Disputing about taste: Practices and perceptions of cultural hierarchy in the
Netherlands
van den Haak, M.A.
Publication date
2014
Link to publication
Citation for published version (APA):
van den Haak, M. A. (2014). Disputing about taste: Practices and perceptions of cultural
hierarchy in the Netherlands.
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Bibliography
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age / seniority old, classic (excl. ‘classical music’), traditional, new, contemporary, conservative, dated, eternal value (excl. ‘modern’, which is used in a broader way: ‘modern art’ = abstract art) complexity complex/difficult vs. easy/simple/comprehensible/accessible (to understand art, not to produce it) depth depth or layers vs. shallowness, crudeness, thinness (in Dutch all these concepts refer to depth or lack thereof) intellect intelligent/sophisticated vs. stupid art (excl. references to the intelligence of those who like this art, which are discussed in Ch. 6) refined / subtle the literal words ‘refined’, ‘subtle’ and ‘nuanced’ form over content explicit references to the aesthetic disposition: formal aspects are more important than the contents or than emotional value, etc. form: other other formal aspects, such as style, composition, narrative structure originality (total) umbrella term for the originality aspects below cliché / standard the opposite of original (and related terms): cliché, predictable, standard, always the same, middle‐of‐the‐road alternative alternative (incl. the music genre), different, special, vague innovative innovative, progressive, revolutionary, avant‐garde experimental literal use of the word ‘experiment(al)’ original: literally literal use of the word ‘original(ity)’ authenticity authentic or ‘real’ vs. inauthentic, fake, superficial (excl. the opposition between real artworks and reproductions) popularity references to the popularity or the size of the audience, incl. ‘mass(es)’, ‘large/small films’, ‘popular classical music’ (excl. the more general terms ‘popular music’ and ‘popular culture’) commercial art produced for commercial ends, in order to attract a large audience and make money (incl. art bought as an investment) well‐known references to the degree of being well‐known, reputation mainstream mainstream (literally), Top 40 (as a music ‘genre’), general/average social status (only coded for the specific interview questions in the four columns on the right of table 7.1) cultural hierarchy is linked to social hierarchy or to status distinction; high culture is elitist, low culture for the common people
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inequalities: Social disparities in cultural participation in France from 1981 to 2008.’ Poetics 41: 177-209.
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Sciences Po/CNRS.
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Daloz, J.-P. (2010), The sociology of elite distinction. From theoretical to comparative perspectives. Basingstoke: Palgrave Macmillan.
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De Graaf, P.M. (1996), ‘Onderwijs en arbeidsmarkt. Ontwikkelingen in de waarde van diploma’s.’ In: H.B.G. Ganzeboom & W.C. Ultee (red.), De sociale segmentatie van Nederland in 2015. Den Haag: WRR/Sdu Uitgevers, pp.: 95-118.
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Berghman, M. & K. van Eijck (2009), ‘Visual arts appreciation patterns: Crossing horizontal and vertical boundaries within the cultural hierarchy.’ Poetics 37(4): 348-365.
Bevers, T. (1988), ‘Cultuurspreiding en publieksbereik. Van volksverheffing tot marktstrategie.’ In: idem, In ons diaconale land. Opstellen over cultuurspreiding. Amsterdam: Boekmanstichting / Van Gennep, pp. 66-89.
Bevers, T. (2005), ‘Cultural education and the canon. A comparative analysis of the context of secondary school exams for music and art in England, France, Germany, and the Netherlands, 1990-2004.’ Poetics 33: 388-416.
Blasius, J. & J. Friedrichs (2008), ‘Lifestyles in distressed neighborhoods. A test of Bourdieu’s “taste of necessity” hypothesis.’ Poetics 36(1): 24-44.
Blok, A. (1998), ‘The narcissism of minor differences.’ European Journal of Social Theory 1(1): 33-56.
Blokland, H. (1993), ‘Sociaal-democratische politiek en cultuur in een marktliberaal tijdperk. Tien stellingen over sociaal-democratische cultuurpolitiek.’ In: H. van Dulken & P. Kalma (red.), Sociaal-democratie, kunst, politiek. Beschouwingen over een sociaal-democratisch kunstbeleid. Amsterdam: Boekmanstichting / Wiardi Beckman Stichting.
