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Singing corporeality: reinventing the vocalic body in postopera
Novak, J.
Publication date
2012
Link to publication
Citation for published version (APA):
Novak, J. (2012). Singing corporeality: reinventing the vocalic body in postopera.
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List of Figures
Figure 1 - Philip Glass, Robert Wilson, Einstein on the Beach; Helga Davis and Kate Moran perform in
Einstein on the Beach in Ann Arbor, 2012 25
Figure 2 - Michel van der Aa, One, video still 40
Figure 3 – From Three Tales, video opera by Beryl Korot and Steve Reich. Image by Beryl Korot. Act 3,
Dolly, robot Kismet 60
Figure 4 - From Three Tales, video opera by Beryl Korot and Steve Reich. Image by Beryl Korot. Act 3,
Dolly, Adin Steinsaltz 65
Figure 5 - La Belle et la Bête, Belfast Festival at Queen’s, November 1998 75 Figure 6 - Jean Cocteau, La Belle et la Bête, armchair lion, film still 83 Figure 7 - Jean Cocteau, La Belle et la Bête, arm-shaped candle sticks, film still 84 Figure 8 - La Belle et la Bête, lego version by ‘barkingbartok’, film still 88 Figure 9 – Louis Andriessen, Peter Greenaway, Writing to Vermeer, Scene 4. 2 94 Figure 10 – Louis Andriessen, Peter Greenaway, Writing to Vermeer, Scene 3 101 Figure 11 - Louis Andriessen, Hal Hartley, La Commedia 118 Figure 12 - Cristina Zavalloni as Dante in La Commedia by Louis Andriessen and Hal Hartley 124 Figure 13 – Laurie Anderson, Homeland, CD/DVD cover, Laurie Anderson as Fenway Bergamot 134
The author gratefully acknowledges the permission granted to reproduce the copyright material in this study. Every effort has been made to trace copyright holders and to obtain their permission for the use of copyright material. The author apologizes for any errors or omissions in the above list and would be grateful if notified of any corrections that should be incorporated in future reprints or editions of this study.
