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Shaping the Javanese Play : improvisation of the script in theatre

performance

Bosnak, J.E.

Citation

Bosnak, J. E. (2006, December 19). Shaping the Javanese Play : improvisation of the script

in theatre performance. Retrieved from https://hdl.handle.net/1887/5567

Version:

Not Applicable (or Unknown)

License:

Licence agreement concerning inclusion of doctoral thesis in the

Institutional Repository of the University of Leiden

Downloaded from:

https://hdl.handle.net/1887/5567

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Illustrations I

1.1. The cover of the tonil Djawa script entitled Cariyos mèn-mèn lampahan cobaning

sesémahan.

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Shaping the Javanese play

II

1.2. Page seven of the tonil Djawa script entitled Cariyos mèn-mèn lampahan

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Illustrations III

1.3. Performance programme of the kethoprak play Peti

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Shaping the Javanese play

IV

CHAPTER II

2.1. Play schema on a blackboard.

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Illustrations V

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Shaping the Javanese play

VI

3.1. Recording of a kethoprak performance in the RRI studio. Playwright-director Sugiarto is seated on the left in front of the gamelan. At the back the play schema on a blackboard. CHAPTER III

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Illustrations VII

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Shaping the Javanese play

VIII

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Illustrations IX

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Shaping the Javanese play

X

4.1. Shooting of an Obrolan Angkring episode in the TVRI studio.

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Illustrations XI

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Shaping the Javanese play

XII

4.4. The setting of the performance Ora Rumangsa Beda; at the back the entrance gate of a Chinese temple.

4.5. Guest star Anik Sunyahni arrives by pedicab to the stage during the episode Sinden

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Illustrations XIII

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Shaping the Javanese play

XIV

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