Blossfeld, H.-P. (2009), ‘Educational assortative marriage in comparative perspective.’ Annual Review of Sociology 35: 513-530.
Boëthius, U. (1995a), ‘The history of high and low culture.’ In: J. Fornäs & G. Bolin (eds.), Youth culture in late modernity. London: Sage, pp. 12-38.
Boëthius, U. (1995b), ‘Youth, the media and moral panics.’ In: J. Fornäs & G. Bolin (eds.), Youth culture in late modernity. London: Sage, pp. 39-57.
Bourdieu, P. (1984 [1979]), Distinction. A social critique of the judgement of taste. London: Routledge.
Bourdieu, P. (1986 [1983]), ‘The forms of capital.’ In: J. Richardson (ed.) Handbook of Theory and Research for the Sociology of Education. New York: Greenwood, pp. 241-258.
Bourdieu, P. (1996 [1992]), The rules of art. Genesis and structure of the literary field. Cambridge: Polity Press.
Brands, J. (1992), ‘Die hoeft nooit meer wat te leren.’ Levensverhalen van academici met laaggeschoolde ouders.’ Nijmegen: Sun.
Brinkgreve, C. & B. van Stolk (1997), Van huis uit. Wat ouders aan hun kinderen willen meegeven. Amsterdam: Meulenhoff.
Bröer, C. (2006), Beleid vormt overlast. Hoe beleidsdiscoursen de beleving van geluid bepalen. Amsterdam: Aksant.
Bröer, C. (2008), ‘Private trouble, policy issue. People's noise annoyance and policy discourse.’ Critical Policy Studies 2(2): 93-117.
Bryman, A. (2012), Social research methods. 4th edition. Oxford: University Press.
Bryson, B. (1996), ‘”Anything but heavy metal.” Symbolic exclusion and musical dislikes.’ American Sociological Review 61(5): 884-899.
Buis, M.L. (2010), Inequality of educational outcome and inequality of educational opportunity in the Netherlands during the 20th century. Amsterdam: Vrije Universiteit (PhD dissertation).
Bukodi, E. (2007), ‘Social stratification and cultural consumption in Hungary: Book readership.’ Poetics 35(2-3): 112-131.
Burke, P. (1978), Popular culture in early modern Europe. New York: Harper & Row. Burke, P. (1997), Varieties of cultural history. Cambridge: Polity Press.
Campbell, C. (1987), The Romantic ethic and the spirit of modern consumerism. Oxford: Basil Blackwell.
Chan, T.W. & J.H. Goldthorpe (2007a): ‘Introduction.’ Poetics 25(2-3): 67-69.
Chan, T.W. & J.H. Goldthorpe (2007b): ‘Social stratification and cultural consumption. The visual arts in England.’ Poetics 25(2-3): 168-190.
Christin, A. (2012), ‘Gender and highbrow cultural participation in the United States.’ Poetics 40: 423-443.
Cohen, S. (1972), Folk Devils and Moral Panics. London: MacGibbon and Kee. Collini, S. (2006), Absent minds. Intellectuals in Britain. Oxford University Press. Coulangeon, P. (2013a), ‘Changing policies, challenging theories and persisting
inequalities: Social disparities in cultural participation in France from 1981 to 2008.’ Poetics 41: 177-209.
Coulangeon, P. (2013b), ‘The omnivore and the ‘Class Defector’. Musical taste and social mobility in contemporary France.’ Notes & Documents, 2013-03, Paris, OSC,
Sciences Po/CNRS.
Daloz, J.-P. (2007), ‘Elite distinction: Grand theory and comparative perspectives.’ Comparative Sociology 6: 27-74.
Daloz, J.-P. (2010), The sociology of elite distinction. From theoretical to comparative perspectives. Basingstoke: Palgrave Macmillan.
Dalrymple, T. (2011), ‘British rioters the spawn of a bankrupt ruling elite.’ The Australian, 11-08-2011.
De Graaf, P.M. (1996), ‘Onderwijs en arbeidsmarkt. Ontwikkelingen in de waarde van diploma’s.’ In: H.B.G. Ganzeboom & W.C. Ultee (red.), De sociale segmentatie van Nederland in 2015. Den Haag: WRR/Sdu Uitgevers, pp.: 95-118.
