Kabuki brain puzzles : station-character motif patterns in the actor Tokaido series of Utagawa Kunisada (1786-1865)
Marks, A.
Citation
Marks, A. (2010, July 1). Kabuki brain puzzles : station-character motif patterns in the actor Tokaido series of Utagawa Kunisada (1786-1865). Retrieved from
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9 B IBLIOGRAPHY
9.1 Reference works in Japanese
Buy meisaku jiten [Encyclopedia of Dance Masterpieces. Reissued and Revised Edition]. Engeki Shuppansha, ed. Tokyo: Engeki Shuppansha, 1994.
Ṷ ␠✬ޡ⥰〭ฬౖ ᣂⵝᡷ⸓ ޢṶ ␠ 1994 ᐕ
Buy tech [Dance Handbook]. Furuido Hideo. Tokyo: Shinshokan. First published in 1990 by Shinshind. Page references to the 2000 edition.
ฎᚭ⑲ᄦޡ⥰〭ᚻᏝޢ㧔㚼ޘၴ 1990 ᐕ㧕ᣂᦠ㙚 2000 ᐕ
Engeki hyakka daijiten [Encyclopedia of Theater]. 6 vols. Waseda Daigaku Engeki Hakubutsukan, ed. Tokyo: Heibonsha, 1960–62. Page references are to the new edition of 1990.
ᣧⒷ↰ᄢቇṶඳ‛㙚✬ޡṶ⊖⑼ᄢౖޢ6 ౠ ᐔಠ␠ 1960–62 ᐕ㧔ᣂⵝᓳೀ 1990 ᐕ㧕
Genshoku ukiyoe daihyakka jiten [Illustrated Ukiyoe Encyclopedia]. 11 vols. Genshoku Ukiyoe Daihyakka Jiten Hensh Iinkai, ed. Tokyo: Taishkan Shoten, 1980–82.
ේ⦡ᶋ⛗ᄢ⊖⑼ౖ✬㓸ᆔຬળ✬ޡේ⦡ᶋ⛗ᄢ⊖⑼ౖޢ11 ౠ ᄢୃ㙚ᦠᐫ 1980–82 ᐕ
Kabuki ezukushi nenpy [Chronological Table of Illustrated Kabuki Collections]. Tsuchida Mamo- ru, and Suyama Akinobu, ed. Tokyo: fusha, 1988.
㗇ጊ┨ାޔ↰ⴡ✬ޡ⥰પ⛗ዧߒᐕޢ᪉ᬤ␠ 1988 ᐕ
Kabuki haiy myseki benran. Dai ni ji shtei ban [Guidebook of Kabuki Actors Family Names.
Second Revised Edition]. Hattori Yukio, ed. Tokyo: Nihon Geijutsu Bunka Shinkkai, 1972.
Page numbers refer to the revised edition from 1998.
ㇱᐘ㓶⋙ୃޡ⥰પେఝฬ〔ଢⷩ ╙ 2 ᰴୃ⸓ ޢᣣᧄ⧓ⴚᢥൻᝄ⥝ળ 1998 ᐕ Kabuki jinmei jiten. Shintei zho [Dictionary of Kabuki Names. New Revised and Expanded Edi-
tion]. Nojima Jusabur, ed. Tokyo: Nichigai Associates, 2002.
㊁ፉኼਃ㇢✬ޡ⥰પੱฬౖ ᣂ⸓Ⴧ ޢᣣᄖࠕ࠰ࠪࠛ࠷ 2002 ᐕ
Kabuki jiten. Shintei zho [Kabuki Encyclopedia. New Revised and Expanded Edition]. Hattori Yukio, Tomita Tetsunosuke, and Hirosue Tamotsu, eds. Tokyo: Heibonsha, 2000.
ㇱᐘ㓶ޔን↰㋕ਯഥޔᑝᧃ✬ޡ⥰પౖ ᣂ⸓Ⴧ ޢᐔಠ␠ 2000 ᐕ
Kabuki jruri gedai jiten [Dictionary of Kabuki Titles]. Nojima Jusabur, ed. Tokyo: Nichigai As- sociates, 1991.
㊁ፉኼਃ㇢✬ޡ⥰પᵺℲⅇᄖ㗴ౖޢᣣᄖࠕ࠰ࠪࠛ࠷ 1991 ᐕ
Kabuki meisaku jiten [Encyclopedia of Kabuki Masterpieces]. Engeki Shuppansha, ed. Tokyo:
Engeki Shuppansha, 1983.
Ṷ ␠✬ޡ⥰પฬౖޢṶ ␠ 1983 ᐕ
Kabuki meisaku jiten [Encyclopedia of Kabuki Masterpieces]. Kanazawa Yasutaka. Tokyo: Seiabo, 1959. Page references are to the 1976 edition.
㊄ᴛᐽ㓉ޡ⥰પฬౖޢ㕍ⰶᚱ 1959 ᐕ
Kabuki nenpy [Kabuki Calendar]. 8 vols. Ihara Seiseien (Toshir) et al., eds. Tokyo: Iwanami Shoten, 1956–63. Page references are to the 2nd ed., 1973.
દේᢅ㇢ઁ✬ޡ⥰પᐕޢ8 ౠ ጤᵄᦠᐫ㧔1956–1963 ᐕ㧕1973 ᐕ
Kabuki saiken [Kabuki Appreciation]. Iizuka Tomoichir. Tokyo: Daiichi Shob, 1926.
㘵Ⴆ৻㇢ޡ⥰પ⚦ޢ╙৻ᦠᚱ 1926 ᐕ
Kabuki tj jinbutsu jiten [Encyclopedia of Kabuki Characters]. Furuido Hideo, ed. Tokyo: Haku- suisha, 2006.
ฎᚭ⑲ᄦ✬ޡ⥰પ⊓႐ੱ‛ౖޢ⊕᳓␠ 2006 ᐕ
Meisaku kabuki zensh [Complete Collection of Kabuki Masterpieces]. 25 vols. Toita Yasuji et al., eds. Tokyo: Tky Sgensha, 1968–71.
ᚭ᧼ᐽੑઁ✬ޡฬ⥰પో㓸ޢ25 ౠ ᧲੩ഃరᣂ␠ 1968–71 ᐕ
Nihon bijutsu zukai jiten [Illustrated Encyclopedia of Japanese Art]. Moriya Masahiko, et al., eds.
Tokyo: Tky Bijutsu, 2004.
ደᱜᒾઁ⋙ୃޡᣣᧄ⟤ⴚ࿑⸃ౖޢ᧲੩⟤ⴚ 2004 ᐕ
Nihon buy zensh [Complete Collection of Japanese Dances]. 8 vols. Nihon Buysha, ed. Tokyo:
Nihon Buysha, 1977–88.
