• No results found

Literary writing on the web

N/A
N/A
Protected

Academic year: 2021

Share "Literary writing on the web"

Copied!
4
0
0

Bezig met laden.... (Bekijk nu de volledige tekst)

Hele tekst

(1)

Amsterdam University of Applied Sciences

Literary writing on the web

Rasch, Miriam

Publication date 2016

Document Version Final published version License

Unspecified Link to publication

Citation for published version (APA):

Rasch, M. (Author). (2016). Literary writing on the web. Web publication/site, As We Read.

http://as-we-read.com/readinglists/literary-writing-on-the-web/

General rights

It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons).

Disclaimer/Complaints regulations

If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please contact the library:

https://www.amsterdamuas.com/library/contact/questions, or send a letter to: University Library (Library of the University of Amsterdam and Amsterdam University of Applied Sciences), Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible.

Download date:27 Nov 2021

(2)

1/10/2018 AS WE READ

http://as-we-read.com/readinglists/literary-writing-on-the-web/ 1/3

Literary Writing on the Web

Kunstenaars, ontwerpers, critici, docenten, studenten:

iedereen die met kunst en ontwerp bezig is, leest, verwerft kennis en ontwikkelt interesses. As We Read wil die

toegankelijk maken voor anderen, zodat je van elkaars kennis en interesses kunt leren.

Hoe we dat doen? We vragen vakgenoten en specialisten een leeslijst samen te stellen om zo hun interesses en deskundigheid met anderen te kunnen delen. En om er een inleiding bij te schrijven waarin ze hun keuzes toelichten.

Zo brengen we verschillende perspectieven samen en ontstaat een alsmaar groeiend digitaal archief. Actueel, relevant en interdisciplinair. Van essays tot beeldromans en van lezingen tot manifesten: As We Read legt een database aan, voor en door vakgenoten.

   

 

As We Read is a website with a growing collection of reading lists about art and design. The reading lists range from essays to graphic novels, from lecture transcripts to manifestos.

Compiled by specialists, each published with an introduction.

As We Read is a reading database created with, by and for peers. 

   

Literary Writing on the Web

10/11/2016

’ is the question asked by the

first item on this list and by the list as a whole. We write a lot online;

that’s for sure. Of course, there are discussions about the mobile phone destroying our sense of grammar, about image-biased media overturning the craft of writing, whether moving or not, and about whole populations no longer able to read books or, for that matter, anything over a thousand words.

Still, written language is very much alive on the internet, and day in day out, we write hundreds of words on Facebook Messenger,

WhatsApp, Twitter, and so on. What does this do to the kind of language with a deep interest in language – namely the language of literature? The web must have some effect on literary writing, right?

Literary writing is bound to transform in a digital context, no?

Below, I’ve collected what I consider the best writing on online

(literary) writing. It’s not about e-books, digital narratives or science fiction; it’s about good old Literature as found in that sphere of a medium: the Internet.

More of a project than an article, with many people trying to answer the question (and others) stated in the title – interesting, full of ideas, and fun to navigate.

How do we write when we write online?

How Do We Write When We Write Online?

Post-Digital Writing

Over AS WE READ

LEESLIJSTEN (28)

(3)

1/10/2018 AS WE READ

http://as-we-read.com/readinglists/literary-writing-on-the-web/ 2/3

 

Mede mogelijk gemaakt door:

 

NAAM E-MAIL

NIEUWSBRIEF

Meld je aan met je e-mailadres om nieuws en updates te ontvangen.

Aanmelden

CONTACT

info@as-we-read.com

MEE DOEN?

Samen met onze lezers willen we de website blijven ontwikkelen. Heb je een idee voor een leeslijst of andere suggesties voor As We Read, laat het ons weten.

info@as-we-read.com

Kunstenaars, ontwerpers, critici, docenten, studenten:

iedereen die met kunst en ontwerp bezig is, leest, verwerft kennis en ontwikkelt interesses. As We Read wil die

toegankelijk maken voor anderen, zodat je van elkaars kennis en interesses kunt leren.

Hoe we dat doen? We vragen vakgenoten en specialisten een leeslijst samen te stellen om zo hun interesses en deskundigheid met anderen te kunnen delen. En om er een inleiding bij te schrijven waarin ze hun keuzes toelichten.

Zo brengen we verschillende perspectieven samen en ontstaat een alsmaar groeiend digitaal archief. Actueel, relevant en interdisciplinair. Van essays tot beeldromans en van lezingen tot manifesten: As We Read legt een database aan, voor en door vakgenoten.

   

 

As We Read is a website with a growing collection of reading lists about art and design. The reading lists range from essays to graphic novels, from lecture transcripts to manifestos.

Compiled by specialists, each published with an introduction.

As We Read is a reading database created with, by and for peers. 

   

Florian Cramer applies the notion of the post-digital to the art of writing, paying specific attention to historical context, other art forms, and cultural trends.

One of a series of intriguing short stories published in Dutch by De Revisor literary magazine. An example of how a story posted on the web can use the logic of the same web to destroy the logic of a web – as literature is supposed to do.

Still, the finest example of Twitter fiction I have ever seen.

Instalment after instalment, Jennifer Egan takes the 140-character limit to its ultimate intensity. A short story to make you shiver in delight.

This story eventually became a novel-length saga about a veterinarian and is a high point of Dutch internet-informed literature.