De Graaf, P.M. & H.B.G. Ganzeboom (1993), ‘Family background and educational attainment in the Netherlands for the 1891-1960 birth cohorts.’ In: Y. Shavit & H.-P. Blossfeld, Persistent inequality. Changing educational attainment in thirteen countries. Boulder: Westview Press, pp. 75-100.
Berghman, M. & K. van Eijck (2009), ‘Visual arts appreciation patterns: Crossing horizontal and vertical boundaries within the cultural hierarchy.’ Poetics 37(4): 348-365.
Bevers, T. (1988), ‘Cultuurspreiding en publieksbereik. Van volksverheffing tot marktstrategie.’ In: idem, In ons diaconale land. Opstellen over cultuurspreiding. Amsterdam: Boekmanstichting / Van Gennep, pp. 66-89.
Bevers, T. (2005), ‘Cultural education and the canon. A comparative analysis of the context of secondary school exams for music and art in England, France, Germany, and the Netherlands, 1990-2004.’ Poetics 33: 388-416.
Blasius, J. & J. Friedrichs (2008), ‘Lifestyles in distressed neighborhoods. A test of Bourdieu’s “taste of necessity” hypothesis.’ Poetics 36(1): 24-44.
Blok, A. (1998), ‘The narcissism of minor differences.’ European Journal of Social Theory 1(1): 33-56.
Blokland, H. (1993), ‘Sociaal-democratische politiek en cultuur in een marktliberaal tijdperk. Tien stellingen over sociaal-democratische cultuurpolitiek.’ In: H. van Dulken & P. Kalma (red.), Sociaal-democratie, kunst, politiek. Beschouwingen over een sociaal-democratisch kunstbeleid. Amsterdam: Boekmanstichting / Wiardi Beckman Stichting.
Blossfeld, H.-P. (2009), ‘Educational assortative marriage in comparative perspective.’ Annual Review of Sociology 35: 513-530.
Boëthius, U. (1995a), ‘The history of high and low culture.’ In: J. Fornäs & G. Bolin (eds.), Youth culture in late modernity. London: Sage, pp. 12-38.
Boëthius, U. (1995b), ‘Youth, the media and moral panics.’ In: J. Fornäs & G. Bolin (eds.), Youth culture in late modernity. London: Sage, pp. 39-57.
Bourdieu, P. (1984 [1979]), Distinction. A social critique of the judgement of taste. London: Routledge.
Bourdieu, P. (1986 [1983]), ‘The forms of capital.’ In: J. Richardson (ed.) Handbook of Theory and Research for the Sociology of Education. New York: Greenwood, pp. 241-258.
Bourdieu, P. (1996 [1992]), The rules of art. Genesis and structure of the literary field. Cambridge: Polity Press.
Brands, J. (1992), ‘Die hoeft nooit meer wat te leren.’ Levensverhalen van academici met laaggeschoolde ouders.’ Nijmegen: Sun.
Brinkgreve, C. & B. van Stolk (1997), Van huis uit. Wat ouders aan hun kinderen willen meegeven. Amsterdam: Meulenhoff.
Bröer, C. (2006), Beleid vormt overlast. Hoe beleidsdiscoursen de beleving van geluid bepalen. Amsterdam: Aksant.
Bröer, C. (2008), ‘Private trouble, policy issue. People's noise annoyance and policy discourse.’ Critical Policy Studies 2(2): 93-117.
Dronkers, J. & P.M. de Graaf (1995), ‘Ouders en het onderwijs van hun kinderen.’ In: J. Dronkers & W.C. Ultee (red.), Verschuivende ongelijkheid in Nederland. Sociale gelaagdheid en mobiliteit. Assen: Van Gorcum: pp. 46-66.
Elchardus, M. & J. Siongers (2007), ‘Ethnocentrism, taste and symbolic boundaries.’ Poetics 35(4-5): 215-238.
Elias, N. (1994 [1939]), The civilizing process. Oxford: Blackwell.
Elias, N. (1998 [1935]), ‘The kitsch style and the age of kitsch.’ In: J. Goudsblom & S. Mennell (eds.), The Norbert Elias Reader. Oxford: Blackwell.