ᣣᧄ⥰〭␠✬ޡᣣᧄ⥰〭ో㓸ޢ8 ౠ ᣣᧄ⥰〭␠ 1977–88 ᐕ
Nihon denki densetsu daijiten [Dictionary of Japanese Romance Literature and Legends]. Inui Kat- sumi, et al. Tokyo: Kadokawa Shoten, 1986.
ੇసᏆઁޡᣣᧄવᄸવ⺑ᄢౖޢⷺᎹᦠᐫ 1986 ᐕ
Nihon gikyoku zensh [Complete Collection of Japanese Dramas]. 50 vols. Ihara Seiseien (Toshir) et al., eds. Tokyo: Shun’yd, 1928–33.
દේ㕍ޘઁ✬ޡᣣᧄᚨᦛో㓸ޢ50 ౠ ᤐ㓁ၴ 1928–33 ᐕ
Nihon shsetsu nenpy. Tsuketari smokuroku [Chronological Tables of Japanese Literary Works.
Additional Index]. Kokumin Tosho Kabushiki Gaisha, eds. Tokyo: Kokumin Tosho, 1929.
࿖᳃࿑ᦠᩣᑼળ␠✬ޡᣣᧄዊ⺑ᐕ㒝✚⋡㍳ޢ㧔ㄭઍᣣᧄᢥቇᄢ♽ ╙ 25 Ꮞ㧕࿖᳃࿑ᦠ
1929ᐕ
N, kygen jiten. Shintei zho [No and Kygen Encyclopedia. New Revised and Expanded Edi- tion]. Nishino Haruo & Hata Hisashi, eds. Tokyo: Heibonsha, 1999.
㊁ᤐ㓶ޔ⠀↰ᤠ✬ޡ⢻⁅⸒ౖ ᣂ⸓Ⴧ ޢᐔಠ␠ 1999 ᐕ
Shoga kott jinmei daijiten [Dictionary of Artists of Antique Paintings and Calligraphy]. Tsune’ishi Hideaki, ed. Tokyo: Kin’ensha, 1975. Page references are to the 1994 edition.
Ᏹ⍹⧷✬ޡᦠ↹㛽⫃ੱฬᄢㄉౖޢ㊄␠ 1975 ᐕ
Sg Nihon gikyoku jiten [Comprehensive Encyclopedia of Japanese Drama]. Kawatake Shigetoshi, ed. Tokyo: Heibonsha, 1964.
ᴡ┻❥ବ✬ޡ✚วᣣᧄᚨᦛౖޢᐔಠ␠ 1964 ᐕ
Ukiyoe jiten [Ukiyoe Encyclopedia]. 3 vols. Yoshida Teruji, ed. Tokyo: Gabund, 1971. Page ref- erences are to the 3rd ed., 1994.
ศ↰ᥢੑ✬ޡᶋ⛗ౖޢ3 ౠ ↹ᢥၴ㧔1971 ᐕ㧕1994 ᐕ
Ukiyo-e Masterpieces in European Collections. 13 vols. Narazaki Muneshige et al. Tokyo: Kodansha, 1988–91.
ᬰፒቬ㊀ઁޡ⒁⬿ᶋ⛗ᄢⷰޢ⻠⺣␠ 19881991 ᐕ
Zoku kabuki nendaiki [Sequel to the Chronological Record of Kabuki]. Ishizuka Hkaishi, ed.
Tokyo: Hirotani Kokusho Kankkai, 1925.
⍹Ⴆ⼾⧂ሶ✬ޡ➖⥰પᐕઍ⸥ޢᑝ⼱ᦠೀⴕᦩ 1925 ᐕ
Zoku zoku kabuki nendaiki [Second Sequel to the Chronological Record of Kabuki]. Tamura Na- riyoshi, ed. Tokyo: Ichimuraza, 1922.
↰ᚑ⟵✬ޡ➖ޘ⥰પᐕઍ⸥ޢᏒᐳ 1922 ᐕ
9.2 Reference works in other languages
Baird, Merrily C. 2001. Symbols of Japan: Thematic Motifs in Art and Design. New York: Rizzoli International Publications.
Brandon, James R. & Samuel L. Leiter, eds. 2002a. Kabuki Plays on Stage: Brilliance and Bravado, 1697–1766. (Kabuki Plays on Stage, Volume 1). Honolulu: University of Hawai’i Press.
Brandon, James R. & Samuel L. Leiter, eds. 2002b. Kabuki Plays on Stage: Villainy and Vengeance, 1773–1799. (Kabuki Plays on Stage, Volume 2). Honolulu: University of Hawai’i Press.
Brandon, James R. & Samuel L. Leiter, eds. 2002c. Kabuki Plays on Stage: Darkness and Desire, 1804–1864. (Kabuki Plays on Stage, Volume 3). Honolulu: University of Hawai’i Press.
Edmunds, Will. H. 1934. Pointers and Clues to the Subjects of Chinese and Japanese Art. London:
Sampson Low, Marston & Co., Ltd. Reprint, Chicago: Art Media Resources, 2001. Page ref- erences are to the 2001 edition.
Gobbi, Pietro. 1989. Hon: Firme, Sigilli, Stemmi: Filologia dell’Ukiyo-e / Signatures, Seals, Crests: Phi- lology of the Ukiyoe Prints. Turin: L’Angolo Manzoni Editrice.
Halford, Aubrey S. and Giovanna M. 1956. The Kabuki Handbook; a Guide to Understanding and Appreciation, with Summaries of Favourite Plays, Explanatory Notes, and Illustrations. Tokyo and Rutland: Tuttle.
Herwig, Arendie and Henk. 2004. Heroes of the Kabuki Stage: An Introduction to Kabuki with Retel- lings of Famous Plays Illustrated by Woodblock Prints. Amsterdam: Hotei.
Joly, Henri L. 1967. Legend in Japanese Art. Rutland: Tuttle. Page references are to the 4th ed., 1973.
Koop, Albert J. and Inada Hogitar. 1923. Japanese Names and How to Read Them: Manual for Art Collectors and Students. London: Eastern Press.
Lane, Richard. 1978. Images from the Floating World: The Japanese Print. Oxford: Oxford University Press.
Leiter, Samuel L. 1997. New Kabuki Encyclopedia: A Revised Adaptation of Kabuki Jiten. Westport, Conn.: Greenwood.
Marks, Andreas. 2010. Japanese Woodblock Prints: Artists, Publishers and Masterpieces 1680–1900.
Rutland: Tuttle.
Merritt, Helen and Yamada Nanako. 1992. Guide to Modern Japanese Woodblock Prints 1900–1975.
Honolulu: University of Hawai’i Press.
Newland, Amy Reigle, ed. 2005. The Hotei Encyclopedia of Japanese Woodblock Prints. Amsterdam:
Hotei Publishing.
Papinot, Edmond, ed. 1910. Historical and Geographical Dictionary of Japan. Yokohama: Kelly &
Walsh. Reprint, Tokyo: Tuttle, 1986.
