget-­‐Me-­‐Not  

Chorus     100  min.   15  min.   36   Community  Centre;  Church;  School   Rented  

Name   Song  

Structure            Volunteers                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        Volunteer  training   Choir  membership   fees  

Funding  

Circle  of  Music   Unison   High  school   students;   Church   members  

yes   None    none  

Intergenera/onal  

Singers   Mul/part/Unison   Elementary  students   yes   None   Alz  Soc  and  free  will  dona/on  at  concerts   **  

The  Alchemy  

Chorus   Unison   Support/singing   volunteers   from  other   choirs  

n/a   $5/person/

week   None  

Sing  Here  Now  

Choir   Mul/part   Support  volunteers   n/a   None   Alz  Assoc  fund  raising   Giving  Voice   Chorus               Mul/part/

Unison   Support/singing   volunteers  

Yes   $50/person/

16weeks   Community  charity  founda/ons  and   private  donors  

Forget-­‐Me-­‐Not  

Chorus     Mul/part     Support  Volunteers   No*   None   Forget-­‐Me-­‐Not  Chorus  Founda/on:   community  charity   founda/ons  and   private  donors.  

Zach  Anderson  and  Debra  Sheets,  Ph.D,  FAAN  

 

A  Descrip/ve  Study  of  Community-­‐Based  Choirs  for  Persons  with  Demen/a  and  their  Caregivers  

 

 

Musical  Connec>ons  

Zach  Anderson,  School  of  Nursing   March  8,  2017  

This  research  was  supported  by  the  Jamie   Cassels  Undergraduate  Research  Award,   University  of  Victoria.  

Supervised  by  Dr.  Debra  Sheets.    

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