Eliasoph, N. (1990), ‘Political culture and the presentation of a political self. A study of the public sphere in the spirit of Erving Goffman.’ Theory and Society 19: 465-494. Elshout, J. (forthcoming), PhD dissertation, University of Amsterdam.
Emmison, M. (2003), ‘Social class and cultural mobility. Reconfiguring the cultural omnivore thesis.’ Journal of Sociology 39(3): 211-230.
Featherstone, M. (1991), Consumer culture & postmodernism. London: Sage Publications. Franssen, T., & G. Kuipers (2013), ‘Coping with uncertainty, abundance and strife:
Decision-making processes of Dutch acquisition editors in the global market for translations.’ Poetics 41(1): 48-74.
Friedman, S. (2012), ‘Cultural omnivores or culturally homeless? Exploring the shifting cultural identities of the upwardly mobile.’ Poetics 40: 467-489.
Friedman, S. & G. Kuipers (2013), ‘The divisive power of humour: Comedy, taste and symbolic boundaries.’ Cultural Sociology 7(2): 179-195.
Frith, S. (1996), Performing rites: On the value of popular music. Cambridge: Harvard University Press.
Furnée, J.H. (2007), Vrijetijdscultuur en sociale verhoudingen in Den Haag, 1850-1890. Groningen: Rijksuniversiteit (dissertation).
Gans, H.J. (1999 [1974]), Popular culture and high culture. An analysis and evaluation of taste. Revised & updated version. New York: Basic Books.
Ganzeboom, H. (1982), ‘Cultuurdeelname als verwerking van informatie of verwerving van status: een confrontatie van twee alternatieve verklarende theorieën aan de hand van reeds verricht onderzoek.’ Mens en Maatschappij 57(4): 341-372.
Ganzeboom, H. (1989), Cultuurdeelname in Nederland. Een empirisch-theoretisch onderzoek naar determinanten van deelname aan culturele activiteiten. Assen: Van Gorcum.
Ghilazghi, S. (2012), Allemaal hetzelfde toch. Onderzoek naar distincties binnen het genre hiphop. Amsterdam: Bachelor’s thesis University of Amsterdam.
Giddens, A. (1991), Modernity and self-identity. Self and society in the late modern age. Cambridge: Polity Press.
De Graaf, P.M. & R. Luijkx (1995), ‘Paden naar succes: geboorte of diploma’s?’ In: J. Dronkers & W.C. Ultee (red.), Verschuivende ongelijkheid in Nederland. Sociale gelaagdheid en mobiliteit. Assen: Van Gorcum: pp. 31-45.
De Haan, J. & W. Knulst (2000), Het bereik van de kunsten. Een onderzoek naar veranderingen in de belangstelling voor beeldende kunst en podiumkunst sinds de jaren zeventig. Den Haag: Sociaal en Cultureel Planbureau.
De Jong, O. (2013), ‘Peil het menselijk leven steeds dieper.’ NRC Handelsblad 22-3-2013. De Marchi, N. & H.J. van Miegroet (1996), ‘Pricing invention: “Originals,” “copies,” and
their relative value in seventeenth century Netherlandish art markets.’ In: V.A. Ginsburgh & P.-M. Menger, Economics of the arts. Selected essays. Amsterdam: Elsevier.
De Meyer, G. (2004), Cultuur met een kleine c. Leuven: Acco.
De Meyer, G. (2006), De beste smaak is de slechte smaak. Populaire cultuur en complexiteit. Leuven: Acco.
De Stigter-Speksnijder, M. (2007), ‘De Aker en Getsewoud.’ In: Lupi, T. et al. (red.), Leven in de buurt. Territoriale binding in drie Vinex-wijken. Amsterdam: Aksant, pp. 27-119.
De Swaan, A. (1979), Uitgaansbeperking en uitgaansangst. Over de verschuiving van bevelshuishouding naar onderhandelingshuishouding. Amsterdam: De Gids / Meulenhoff.
De Swaan, A. (1985), ‘Kwaliteit is klasse. De sociale wording en werking van het cultureel smaakverschil.’ In: idem, Perron Nederland. Amsterdam: Meulenhoff. De Waal, M. (1989), Daar ga je toch niet heen? Een oriënterende studie over jongeren en
de gevestigde kunst. Amsterdam: Raad voor het Jeugdbeleid / Boekmanstichting. De Wijs-Mulkens, E. (1999), Wonen op stand. Lifestyles en landschappen van de culturele
en economische elite. Amsterdam: Spinhuis.