Another web-savvy though creepy short story by a writer who elevates the blogging experience to a high art. 

Poet Maarten van der Graaff wrote his blog for some time before

publishing a poetry collection with a regular publisher. Older versions of his poems –influenced by online culture – are still online.

Post-Digital Writing

Bekende vreemden

Black Box

De wrede ezel

My Life Is a Joke

Vrije Encyclopedie

Over AS WE READ

Sublime Imperfections

Ask ‘why getting it wrong’ is the new right in design.

Ellen Rutten

Other Voices

To question our own thoughts, ide WdKA|WdW Read-in Series, Esma Mo Meessen

A

Douglas Adams Theodor W. Adorno Sarah Ahmed

B

Gerry Badger Alain Badiou Jan Baetens Wibo Bakker Martine Bakker Hans Willem Bakx Ronald Barthes Georges Bataille Geoffrey Batchen Halla Beloff

C

Max Caflisch Edwin Carels Nicholas Carr Andrew Chong Paul Cobley

John Maxwell Coetzee Michael Collins Florian Cramer

D

Scott Dad Ellen de Michel de Eric de K Jos de Mu Abraham d Gilles De Andrew De Söke Dink Diverse

LEESLIJSTEN (28)

(4)

1/10/2018 AS WE READ

http://as-we-read.com/readinglists/literary-writing-on-the-web/ 3/3

 

Mede mogelijk gemaakt door:

 

NAAM E-MAIL

NIEUWSBRIEF

Meld je aan met je e-mailadres om nieuws en updates te ontvangen.

Aanmelden

CONTACT

info@as-we-read.com

MEE DOEN?

Samen met onze lezers willen we de website blijven ontwikkelen. Heb je een idee voor een leeslijst of andere suggesties voor As We Read, laat het ons weten.

info@as-we-read.com

Kunstenaars, ontwerpers, critici, docenten, studenten:

iedereen die met kunst en ontwerp bezig is, leest, verwerft kennis en ontwikkelt interesses. As We Read wil die

toegankelijk maken voor anderen, zodat je van elkaars kennis en interesses kunt leren.

Hoe we dat doen? We vragen vakgenoten en specialisten een leeslijst samen te stellen om zo hun interesses en deskundigheid met anderen te kunnen delen. En om er een inleiding bij te schrijven waarin ze hun keuzes toelichten.

Zo brengen we verschillende perspectieven samen en ontstaat een alsmaar groeiend digitaal archief. Actueel, relevant en interdisciplinair. Van essays tot beeldromans en van lezingen tot manifesten: As We Read legt een database aan, voor en door vakgenoten.

   

 

As We Read is a website with a growing collection of reading lists about art and design. The reading lists range from essays to graphic novels, from lecture transcripts to manifestos.

Compiled by specialists, each published with an introduction.

As We Read is a reading database created with, by and for peers. 

   

Tirade, a Dutch literary magazine, has been a blog for a couple of years now. The Sunday guest blog offers upcoming writers a chance to work on a short series of blogs and is especially a treat. The

website, however, could do with an update (please do!).

Not sure whether I can include my own essay, but, since it to adheres to the social-media-way of doing things, here it is. 

The first literary magazine on the Dark Web, bringing forth literature in the age of Snowden. Use Tor to download the first issue, packed with stories, poetry, and essays.

Miriam Rasch

Tirade online

Een kleine biologische banaan: fonofilia in 12 scènes

The Torist

Over AS WE READ

Sublime Imperfections

Ask ‘why getting it wrong’ is the new right in design.

Ellen Rutten

Other Voices

To question our own thoughts, ide WdKA|WdW Read-in Series, Esma Mo Meessen

A

Douglas Adams Theodor W. Adorno Sarah Ahmed

B

Gerry Badger Alain Badiou Jan Baetens Wibo Bakker Martine Bakker Hans Willem Bakx Ronald Barthes Georges Bataille Geoffrey Batchen Halla Beloff

C

Max Caflisch Edwin Carels Nicholas Carr Andrew Chong Paul Cobley

John Maxwell Coetzee Michael Collins Florian Cramer

D

Scott Dad Ellen de Michel de Eric de K Jos de Mu Abraham d Gilles De Andrew De Söke Dink Diverse

LEESLIJSTEN (28)

Referenties

GERELATEERDE DOCUMENTEN

Hydrogen chemisorption did show a ten- dency at higher metal loadings to survive high-temperature reduction; that is, part of the rhodium seemed to be unaffected

[r]

We find that (i) close bank-firm relationships create shareholder value, increase credit availability and discipline firm managers by preventing them from overinvesting, (ii)

But of works of art little can be said; their influence is profound and silent, like the influence of nature; they mould by contact; we drink them up like water, and are bettered,

This mechanism fi ts very well with the language game we know is central to mass media: in this novel, and in this conversation, we are promised the encounter with the real Hans van

This suggests that the objectives of the business director are similar to the objectives of the loan officers since the paper also finds that loan officers use

If we take this approach to the field of writing, and unthink the unproductive distinction between ‘language’ and ‘writing’, we can distinguish several specific sets of

Pravin Gordan, aangekondig dat daar weer ʼn geleentheid sal wees vir belastingpligtiges om hulle belastingsake in orde te kry deur gebruik te maak van die Vrywillige