Roberts, Laurance P. 1976. A Dictionary of Japanese Artists. Tokyo, and New York: Weaterhill, 1990. Page references are to the 1990 edition.
Schwan, Friedrich B. 2003. Handbuch Japanischer Holzschnitt. Hintergründe, Techniken, Themen und Motive. München: iudicium.
Self, James, and Nobuko Hirose. 1987. Japanese Art Signatures: A Handbook and Practical Guide.
Bamboo Publishing Ltd., and Floating World Editions, 2003.
9.3 Books and articles on Kunisada
Akama Ry. 2006. “Sandai Utagawa Toyokuni ga ‘Odori keiyo gedai zukushi’ ni tsuite” [About
‘Odori keiyo gedai zukushi’ by Utagawa Toyokuni III].” Ronky Nihon bungaku vol. 85: 23–
36.
⿒㑆੫ޟਃઍᎹ⼾࿖↹ޛ〭ᒻኈᄖ㗴ዧޜߦߟߡޠޡ⺰ⓥᣣᧄᢥቇޢ╙ 85 ภ ᶋ⛗ห ᅢળ 2006 ᐕ
Akiyoshi Zentar, ed. 1918. Hiroshige Toyokuni meiga hyakush daimy dch [One-hundred Mas- terpieces of a Daimyo’s Journey by Hiroshige and Toyokuni]. Tokyo: Tken.
⑺ศༀᄥ㇢✬ޡᑝ㊀⼾ฬ↹⊖⒳ᄢฬਛޢ᧲శ 1918 ᐕ
Asano Shg. 1986. Ukiyoe ni miru Edo bunka: Kasei ki no Eisen, Kunisada o chshin ni [Edo Culture Seen in Ukiyoe: Focussing on Eisen and Kunisada ]. Chiba: Chiba Shiritsu Kydo Hakubut- sukan.
ᵻ㊁⑲ޡᶋ⛗ߦߺࠆᳯᚭᢥൻ㧦ൻᦼߩ⧷ᴰ࿖⽵ࠍਛᔃߦޢජ⪲Ꮢ┙ㇹඳ‛㙚
1986ᐕ
Berglund, Lars. 1995. “Recapturing Utagawa Kunisada.” Arts of Asia vol. 25 no. 1: 59–73.
Bergmann, Annegret. 1990. “Theaterholzschnitte des Utagawa Kunisada I. (1786-1864).“ Japan- Magazin Juli 1990: 40–42.
Bickford, Lawrence R. 1982. “Will the Real Toyokuni II Please Stand Up?” Andon 6: 10–19.
Bickford, Lawrence R. 1986. “Toyokuni II Revisited.” Andon 22: 37–48.
Bickford, Lawrence R. 1986. “A Reply to Mr Tinios.” Andon 24: 83–85.
Bickford, Lawrence R. 1996. “The Toyokuni Signature Confusion.” Andon 53: 15–22.
Bickford, Lawrence R. 1997. “Reply.” Andon 56: 19f.
Bruijn, Rob de. 1997. “A Remarkable Tkaid Set.” Andon 57: 13–20.
Carpenter, John T. 1993a. “Popular Fiction in the Age of Kunisada.” In Kunisada’s World, edited by S. Izzard, 9–14.
Carpenter, John T. 1993b. “Kunisada and the Art of Comic Poetry.” In Kunisada’s World, edited by S. Izzard, 15–18.
Clark, Timothy T. 1992. “Kunisada and Decadence: the Critical Reception of Nineteenth-century Japanese Figure Prints in the West.” In Nihon kindai bijutsu to Seiy: kokusai shinpojumu [Modern Japanese Art and the West: International Symposium], edited by Meiji Bijutsu Gakkai. Tokyo: Meiji Bijutsu Gakkai, 89–100.
ᴦ⟤ⴚቇળ✬ޡᣣᧄㄭઍ⟤ⴚߣᵗ㧦࿖㓙ࠪࡦࡐࠫ࠙ࡓޢᴦ⟤ⴚቇળ 1992 ᐕ Daihkaku Shob, ed. 1931b. Ukiyoe taika shsei 17: Kunisada, Kuniyoshi [Ukiyoe expert Compila-
tion 17: Kunisada, Kuniyoshi]. Tokyo: Daihkaku Shob.
ᄢ㡅㑑ᦠᚱ✬ޡ࿖⽵࿖⧐ޢ㧔ᶋ⛗ᄢኅ㓸ᚑ ╙ 17 Ꮞ㧕ᄢ㡅㑑ᦠᚱ 1931 ᐕ
Engeki Hakubutsukan Yakushae Kenkykai, ed. 1998. Zho kokon yakusha nigao daizen. Yakushae kenky shiry 1 [Expanded Anthology of Actor Likenesses Past and Present (Materials of the Actor Prints Research Group 1)]. Tokyo: Waseda Daigaku Engeki Hakubutsukan.
Ṷඳ‛㙚ᓎ⠪⛗⎇ⓥળ✬ޡჇฎେఝૃ㗻ᄢోޢ㧔ᓎ⠪⛗⎇ⓥળ⾗ᢱ 1㧕ᣧⒷ↰ᄢቇဝ
ౝඳ჻⸥ᔨṶඳ‛㙚 1998 ᐕ
Enomoto Ysai. 1967. “Recollections of Toyokuni III.” Ukiyoe geijutsu [Ukiyoe Art] 15: 18–24.
English summary: 13.
᭑ᧄ㓶ᢪޟਃઍ⼾࿖ߩㅊᙘޠޡᶋ⛗⧓ⴚޢ╙ 15 ภ ࿖㓙ᶋ⛗ቇળ 1967 ᐕ
“Fug no kararisuto Kunisada de yuku Kiskaid [With the Misfortunate Colorist Kunisada Along the Kiskaid].” 1997. Geijutsu shinch 48/6: 98–101.
ޟਇㆄߩࠞࠬ࠻࿖⽵ߢࠁߊᧁᦥⴝޠޡ⧓ⴚᣂầޢ╙ 48(6)ภ ᣂầ␠ 1997 ᐕ Fujii Yasuo. 1939. “Kunisada ga Toyokuni shmei no nishikie [Nishikie of Kunisada’s Succes-
sion to Toyokuni].” Ukiyoe kai vol. 4 no. 9: 1–3.
⮮ᐽᄦޟ࿖⽵߇⼾࿖ⷅฬߩ㍪⛗ޠޡᶋ⛗⇇ޢ╙ 4 Ꮞ 9 ภ ᶋ⛗หᅢળ 1939 ᐕ Fujisawa Akane. 2003. “Utagawa Kunisada to kyka: Surimono o chshin ni [Utagawa Kunisada
and Comic Verses: Focussing on Surimono].” Gakushin Daigaku Bungakubu kenky nenp 50:
103–18.