DeNora, T. (1991), ‘Musical patronage and social change in Beethoven’s Vienna.’ American Journal of Sociology 97(2): 310-346
DeNora, T. (2000) Music in everyday life. Cambridge: University Press.
DiMaggio, P. (1987), ‘Classification in art.’ American Sociological Review 52: 440-455. DiMaggio, P. (1992), ‘Cultural boundaries and structural change. The extension of the
high culture model to theatre, opera and the dance, 1900-1940.’ In: M. Lamont & M. Fournier (eds.), Cultivating differences. Symbolic boundaries and the making of inequality. Chicago: The University of Chicago Press.
DiMaggio, P. & T. Mukhtar (2004), ‘Arts participation as cultural capital in the United States, 1982-2002: Signs of decline?’ Poetics 32(2): 169-194.
Dowd, T. (2008), ‘Comment on Omar Lizardo/1.’ Sociologica 2/2008.
Dronkers, J. & P.M. de Graaf (1995), ‘Ouders en het onderwijs van hun kinderen.’ In: J. Dronkers & W.C. Ultee (red.), Verschuivende ongelijkheid in Nederland. Sociale gelaagdheid en mobiliteit. Assen: Van Gorcum: pp. 46-66.
Elchardus, M. & J. Siongers (2007), ‘Ethnocentrism, taste and symbolic boundaries.’ Poetics 35(4-5): 215-238.
Elias, N. (1994 [1939]), The civilizing process. Oxford: Blackwell.
Elias, N. (1998 [1935]), ‘The kitsch style and the age of kitsch.’ In: J. Goudsblom & S. Mennell (eds.), The Norbert Elias Reader. Oxford: Blackwell.
Eliasoph, N. (1990), ‘Political culture and the presentation of a political self. A study of the public sphere in the spirit of Erving Goffman.’ Theory and Society 19: 465-494. Elshout, J. (forthcoming), PhD dissertation, University of Amsterdam.
Emmison, M. (2003), ‘Social class and cultural mobility. Reconfiguring the cultural omnivore thesis.’ Journal of Sociology 39(3): 211-230.
Featherstone, M. (1991), Consumer culture & postmodernism. London: Sage Publications. Franssen, T., & G. Kuipers (2013), ‘Coping with uncertainty, abundance and strife:
Decision-making processes of Dutch acquisition editors in the global market for translations.’ Poetics 41(1): 48-74.
Friedman, S. (2012), ‘Cultural omnivores or culturally homeless? Exploring the shifting cultural identities of the upwardly mobile.’ Poetics 40: 467-489.
Friedman, S. & G. Kuipers (2013), ‘The divisive power of humour: Comedy, taste and symbolic boundaries.’ Cultural Sociology 7(2): 179-195.
Frith, S. (1996), Performing rites: On the value of popular music. Cambridge: Harvard University Press.
Furnée, J.H. (2007), Vrijetijdscultuur en sociale verhoudingen in Den Haag, 1850-1890. Groningen: Rijksuniversiteit (dissertation).
Gans, H.J. (1999 [1974]), Popular culture and high culture. An analysis and evaluation of taste. Revised & updated version. New York: Basic Books.
Ganzeboom, H. (1982), ‘Cultuurdeelname als verwerking van informatie of verwerving van status: een confrontatie van twee alternatieve verklarende theorieën aan de hand van reeds verricht onderzoek.’ Mens en Maatschappij 57(4): 341-372.
Ganzeboom, H. (1989), Cultuurdeelname in Nederland. Een empirisch-theoretisch onderzoek naar determinanten van deelname aan culturele activiteiten. Assen: Van Gorcum.
Ghilazghi, S. (2012), Allemaal hetzelfde toch. Onderzoek naar distincties binnen het genre hiphop. Amsterdam: Bachelor’s thesis University of Amsterdam.
Giddens, A. (1991), Modernity and self-identity. Self and society in the late modern age. Cambridge: Polity Press.
