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University of Groningen

Het Resort S01E03 Jumping the shark

van 't Hoogt, Vanessa; Haveman, Anna-Rosja

IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below.

Publication date: 2019

Link to publication in University of Groningen/UMCG research database

Citation for published version (APA):

van 't Hoogt, V., & Haveman, A-R. (2019, Jan). Het Resort S01E03 Jumping the shark. Het Resort.

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-.:tl the motives and results of the three artists 'jumping the shark' are neither straightfor­ ward nor clear. Was it perhaps a signal that the reputation of Het Resort is in decline and in need of some new relevance? Consid­ ering the positive reactions to the exhibition by the public and the municipality, this did not turn out to be the case. Or might the artists have feit the need to upscale their activities and careers to the next level? Since all three artists are past the age of thirty-five, their personal trajectories may have been on their mind during the prepara­ tions: no langer qual ifying as a 'young talent' or an 'emerging artist' in grant applications, but now having to grapple with being known as a 'mid-career artist' or even 'established talent.' Considering the outcome of the exhibition,

Jt1mping the Sharh

more likely indicates a healthy dose of self-irony, and an interest in finding the subtle, the uncom­ fortable and the mysterious in something 'spectacular.' The totality of the presentation is more confident than desperate, absurd but with a dark critica! edge. Perhaps it is here that the differences between the art world and popular media become clear; what would be labelled as blatantly stupid and nonsensical in a TV show has a different relevance in the context of an experimental artist residency.

The BIM Station (Turfsingel 16) was one

of the first public gas stations in the Neth­ erlands(2). Renowned architect Wim Dudok

designed the building, now a national

her-itage site, in 1953. After closing its doors

in September 2018, the station was repur­ posed by the city of Groningen as a cultural destination nicknamed 'Dudok aan het Diep.' As a part of the city's renewal program, the station's outside canopy was painted bright magenta, while the building itself retained

its colour scheme(3). With an eye towards

increasing its cultural visibility, the munici­ pality recently provided Het Resort with the opportunity to use the location as a tempo­ rary exhibition site.

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