⮮Ỉ⨒ޟᎹ࿖⽵ߣ⁅㧙᠁‛ࠍਛᔃߦޠޡቇ⠌㒮ᄢቇᢥቇㇱ⎇ⓥᐕႎޢ╙ 50 ภ ቇ⠌㒮 ᄢቇᢥቇㇱ 2003 ᐕ
Fukuda Kazuhiko. 1975. Hihan Kunisada [Secretly Published Kunisada]. Sshibon ukiyoe mei- hinsen. Tokyo: Haga Shoten.
↰ᒾޡ⒁ ࿖⽵ޢ㧔⨲⚕ᧄᶋ⛗ฬຠㆬ㧕⧐⾐ᦠᐫ 1975 ᐕ
Fukuda Kazuhiko. 2001. Tkaid gojsan tsugi shgun Iemochi k gojraku zu: E. Kiyosne Ty Bi- jutsukan z [The Fifty-three Stations Along the Tkaid, Pictures About the Procession of the Shogun Iemochi in the Museo d’Arte Orientale Edoardo Chiossone]. Tokyo: Kawade Shob
Shinsha.
↰ᒾޡ᧲ᶏචਃᰴァኅ⨃ᓮᵡ࿑㧦E࡛ࠠ࠰ࡀ᧲ᵗ⟤ⴚ㙚⬿ޢᴡᦠᚱᣂ
␠ 2001 ᐕ
Fzoku emaki shuppan kykai, ed. 1933. Tkaid gojsan tsugi: Hiroshige, Toyokuni, Kuniyoshi gassaku koji taish [The Fifty-three Stations Along the Tkaid: Comparison of the Origin of Hiroshige’s, Toyokuni’s, and Kuniyoshi’s Joint Work]. Tokyo: Fzoku Emaki Shuppan Kykai.
㘑ଶ⛗Ꮞ දળ✬ޡ᧲ᶏචਃᰴ㧦ᐢ㊀⼾࿖࿖⧐วኻᾖޢ㘑ଶ⛗Ꮞ ද ળ 1933 ᐕ
Gifu Prefectural Museum, ed. 2001. Shichidaime Danjr to Kunisada, Kuniyoshi: Shibai, nishikie, nakasend [Danjr VII and Kunisada, Kuniyoshi. Theater, Nishikie, and Nakasend]. Seki:
Gifu Prefectural Museum.
ጘ㒂⋵ඳ‛㙚✬ޡ৾ઍ⋡࿅ච㇢ߣ࿖⽵㨮࿖⧐⦼ዬ㍪⛗ਛጊޢጘ㒂⋵ඳ‛㙚 2001 ᐕ Hardie, Peter. 1986. Kunisada ga. Bristol: City of Bristol Museum & Art Gallery.
Hashimoto Osamu. 2003. “Hiragana Nihon bijutsushi (sono 94): Fushigi ni gaman o shiteiru mono—Gototei Kunisada, Keisai Eisen no nishikie [ABC of Japan’s Art History 94: Miracu- lously Tolerated Things—Gototei Kunisada and Keisai Eisen’s Nishikie].” Geijutsu shinch
54/3: 136–43.
ᯅᧄᴦޟ߭ࠄ߇ߥᣣᧄ⟤ⴚผ㧔ߘߩ 94㧕ਇᕁ⼏ߦᚒᘟࠍߒߡࠆ߽ߩᷰ੪࿖⽵ޔᷧᢪ
⧷ᴰߩ㍪⛗ޠޡ⧓ⴚᣂầޢ╙ 54 Ꮞ 3 ภ ᣂầ␠ 2003 ᐕ
Hayashi Yoshikazu. 1967. “Kunisada and Kuniyoshi.” Ukiyoe geijutsu [Ukiyoe Art] 13: 26–29.
ᨋ⟤৻ޟ࿖⽵ߣ࿖⧐ߦߟߡޠޡᶋ⛗⧓ⴚޢ╙ 13 ภ ࿖㓙ᶋ⛗ቇળ 1967 ᐕ
Hayashi Yoshikazu. 1978. “Kunisada no shunga mokuroku nenpu [Chronological Index of Ku- nisada’s Shunga].” Kikan ukiyoe 75: 84–95.
ᨋ⟤৻ޟ࿖⽵ߩᤐ↹⋡㍳ᐕ⼆ޠޡቄೀᶋ⛗ޢ╙ 75 ภ ↹ᢥၴ 1978 ᐕ
Hayashi Yoshikazu. 1989. Edo makurae shi shsei: Utagawa Kunisada [Compilation of Makers of Edo Pillow Pictures: Utagawa Kunisada]. Tokyo: Kawade Shob Shinsha.
ᨋ⟤৻ޡᳯᚭᨉ⛗Ꮷ㓸ᚑᎹ࿖⽵ޢᴡᦠᚱᣂ␠ 1989 ᐕ
Hayashi Yoshikazu, and Richard Lane. 1996a. Ukiyoe shunga meihin shsei 6: Utagawa Kunisada:
Koi no yatsu Fuji [The Complete Ukiyoe Shunga 6: Utagawa Kunisada’s Koi no yatsu Fuji].
Tokyo: Kawade Shob Shinsha.
ᨋ⟤৻ޔ࠴ࡖ࠼ࠗࡦޡᎹ࿖⽵ᚆߩ߿ߟ߰ߝޢ㧔ᶋ⛗ᤐ↹ฬຠ㓸ᚑ 6㧕ᴡᦠ ᚱᣂ␠ 1996 ᐕ
Hayashi Yoshikazu, and Richard Lane. 1996b. Ukiyoe shunga meihin shsei 8: Utagawa Kunisada:
Shunshoku hatsune no musume [The Complete Ukiyoe Shunga 8: Utagawa Kunisada’s Shun- shoku hatsune no musume]. Tokyo: Kawade Shob Shinsha.
ᨋ⟤৻ޔ࠴ࡖ࠼ࠗࡦޡᎹ࿖⽵ᤐ⦡ೋ㖸ਯᅚޢ㧔ᶋ⛗ᤐ↹ฬຠ㓸ᚑ 8㧕ᴡ
ᦠᚱᣂ␠ 1996 ᐕ
Hayashi Yoshikazu, and Richard Lane. 1996c. Ukiyoe shunga meihin shsei 10: Utagawa Kunisada:
Kaidan yoru no tono [The Complete Ukiyoe Shunga 10: Utagawa Kunisada’s Kaidan yoru no tono]. Tokyo: Kawade Shob Shinsha.
ᨋ⟤৻ޔ࠴ࡖ࠼ࠗࡦޡᎹ࿖⽵㐿⺣ᄛਯᲚޢ㧔ᶋ⛗ᤐ↹ฬຠ㓸ᚑ 10㧕ᴡᦠ ᚱᣂ␠ 1996 ᐕ
Hayashi Yoshikazu, and Richard Lane. 1997. Ukiyoe shunga meihin shsei 19: Utagawa Kunisada:
Sh utsushi aioi Genji [The Complete Ukiyoe Shunga 19: Utagawa Kunisada’s Sh utsuhi aioi Genji]. Tokyo: Kawade Shob Shinsha.