De Graaf, P.M. & R. Luijkx (1995), ‘Paden naar succes: geboorte of diploma’s?’ In: J. Dronkers & W.C. Ultee (red.), Verschuivende ongelijkheid in Nederland. Sociale gelaagdheid en mobiliteit. Assen: Van Gorcum: pp. 31-45.
De Haan, J. & W. Knulst (2000), Het bereik van de kunsten. Een onderzoek naar veranderingen in de belangstelling voor beeldende kunst en podiumkunst sinds de jaren zeventig. Den Haag: Sociaal en Cultureel Planbureau.
De Jong, O. (2013), ‘Peil het menselijk leven steeds dieper.’ NRC Handelsblad 22-3-2013. De Marchi, N. & H.J. van Miegroet (1996), ‘Pricing invention: “Originals,” “copies,” and
their relative value in seventeenth century Netherlandish art markets.’ In: V.A. Ginsburgh & P.-M. Menger, Economics of the arts. Selected essays. Amsterdam: Elsevier.
De Meyer, G. (2004), Cultuur met een kleine c. Leuven: Acco.
De Meyer, G. (2006), De beste smaak is de slechte smaak. Populaire cultuur en complexiteit. Leuven: Acco.
De Stigter-Speksnijder, M. (2007), ‘De Aker en Getsewoud.’ In: Lupi, T. et al. (red.), Leven in de buurt. Territoriale binding in drie Vinex-wijken. Amsterdam: Aksant, pp. 27-119.
De Swaan, A. (1979), Uitgaansbeperking en uitgaansangst. Over de verschuiving van bevelshuishouding naar onderhandelingshuishouding. Amsterdam: De Gids / Meulenhoff.
De Swaan, A. (1985), ‘Kwaliteit is klasse. De sociale wording en werking van het cultureel smaakverschil.’ In: idem, Perron Nederland. Amsterdam: Meulenhoff. De Waal, M. (1989), Daar ga je toch niet heen? Een oriënterende studie over jongeren en
de gevestigde kunst. Amsterdam: Raad voor het Jeugdbeleid / Boekmanstichting. De Wijs-Mulkens, E. (1999), Wonen op stand. Lifestyles en landschappen van de culturele
en economische elite. Amsterdam: Spinhuis.
DeNora, T. (1991), ‘Musical patronage and social change in Beethoven’s Vienna.’ American Journal of Sociology 97(2): 310-346
DeNora, T. (2000) Music in everyday life. Cambridge: University Press.
DiMaggio, P. (1987), ‘Classification in art.’ American Sociological Review 52: 440-455. DiMaggio, P. (1992), ‘Cultural boundaries and structural change. The extension of the
high culture model to theatre, opera and the dance, 1900-1940.’ In: M. Lamont & M. Fournier (eds.), Cultivating differences. Symbolic boundaries and the making of inequality. Chicago: The University of Chicago Press.
DiMaggio, P. & T. Mukhtar (2004), ‘Arts participation as cultural capital in the United States, 1982-2002: Signs of decline?’ Poetics 32(2): 169-194.
Dowd, T. (2008), ‘Comment on Omar Lizardo/1.’ Sociologica 2/2008.
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Jensen, S.Q. (2006), ‘Rethinking subcultural capital.’ Young. Nordic Journal of Youth Research 14(3): 257-276.
Johnston, J. & S. Baumann (2007), ‘Democracy versus Distinction: A study of
omnivorousness in gourmet food writing.’ American Journal of Sociology 113(1): 165-204.
Kale, S. (2004), French salons. High society and political sociability from the Old Regime to the Revolution of 1848. Baltimore: Johns Hopkins University Press.
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Lahire, B. (2008), ‘The individual and the mixing of genres. Cultural dissonance and self-distinction.’ Poetics 36(2-3): 166-188.
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Janssen, S., M. Verboord & G. Kuipers (2011), ‘Comparing cultural classification. High and popular arts in European and U.S. elite newspapers, 1955-2005.’ In: J. Rössel & G. Otte (eds.), Lebensstilforschung. Special edition of Kölner Zeitschrift für Soziologie und Sozialpsychologie 51: pp. 139-168.
Jensen, S.Q. (2006), ‘Rethinking subcultural capital.’ Young. Nordic Journal of Youth Research 14(3): 257-276.
