• No results found

De afdruk van het Italische stempel. De literaire kritiek van Vincenzo Gioberti en de wording van de nationale literatuurgeschiedenis - Cover

N/A
N/A
Protected

Academic year: 2021

Share "De afdruk van het Italische stempel. De literaire kritiek van Vincenzo Gioberti en de wording van de nationale literatuurgeschiedenis - Cover"

Copied!
2
0
0

Bezig met laden.... (Bekijk nu de volledige tekst)

Hele tekst

(1)

UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl)

UvA-DARE (Digital Academic Repository)

De afdruk van het Italische stempel. De literaire kritiek van Vincenzo Gioberti en

de wording van de nationale literatuurgeschiedenis

Sosef, W.C.J.

Publication date

2002

Link to publication

Citation for published version (APA):

Sosef, W. C. J. (2002). De afdruk van het Italische stempel. De literaire kritiek van Vincenzo

Gioberti en de wording van de nationale literatuurgeschiedenis. Eigen Beheer.

General rights

It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons).

Disclaimer/Complaints regulations

If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible.

(2)

Dee afdruk van het Italische stempel

DeDe literaire kritiek van Vincenzo Gioberti en de wording van

dede nationale literatuurgeschiedenis

CC * i « w

r^tePXo r^tePXo

/uil*./uil*. nDr^ionl r n « c t t « . o ancl**) £U did w y U a ^ f l u aLKo-tt*

Referenties

GERELATEERDE DOCUMENTEN

Michiel (UMM1) says of his deviant taste among academic friends: ‘I liked these alternative genres like Pink Floyd and so on far less, but, in university circles, this was much

Table 7.1 showed that the most important logic behind cultural hierarchy, mentioned by 32 respondents, is simply the link to social hierarchy: high culture consists of the

My research showed that only a few of my (higher educated) respondents use this modern logic to define cultural hierarchy, even though this logic is applied by many of them to

Concert hall in Amsterdam, built in 2005, which mainly programmes contemporary classical music and other less accessible music genres (Baroque, avant-garde jazz). 1954), highly

It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly

UvA-DARE is a service provided by the library of the University of Amsterdam (http s ://dare.uva.nl) UvA-DARE (Digital Academic Repository).. Disputing about taste: Practices

Schmutz (2010), ‘The evaluation of popular music in the United States, Germany and the Netherlands: A comparison of the use of high art and popular aesthetic criteria.’

The second part of each interview consisted of relatively more structured questions on concepts such as ‘high culture’ and ‘low culture’, in order to specifically study