ᨋ⟤৻ޔ࠴ࡖ࠼ࠗࡦޡᎹ࿖⽵ᱜኮ⋧↢Ḯ᳁ޢ㧔ᶋ⛗ᤐ↹ฬຠ㓸ᚑ 19㧕ᴡ
ᦠᚱᣂ␠ 1997 ᐕ
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ፉ↰╳ᵄޟᓮᵡ᧲ᶏޠޡᶋ⛗⨲⚕ޢ╙ 2 ภ 㜞ᴛᧁ ␠ 1946 ᐕ
Shimada Tsukuba. 1946b. “Sandai Toyokuni bannen no daihysaku [Representative Works from Toyokuni III’s Last Years].” Ukiyoe sshi 7, 8: 22–23.
ፉ↰╳ᵄޟਃઍ⼾࿖᥅ᐕߩઍޠޡᶋ⛗⨲⚕ޢ╙ 7, 8 ภ 㜞ᴛᧁ ␠ 1946 ᐕ Shind Shigeru. 1987. “’Yakusha hidokei’ (Actor’s Clock) by Gototei Kunisada, vol. 1.” Ukiyoe
geijutsu [Ukiyoe Art] 88: 25.
ᣂ⮮⨃ޟᷰ੪࿖⽵↹㨬େఝᣣᤨ⸘㨭㧔৻㧕ޠޡᶋ⛗⧓ⴚޢ╙ 88 ภ ࿖㓙ᶋ⛗ቇળ
1987ᐕ
Shind Shigeru. 1991. “’Yakusha hidokei’ (Actor’s Clock) by Gototei Kunisada, vol. 3.” Ukiyoe geijutsu [Ukiyoe Art] 101: 18–21.
ᣂ⮮⨃ޟᷰ੪࿖⽵↹㨬େఝᣣᤨ⸘㨭㧔ਃ㧕ޠޡᶋ⛗⧓ⴚޢ╙ 101 ภ ࿖㓙ᶋ⛗ቇળ
1991ᐕ
Shind Shigeru. 1993. Gototei Kunisada: Yakushae no sekai [Kunisada: The Kabuki Actor Portraits].
Tokyo: Grafik sha.
ᣂ⮮⨃ޡᷰ੪࿖⽵ᓎ⠪⛗ߩ⇇ޢࠣࡈࠖ࠶ࠢ␠ 1993 ᐕ
Shind Shigeru. 1998. “Gappitsu sakuhin ni okeru ukiyoe-shi aido no is: Kysai to Kunichika to Sandai Toyokuni to [Ranking of Ukiyoe-artists Seen in Joint Works: Kyosai, Kunichika and Toyokuni the Third].” Kysai 59: 33–37.
ᣂ⮮⨃ޟว╩ຠߦ߅ߌࠆᶋ⛗Ꮷ㑆ߩ⋧㧨ᦇᢪߣ࿖ߣਃઍ⼾࿖ߣ㧪ޠޡᥙᢪޢ╙ 59 ภ ᴡ㍿ᥙᢪ⸥ᔨ⟤ⴚ㙚 1998 ᐕ
Shind Shigeru. 2001. “Kunisada no nidai Toyokuni sensh setsu e no gimon [The Question of Kunisada’s Theory to Assume to Toyokuni II].” Fukumori Kysuke kyakuhonsh (gepp) 49: 5–
8.
ᣂ⮮⨃ޟ࿖⽵ߩੑઍ⼾࿖௲⒓⺑߳ߩ⇼ޠޡਭഥ⣉ᧄ㓸㧔ႎ㧕ޢ╙ 49 ภ ࿖ᦠೀⴕ ળ 2001 ᐕ
Sitsur Shujin. 1916a. “Sandai Utagawa Toyokuni: j [Utagawa Toyokuni III: Part One].” Ukiyoe 12: 34–35.
⨿ㅺᭈਥੱޟਃᎹ⼾࿖㧔㧕ޠޡᶋ⛗ޢ╙ 12 ภ ᶋ⛗␠ 1916 ᐕ
Sitsur Shujin. 1916b. “Sandai Utagawa Toyokuni: ge [Utagawa Toyokuni III: Part Two].”
Ukiyoe 13: 31–34.
⨿ㅺᭈਥੱޟਃᎹ⼾࿖㧔ਅ㧕ޠޡᶋ⛗ޢ╙ 13 ภ ᶋ⛗␠ 1916 ᐕ Speiser, Werner. 1963. Kuniyoshi – Kunisada. Düsseldorf: Kunstmuseum Düsseldorf.
Sunkintei Shujin. 1929. “Gototei Kunisada no kotodomo [Things on Gototei Kunisada].” Ukiyoe shi 1: 24–28.
ኸ㍪੪ਥੱޟᷰ੪࿖⽵ߩߤ߽ޠޡᶋ⛗ᔒޢ╙ 1 ภ ⧓⦥ၴ 1929 ᐕ
Suzuki Jz, and Oka Isabur. 1969. Masterworks of ukiyo-e: ‘The Decadents’. Tokyo, New York, San Francisco: Kodansha International Ltd.
Suzuki Jz, et al. ed. 1992. Meihin soroimono ukiyoe 6: Toyokuni, Kunisada [Ukiyoe Masterpiece Series 6: Toyokuni, Kunisada]. Tokyo: Gysei.
㋈ᧁ㊀ਃ✬ޡ⼾࿖࿖⽵ޢ㧔ฬຠឥ‛ᶋ⛗ 6㧕߉ࠂ߁ߖ 1992 ᐕ
Suzuki Jz. 1971. “Kunisada’s Career and Achievements.” Ukiyoe geijutsu [Ukiyoe Art] 28: 71–
75.
㋈ᧁ㊀ਃޟᎹ࿖⽵ߩ↹ᱧߣᬺ❣ઃޔߘߩჽᐕᦼߩ⡿ޠޡᶋ⛗⧓ⴚޢ╙ 28 ภ ࿖㓙ᶋ
⛗ቇળ 1971 ᐕ
Suzuki Jz. 1976. Ukiyoe taikei 10: Kunisada, Kuniyoshi, Eisen [Ukiyoe Compendium 10: Kunisa- da, Kuniyoshi, Eisen]. Tokyo: Shueisha.
㋈ᧁ㊀ਃޡ࿖⽵࿖⧐⧷ᴰޢ㧔ᶋ⛗ᄢ♽ 10㧕㓸⧷␠ 1976 ᐕ
Suzuki Jz. 1996b. “Utagawa Kunisada no koden to gareki [Biographical Sketches and Picture Calender].” In Utagawa Kunisada: Bijinga wo chshin ni, edited by Seikad Bunko Library, 6–
14.