Johnston, J. & S. Baumann (2007), ‘Democracy versus Distinction: A study of
omnivorousness in gourmet food writing.’ American Journal of Sociology 113(1): 165-204.
Kale, S. (2004), French salons. High society and political sociability from the Old Regime to the Revolution of 1848. Baltimore: Johns Hopkins University Press.
Katz-Gerro, T. (2002), ‘Highbrow cultural consumption and class distinction in Italy, Israel, West Germany, Sweden, and the United States.’ Social Forces 81(1): 207-229. Katz-Gerro, T. (2011), ‘Cross-national cultural consumption research: Inspirations and
disillusions.’ In: J. Rössel & G. Otte (eds.), Lebensstilforschung. Special edition of Kölner Zeitschrift für Soziologie und Sozialpsychologie 51: pp. 339-360.
Kempers, B. (1987), Kunst, macht en mecenaat. Het beroep van schilder in sociale verhoudingen. 1250-1600. Amsterdam: Arbeiderspers.
Kempers, B. (1992), Painting, power and patronage: The rise of the professional artist in the Italian Renaissance. London: Allen Lane The Penguin Press.
Kochuyt, T. & A. Derks (2003), ‘Bitter als de brakke morgen. Over het ressentiment van ondergeschikte posities.’ Amsterdams Sociologisch Tijdschrift 30(4): 463-497. Knulst, W., & G. Kraaykamp (1998), ‘Trends in leisure reading: Forty years of research
on reading in the Netherlands.’ Poetics 26(1): 21-41.
Kruithof, J. (2006), Je moet niet doen of alles hetzelfde is. Een pamflet. Amsterdam: Atlas. Kuipers, G. (2006), Good humor, bad taste. A sociology of the joke. Berlin: Mouton de
Gruyter.
Kuipers, G. (2010), ‘De fiets van Hare Majesteit. Over nationale habitus en sociologische vergelijking.’ Sociologie 6(3): 3-26.
Lahire, B. (2003), ‘From the habitus to an individual heritage of dispositions. Towards a sociology at the level of the individual.’ Poetics 31(5-6): 329-355.
Lahire, B. (2008), ‘The individual and the mixing of genres. Cultural dissonance and self-distinction.’ Poetics 36(2-3): 166-188.
Lamont, M. (1992), Money, morals and manners. The culture of the French and American upper-middle class. Chicago: University of Chicago Press.
Greenberg, C. (1956 [1946]), ‘Avant-garde and kitsch.’ In: B. Rosenberg & D. Manning White (eds.), Mass culture. The popular arts in America. Glencoe, Ill: The Free Press: pp. 98-107.
Guignon, C. (2004), On being authentic. London: Routledge.
Halle, D. (1993), Inside culture. Art and class in the American home. Chicago: University Press.
Hauser, A. (1982 [1974]), The sociology of art. Chicago: University of Chicago.
Heinich, N. (2000), ‘From contemporary art to culture war.’ In: M. Lamont & L. Thévenot (eds.), Rethinking comparative cultural sociology. Cambridge University Press, pp. 170-210.
Heise, T. & A. Tudor (2007), ‘Constructing (film) art. Bourdieu’s field model in a comparative context.’ Cultural Sociology 1(2): 165-187.
Hekkert, P. & P. van Wieringen (1993), Oordeel over kunst. Kwaliteitsbeoordelingen in de beeldende kunst. Rijswijk: Ministerie van WVC.
Hennion, A. (2001), ‘Music lovers. Taste as performance’. Theory, Culture & Society 18(5): 1-22.
Henrichs, H. (1997), ‘Een intercultureel Bildungsideaal? Doelstellingen voor cultuureducatie in het fin de siècle.’ Boekmancahier nr. 32: 136-147. Hermes, J. (1995), Reading women’s magazines. Cambridge: Polity Press.
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Holt, D.B. (1997), ‘Distinction in America? Recovering Bourdieu’s theory of taste from its critics.’ Poetics 25(2-3): 93-120.
Holt, D.B. (1998), ‘Does cultural capital structure American consumption?’ Journal of Consumer Research 25(1): 1-25.
Horkheimer, M. & T. Adorno (2002 [1944]), Dialectic of Enlightenment. Philisophical fragments. Stanford University Press.
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Mears, A. (2010), ‘Size zero high-end ethnic: Cultural production and the reproduction of culture in fashion modelling.’ Poetics 38: 21-46.