㋈ᧁ㊀ਃޟᎹ࿖⽵ߩዊવߣ↹ᥲޠ
Tada Tetsunosuke, and Umehara Munetaka. 1979. Tt kmei kaiseki zukushi [A Collection of Famous Restaurants in the Capital]. Tokyo: Kybunsha.
ᄙ↰㋕ਯഥޔ᪢ේቬᢘޡ᧲ㇺ㜞ฬળᏨዧޢᢥ␠ 1979 ᐕ
Takahashi (Yamashita) Noriko. 2000. “Actor Portrait Drafts and Okubi Actor Portraits of the Third Utagawa Toyokuni.” Chsa kenkyu hkoku vol. 21: 239–278.
㜞ᯅ㧔ጊਅ㧕ೣሶޟޟᓎ⠪⛗ේⓂޠߣਃઍ⋡Ꮉ⼾࿖↹ᓎ⠪ᄢ㚂⛗ޠޡ⺞ᩏ⎇ⓥႎ๔ޢ╙
ภ 2000 ᐕ
Takahashi Hakushin. 1980. Ukiyoe sanmai: Kunisada to Eisen [Ukiyoe Concentration: Kunisada and Eisen]. Obihiro: Arita Shob.
㜞ᯅඳାޡᶋ⛗ਃᤒ㧦࿖⽵ߣ⧷ᴰޢ↰ᦠᚱ 1980 ᐕ
Takahashi Hakushin. 1991. Ukiyoe wa zokubutsu no uta: Kunisada bijinga jruri zukushi ron [Ukiyoe Are the Song of Worldly-minded Persons: Essay on Kunisada’s ‘Jruri Collection’ Bijin Prints]. Tokyo: Nihon Ukiyoe Kykai.
㜞ᯅඳାޡᶋ⛗ߪଶ‛ߩ߁ߚ㧦࿖⽵⟤ੱ↹ޟᵺℲⅇߠߊߒޠ⺰ޢᣣᧄᶋ⛗දળ 1991 ᐕ
Takashima Kazuo. 1919. “Sansei Toyokuni no kubi yakushae [Large Head Actor Portraits of Toyokuni III].” Ukiyoe 50: 20–22.
㜞ፉ㓶ޟਃ⼾࿖ߩᄢ㚂ᓎ⠪⛗ޠޡᶋ⛗ޢ╙ 50 ภ ᶋ⛗␠ 1919 ᐕ
Takuji. 1918. “Gassaku Tkaid meisho fkei [Collaborative Famous Landscape Sights Along the Tkaid].” Ukiyoe 34: 26.
ථῺޟว᧲ᶏฬᚲ㘑᥊ޠޡᶋ⛗ޢ╙ 34 ภ ᶋ⛗␠ 1918 ᐕ
Terada Tru. 1972. “Ranjuku to tait—Kuniyoshi, Kunisada ni miru Edo no shun [Overmaturity and Calmness—Edo’s Spring Seen by Kuniyoshi, Kunisada].” Bijutsu tech 353: 49–70.
ኹ↰ㅘޟῥᾫߣ㚨⭡—࿖⧐࿖⽵ߦߺࠆᳯᚭߩᤐޠޡ⟤ⴚᚻᏝޢ╙ 353 ภ ⟤ⴚ ␠
1972ᐕ
Tinios, Ellis. 1985. “The Three Ages of Ichikawa Danjr VII: Kunisada’s Depiction of Danjr
VII in Youth, Maturity and Old Age.” Andon 18: 30–34.
Tinios, Ellis. 1986. “A response to Dr. Bickford.” Andon 24: 81–82.
Tinios, Ellis. 1987. “The Art of the Onnagata in the Prints of Utagawa Kunisada.” Andon 26: 31–
42.
Tinios, Ellis. 1988. “Kabuki and the Actor Prints of Kunisada.” Apollo 311: 3–8.
Tinios, Ellis. 1990. “The Kunisada-signature Half-length Actor Portraits of Utagawa Kunisada.”
Andon 40: 110–26.
Tinios, Ellis. 1991. “Kunisada and the Last Flowering of Ukiyoe Prints.” Print Quarterly vol. VIII no. 4: 342–62.
Tinios, Ellis. 1994. “Three Early Uchiwa Prints by Kunisada.” Andon 47: 88–93.
Tinios, Ellis. 1996. Mirror of the Stage: The Actor Prints of Kunisada. Leeds: The University Gallery Leeds.
Tkaid Hiroshige Bijutsukan [Tkaid Hiroshige Art Museum], ed. 1995. Yakusha mitate Tkaid
gojsan tsugi [Fifty-three Stations Along the Tkaid With Visual Parodies of Actors].
Yuich: Tkaid Hiroshige Bijutsukan.
᧲ᶏᐢ㊀⟤ⴚ㙚✬ޡᓎ⠪┙᧲ᶏචਃ㚞ޢ᧲ᶏᐢ㊀⟤ⴚ㙚 1995 ᐕ
Tsubuchi Shy. 1919a. “Shodai to nidai to sandai to no Toyokuni ni renkan suru shsh no gimon ni tsuite (Ichi) [About Different Questions on the Relation Between Toyokuni I, II, and III, 1].” Nishikie 11: 1–6.
ဝౝㅖ㆝ޟೋઍߣੑઍߣਃઍߣߩ⼾࿖ߦ⡧㑐ߔࠆ⒳ޘߩ⇼ߦዞߡ㧔৻㧕ޠޡ㍪⛗ޢ╙
11ภ ⛱⧓ᦠ㒮 1919 ᐕ
Tsubuchi Shy. 1919b. “Shodai to nidai to sandai to no Toyokuni ni renkan suru shsh no gimon ni tsuite (Ni) [About Different Questions on the Relation Between Toyokuni I, II, and III, 2].” Nishikie 12: 1–6.
ဝౝㅖ㆝ޟೋઍߣੑઍߣਃઍߣߩ⼾࿖ߦ⡧㑐ߔࠆ⒳ޘߩ⇼ߦዞߡ㧔ੑ㧕ޠޡ㍪⛗ޢ╙
12ภ ⛱⧓ᦠ㒮 1919 ᐕ
Tsubuchi Shy. 1919c. “Shodai to nidai to sandai to no Toyokuni ni renkan suru shsh no gimon ni tsuite (San) [About Different Questions on the Relation Between Toyokuni I, II, and III, 3].” Nishikie 13: 1–8.
ဝౝㅖ㆝ޟೋઍߣੑઍߣਃઍߣߩ⼾࿖ߦ⡧㑐ߔࠆ⒳ޘߩ⇼ߦዞߡ㧔ਃ㧕ޠޡ㍪⛗ޢ╙
13ภ ⛱⧓ᦠ㒮 1919 ᐕ
Tsubuchi Shy. 1919d. “Shodai to nidai to sandai to no Toyokuni ni renkan suru shsh no gimon ni tsuite (Shi) [About Different Questions on the y Toyokuni I, II, and III, 4].” Nishikie 14: 1–7.