Meijer, M. (2005), ‘Pleidooi voor een inclusievere benadering.’ Boekman 17(65): 27-31. Michael, J. (2013), ‘It’s really not hip to be a hipster: Negotiating trends and authenticity
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Van Eijck, K. (2001), ‘Social differentiation in musical taste patterns.’ Social Forces 79(3): 1163-1184.
Van Eijck, K. (2013), Culturele leefstijlen: It ain’t what you do, it’s the way that you do it. Rotterdam: inaugural lecture Erasmus University.
Van Eijck, K., J. de Haan & W. Knulst (2002), ‘Snobisme hoeft niet meer. De interesse voor hoge cultuur in een smaakdemocratie.’ Mens en Maatschappij 77(2): 153-177. Van Eijck, K. & B. Bargeman (2004), ‘The changing impact of social background on
lifestyle: “culturalization” instead of inidividualization?’ Poetics 32: 439-461. Van Eijck, K. & J. Lievens (2008), ‘Cultural omnivorousness as a combination of
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Van Eijk, G. (2013), ‘Hostile to hierarchy? Individuality, equality and moral boundaries in Dutch class talk.’ Sociology 47: 526-541.
Van Gemert, N. (2013), The inner true self. A study towards the distinctions made by the Dutch New Age community. Amsterdam: Master’s thesis University of Amsterdam. Van Heek, F. & E.V.W. Vercruijsse (1958), ‘De Nederlandse
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http://www.waterlandstichting.nl/index.php?p=artikelen&s=bekijken&id=1376
(visited 8-10-2013)
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Trentmann, F. (2008), ‘Comment on Omar Lizardo/4.’ Sociologica 2/2008.
Trienekens, S. (2002), ‘’Colourful’ distinction: the role of ethnicity and ethnic orientation in cultural consumption.’ Poetics 30(4): 281-298.
Tuchman, G. & N. Fortin (1980), ‘Edging women out: Some suggestions about the structure of opportunities and the Victorian Novel.’ Signs 6(2): 308-325.
Upright, C.B. (2004), ‘Social capital and cultural participation: spousal influences on attendance at arts events.’ Poetics 32(2): 129-143.
Vaessens, T. (2009), De revanche van de roman. Literatuur, autoriteit en engagement. Nijmegen: Vantilt.
Vander Stichele, A. (2007), De culturele alleseter? Een kwantitatief en kwalitatief
onderzoek naar ‘culturele omnivoriteit’ in Vlaanderen. Leuven: Katholieke Universiteit (dissertation).
Vander Stichele, A. & R. Laermans (2004), ‘Cultuurparticipatie in Vlaanderen: een toetsing van de these van de culturele omnivoor.’ Tijdschrift voor Sociologie 25: 195-219.
Van Boven, E. (2012), ‘Cultuurdebat in Nederland. De gemiddelde lezer contra ‘intellectualisme’ in de late jaren dertig.’ Spiegel der Letteren, 54(3): 353-368. Van Beusekom, A. (1998), Film als kunst. Reacties op een nieuw medium in Nederland,
1895-1940. Amsterdam: Vrije Universiteit (dissertation).
Van den Haak, M. (1999), ‘Op school mag alles. Het kwaliteitsoordeel bij het nieuwe schoolvak CKV1.’ Boekmancahier nr. 41: 257-268.
Van den Haak, M. (2009), ‘"Cultuurbarbaren, welkom!" Het verheffingsdiscours in het tv-programma Cultuurshake.’ In: M. Aerts en M. van den Haak (red.), Popvirus.
Popularisering van religie en cultuur. Amsterdam: Aksant, 103-124.
Van den Haak, M. (2011), ‘Eén pot nat of niet? Distincties in de Nederlandstalige muziek.’ In: C. Brinkgreve et al., Cultuur en ongelijkheid. Diemen: AMB, 122-135. Van der Jagt, L., J. Peters & K. van Eijck (2013), ‘Karaoke-cultuur in Nederland. Ironie
als onschuldige toegang tot guilty pleasures.’ Sociologie Magazine 21(3): 22-24. Van der Laan, E. & G. Kuipers (2012), paper presented at the ‘Culture Club’, University