ဝౝㅖ㆝ޟೋઍߣੑઍߣਃઍߣߩ⼾࿖ߦ⡧㑐ߔࠆ⒳ޘߩ⇼ߦዞߡ㧔྾㧕ޠޡ㍪⛗ޢ╙
14ภ ⛱⧓ᦠ㒮 1919 ᐕ
Tsubuchi Shy. 1919e. “Shodai to nidai to sandai to no Toyokuni ni renkan suru shsh no gimon ni tsuite (Go) [About Different Questions on the Relation Between Toyokuni I, II, and III, 5].” Nishikie 15: 1–5.
ဝౝㅖ㆝ޟೋઍߣੑઍߣਃઍߣߩ⼾࿖ߦ⡧㑐ߔࠆ⒳ޘߩ⇼ߦዞߡ㧔㧕ޠޡ㍪⛗ޢ╙
15ภ ⛱⧓ᦠ㒮 1919 ᐕ
Tsubuchi Shy. 1919f. “Shodai to nidai to sandai to no Toyokuni ni renkan suru shsh no gimon ni tsuite (Roku) [About Different Questions on the Relation Between Toyokuni I, II, and III, 6].” Nishikie 16: 1–6.
ဝౝㅖ㆝ޟೋઍߣੑઍߣਃઍߣߩ⼾࿖ߦ⡧㑐ߔࠆ⒳ޘߩ⇼ߦዞߡ㧔㧕ޠޡ㍪⛗ޢ╙
16ภ ⛱⧓ᦠ㒮 1919 ᐕ
Tsubuchi Shy. 1919g. “Shodai to nidai to sandai to no Toyokuni ni renkan suru shsh no gimon ni tsuite (Nana) [About Different Questions on the Relation Between Toyokuni I, II, and III, 7].” Nishikie 17: 1–7.
ဝౝㅖ㆝ޟೋઍߣੑઍߣਃઍߣߩ⼾࿖ߦ⡧㑐ߔࠆ⒳ޘߩ⇼ߦዞߡ㧔৾㧕ޠޡ㍪⛗ޢ╙
17ภ ⛱⧓ᦠ㒮 1919 ᐕ
Tsubuchi Shy. 1919h. “Shodai to nidai to sandai to no Toyokuni ni renkan suru shsh no gimon ni tsuite (Hachi) [About Different Questions on the Relation Between Toyokuni I, II, and III, 8].” Nishikie 18: 1–7.
ဝౝㅖ㆝ޟೋઍߣੑઍߣਃઍߣߩ⼾࿖ߦ⡧㑐ߔࠆ⒳ޘߩ⇼ߦዞߡ㧔㧕ޠޡ㍪⛗ޢ╙
18ภ ⛱⧓ᦠ㒮 1919 ᐕ
Tsubuchi Shy. 1919i. “Shodai to nidai to sandai to no Toyokuni ni renkan suru shsh no gimon ni tsuite (Ky) [About Different Questions on the Relation Between Toyokuni I, II, and III, 9].” Nishikie 19: 1–7.
ဝౝㅖ㆝ޟೋઍߣੑઍߣਃઍߣߩ⼾࿖ߦ⡧㑐ߔࠆ⒳ޘߩ⇼ߦዞߡ㧔㧕ޠޡ㍪⛗ޢ╙
19ภ ⛱⧓ᦠ㒮 1919 ᐕ
Ujida Skichi. 1977. “Kunisada egaku onna no shiki [Kunisada’s Images of Women in Four Sea- sons].” Kikan ukiyoe 68: 62–63.
᳁↰ቬศޟ࿖⽵߃߇ߊᅚߩ྾ቄޠޡቄೀᶋ⛗ޢ╙ 68 ภ ↹ᢥၴ 1977 ᐕ
Ushiyama Mitsuru. 1928a. Kunisada fzoku hyakusen gash [Album with a Selection of One Hun- dred Works of Kunisada’s Customs and Manners]. Tokyo: Gahsha.
‐ጊలޡ࿖⽵㘑ଶ⊖ㆬ⇠㓸ޢ⇠ႎ␠ 1928 ᐕ
Ushiyama Mitsuru. 1928b. Gototei Kunisada hyakusen gash—Zokuhen [Album With a Selection of One Hundred Works by Kunisada—Continuation]. Tokyo: Gahsha.
‐ጊలޡᷰ੪࿖⽵⊖ㆬ⇠㓸⛯✬ޢ⇠ႎ␠ 1928 ᐕ
Wagai Hiroo. 1985a. “Style of Kunisada, Its Change Along with the Times I.” Ukiyoe geijutsu [Ukiyoe Art] 84: 16–21.
⾐ብᄦޟ࿖⽵ߩ㘑ᄌൻߣᖱ㧔㧕ޠޡᶋ⛗⧓ⴚޢ╙ 84 ภ ࿖㓙ᶋ⛗ቇળ
1985ᐕ
Wagai Hiroo. 1985b. “Style of Kunisada, Its Change Along with the Times II.” Ukiyoe geijutsu [Ukiyoe Art] 85: 11–13.
⾐ብᄦޟ࿖⽵ߩ㘑ᄌൻߣᖱ㧔ਅ㧕ޠޡᶋ⛗⧓ⴚޢ╙ 85 ภ ࿖㓙ᶋ⛗ቇળ
1985ᐕ
Watanabe Akira. 2002. “Bunkaki ni okeru Utagawaha yakushae no gaf henka ni tsuite: Toyo- kuni, Kunisada o chshin toshite [Change of Painting Style in Utagawa Tradition Actor Por- traits from the Bunka Period: Focussing on Toyokuni and Kunisada].” In Studies in Japanese Art History 2: 57–79.
ᷰㆺᤩޟᢥൻᦼߦ߅ߌࠆᎹᵷᓎ⠪⛗ߩ↹㘑ᄌൻߦߟߡ㧙⼾࿖࿖⽵ࠍਛᔃߣߒߡޠޡ ᣣᧄ⟤ⴚ⎇ⓥޢ╙ 2 ภ ╳ᵄᄢቇ⧓ⴚቇ♽ᣣᧄ⟤ⴚผ⎇ⓥቶ / ╳ᵄᄢቇ⧓ⴚቇ♽ᣣᧄ⟤ⴚผ
⎇ⓥቶ✬ 2002 ᐕ
Watanabe Akira. 2004. “Study on Yakusya-e by Utagawa school in the Bunka period—Focussing on Toyokuni and Kunisada.” Geijutsugaku kenky [Tsukuba Studies in Art and Design] 8:
181–90.
ᷰㆺᤩޟᢥൻᦼᎹᵷᓎ⠪⛗ߦߟߡ⼾࿖࿖⽵ࠍਛᔃߣߒߡޠޡ⧓ⴚቇ⎇ⓥޢ╙ 8 ภ
╳ᵄᄢቇᄢቇ㒮ඳ჻⺖⒟⧓ⴚቇ⎇ⓥ⑼ੱ㑆✚ว⑼ቇ⎇ⓥ⑼ 2004 ᐕ
Watanabe Akira. 2008. “Drawings and sketches by Utagawa Toyokuni III in his later life: Focus- ing on ‘Kamurogiku’ from the collection of the Ota Memorial Museum of Art.” ta Memori- al Museum of Art—The Miscellanea on Ukiyo-e 3: 73–111.
ᷰㆺᤩޟਃઍ⼾࿖᥅ᐕߩ↹Ⓜ ਅߦߟߡ㧙ᄥ↰⸥ᔨ⟤ⴚ㙚ᚲ⬿ޟཅή〝༑ਭޠࠍਛᔃ ߦޠޡ⺰㓸ޢ╙ 3 ภ ᄥ↰⸥ᔨ⟤ⴚ㙚 2008 ᐕ
Wilmes, Helmut. 1998. “A Remarkable Tkaid Set (2)—Some further Remarks.” Andon 60: 35–
38.
Yasuda Gz. 1977. “Utagawa yakushae no tapp—Toyokuni kara Kunisada e no henka [Uta- gawa Actor Prints Style: The Change from Toyokuni to Kunisada].” Kikan ukiyoe 68: 26–29.
↰⬿ޟᎹᓎ⠪⛗ߩ㆐㘑⼾࿖߆ࠄ࿖⽵߳ߩᄌൻޠޡቄೀᶋ⛗ޢ╙ 68 ภ ↹ᢥၴ
1977ᐕ
Yoshida Kichi. 2002. Ukiyoe nazorae hyakunin isshu [Ukiyoe Allusions of One Hundred Poets, One Poem Each]. Tokyo: Kasama Shoin.
ศ↰ᐘ৻ޡᶋ⛗ᡆ⊖ੱ৻㚂ޢ═㑆ᦠ㒮 2002 ᐕ
Yoshida Susugu. 1977a. “Bakumatsu no aruchizan—Kunisada ron to nishikie smokuroku [Ba- kumatsu Artisan: Essay and List of Nishikie by Kunisada].” Kikan ukiyoe 68: 30–51.
ศ↰ẇޟ᐀ᧃߩᎿඅ㧖࿖⽵⺰ߣ㍪⛗✚⋡㍳ޠޡቄೀᶋ⛗ޢ╙ 68 ภ ↹ᢥၴ 1977 ᐕ
Yoshida Susugu. 1977b. “Utagawaha—shish no keifu: Toyokuni rokudaime made [Utagawa Tradition: Teacher Instructions Lineage Until Toyokuni VI].” Kikan ukiyoe 68: 52–57.
ศ↰ẇޟᎹᵷ㧖Ꮷᛚߩ♽⼆⼾࿖ઍ⋡߹ߢޠޡቄೀᶋ⛗ޢ╙ 68 ภ ↹ᢥၴ 1977 ᐕ Yoshida Susugu. 1977c. “Kunisada nishikie smokuroku: mi-teik hosei 1 [List of Kunisada’s
Nishikie: Final Revised Manuscript 1].” Kikan ukiyoe 70: 58–64.
ศ↰ẇޟ࿖⽵㍪⛗✚⋡㍳ ᧃቯⓂᱜ 1ޠޡቄೀᶋ⛗ޢ╙ 70 ภ ↹ᢥၴ 1977 ᐕ Yoshida Teruji. 1954. Hizhan Kunisada Kuniyoshi [Treasured Impressions of Kunisada and Ku-
niyoshi]. Tokyo: Miwa Shoin.
ศ↰ᥢੑޡ⒁⬿ ࿖⽵࿖⧐ޢ⟤ᦠ㒮 1954 ᐕ
9.4 Books and articles on the Tkaid
Addiss, Stephen, ed. 1980. Tkaid. Adventures on the Road in Old Japan. Lawrence, KS: Helen Fo- resman Spencer Museum of Art.
Addiss, Stephen, ed. 1982. Tkaid. On the Road: Pilgrimage, Travel and Culture. Lawrence, KS:
Helen Foresman Spencer Museum of Art.
Austin, James B. 1964. “A Little-known Set of Comic Tokaido Prints by Ikku.” Ukiyoe geijutsu [Ukiyoe Art] 8: 13–16.
ޡᶋ⛗⧓ⴚޢ╙ 8 ภ ࿖㓙ᶋ⛗ቇળ 1964 ᐕ
Band Mitsugor. 1972. Tkaid kabuki hanashi [Tkaid Kabuki Stories]. Tokyo: Nihon Kts
Ksha.
ဈ᧲ਃᵤ㇢ޡ᧲ᶏ⥰પޢᣣᧄㅢ␠ 1972 ᐕ
Boles, Pamela, and Stephan Addiss. 1980. “Hiroshige’s Tkaid Prints in the Context of Yamato- e, the Traditional Painting of Japan.” In Tkaid. Adventures on the Road in Old Japan, edited by S. Addiss, 74–89.
Carey, Patrick. 2000. Rediscovering the Old Tokaido: In the Footsteps of Hiroshige. Folkestone: Global Oriental.
Cotton, Patricia. 1980. “The Tkaid Prints and Hiroshige’s Artistic Vision.” In Tkaid. Adven- tures on the Road in Old Japan, edited by S. Addiss, 90–102.
Ehmcke, Franziska. 2001. „Die Tkaid-Bilder als Beispiel für Intertextualität in der bildenden Kunst.“ In 11. Deutschsprachiger Japanologentag, edited by H. Gössmann, 321–37. Published in English under the title “The Tkaid Woodblock Print Series as an Example of Intertextuali- ty in the Fine Arts,” in Susanne Formaneck and Sepp Linhart, ed., Written Texts – Visual Texts: Woodblock-printed Media in Early Modern Japan, Amsterdam: Hotei Publishing, 2005, 109–39.
Ehmcke, Franziska. 2003. „Faszinierende Ein-Blicke in das frühmoderne Japan – Die Tkaid- Holzschnittserien.“ OAG-Notizen 6: 10–31.
Ehmcke, Franziska. 2004. „Methodologische Überlegungen zur kulturwissenschaftlichen Erforschung der Tkaid-Holzschnittserien.“ In Sünden des Worts: Festschrift für Roland Schneider zum 65. Geburtstag, edited by J. Árokay, and K. Vollmer, 231–49. Hamburg:
Gesellschaft für Natur und Völkerkunde Ostasiens.
Fister, Patricia. 1980. “Pleasures and Dangers of the Tkaid.” In Tkaid. Adventures on the Road
Fujiedashi Kydo Hakubutsukan, ed. 1995. Tkaid no meisho to meibutsu: Sunsh Kanbara—Ensh
Kakegawa [Famous Sights and Specialties from the Tkaid: Sunsh Kanbara—Ensh Kake- gawa]. Fujieda: Fujiedashi Kydo Hakubutsukan.
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