Ground visibility refers to vegetation density on the ground stepped by the analyst, while parallel visibility is connected to eye level

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The handle http://hdl.handle.net/1887/136857 holds various files of this Leiden University dissertation.

Author: Donner, N.R.

Title: The potters’ perspectives: A vibrant chronology of ceramic manufacturing practices in the valley of Juigalpa, Chontales, Nicaragua (cal 300 CE - present)

Issue date: 2020-09-29

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Mound form modifications

Modifications done to the form designed for Aguas Buenas to record the mounds found during the systematic survey:

• The model and owner of the photographic camera were added to avoid confusions related to picture numbers, due to multiple team members who took photographs simultaneously.

• Fundamental data such as date and team members were included to facilitate later inquiries regarding the records.

• Following Stark and Guarraty (2008), both parallel and ground visibility were annexed as variables and were classified as high, medium, or low. Ground visibility refers to vegetation density on the ground stepped by the analyst, while parallel visibility is connected to eye level. The former is usually affected by grasses and low vegetation, whereas the latter depends on tree height as well as plant species that grow to a height of more than 0.5 or 1 meter.

• In the mound measurement section, the variable of orientation in relationship to cardinal points was added for width and height measurements. Previous mapping practices detected high variability in the orientation of the lowest and narrowest parts of mounds, so this type of documentation was included to further study mound spatial patterns.

• In the category Current Land Use, the option Forest was included because during the pilot survey, several lots of land were intentionally forested, mainly for wood procurement.

• The material culture section was redesigned in order to acknowledge presence and absence of the different industries or materials present in the research area:

ceramics, chipped stone (with obsidian as a separate variable), ground stone, fossils, mortars, petroglyphs, and basalt columns.

The same codes used in the pilot survey were applied during mapping so as to enable comparative spatial analysis based on the different recording methods and their degree of resolution. Consequently, the surface distribution of artifacts from the different industries could be studied in relation to mounded sites and landscape features.

• The different densities of surface materials were annotated according to ranges of frequencies observed in previous fieldwork seasons. Consequently, 1-20 fragments was considered low material culture density, while 21-40 units was medium and more than 40 samples was recorded as high.

• In the mound morphology section, three variables were added to top shapes:

elevated, surface level, or other. During the first mound recording phases, Arteaga observed high variability in the shapes of the mound tops, which included cases with an unleveled top. These modifications in the mound recording form took into account the fact that the morphology of the top of the mounds is not only related to the mound’s overall shape as it is preserved today, but is also linked to its potential to hold other types of structures, as well as its connections to building techniques, destruction, and erosion patterns.

• The section dedicated to landscape relationships was almost completely

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redesigned. To begin with, the category

“against landscape” was discarded, because defining such a term is problematic. Instead, two different levels of adjustments to the landscape were included. The first one referred to direct relationships between mounds and specific elements of the landscape, such as alluvial plains, slopes, hilltops, foothills, plateaus, riverbanks, or plains. Second, the relative location of mounds in relationship to rivers, elevations, site design, or unidentified factors was also recorded. Accordingly, if a mound was found, for example, at the foot of a hill and near a river, the first variable was documented as the direct level of landscape relationship, while the second was taken into account as relative location.

• The mound preservation status category was replaced by mound conservation status. Moreover, four different levels of conservation were added: high, medium, low, and unidentified. Within the anthropic modification variable, the most common ones for the research area were taken into account, such as fence, road, plough, construction, looting, etc. For natural modifications, the same criterion was followed, so trees, burrows, insect impact, and other variables were included.

• For construction materials, the “earth”

category was replaced by sediment.

Additionally, the section dedicated to the types of rocks was expanded to include riverstone, sandstone, and limestone. Apart from that, the different sizes of rocks were now recorded according to their location within the different sections of the mounds:

at the foot, slopes, or top of the structures.

According to the observations conducted during fieldwork, the team decided to standardize the classification of rock sizes as follows: small (0-20 cm), medium (20- 40 cm), and large (over 40 cm). Also, the possibility of mounds without rocks employed as construction materials was added.

• Regarding stone rings forming mounds, the category was expanded to allow for the documentation of several rings per structure, which were numbered from

bottom to top. The old version of the form was confusing in cases with more than one circle of rocks.

• Finally, the team decided to follow Arteaga’s preliminary mound typology and add his classification to the form. This typology included circumscribed leveled elevations, elevated foundations, piles of rocks—both large and small—and stone wheels (Arteaga 2017).

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2015A Site excavation form

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Modern land use Cattle ranching Agriculture Types of crops Ploughed?

Plough orientation

Supervisor Burnt?

Date Agricultura debris

Description of the terrain:

SiteLand owner

Loose rocks High density?

SITE Landmarks Parallel visibility H M L

Form Ground visibility H M L

Soil types

Datum TS Grass types

UTM E:

UTM N:

PACEN Pic # Trees

EXCAVATION2015 EAB-U1 EAB-U2

SEASON UTM NE UTM E

UTM SW UTM N

N-S measurement N-S measurement

E-W measurement E-W measurement

Orientation Orientation

Description Description

Comments

Reference EAB

Context General Info

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2015A Level excavation form

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Site

Supervisor Excavation

Collaborators Unit

Level

Date Depth

Stratigraphic

Floor UnitBag #

Quarried rock Compacted surf With sherds With rocks Trash heap

LEVEL Hearth Pic. #

FORM Other

PACEN Drawing #

EXCAVATION2015 Ceramics

SEASON Groundstone TS points

Chipped stone Figurine Spindle whorl Special Art.

NIZooarch remains Burial

Shell

Botanic remains Other

Features

Comments General Info

Archaeological Materials

Record

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2015A Stratigraphic unit excavation form

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Supervisor Collaborators Date

Excavation unit Soil type

Levels Color

Depth Texture

Dry Munsell Wet Munsell

Pic. # Hardness C S-C S

Humidity H M L

Drawing # Rocks

Sample #

Bag # Outcrops

STRATIGRAPHIC Other

FORMUNIT

Interphase YES NO Organic remains

Depth Roots

PACEN Others Charcoal

2015 Grass

EXCAVATION Insects

SEASON Seeds

Other Comments

Description General Info

Stratigraphic unit Context

Record

Level variations

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Ceramic quantification

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SiteExcavation_UnitStratigraphic_UnitLevelBag_ NumberRecorderDate_RecWeight_ SampledW eight_Non- Sampled Avg_ Length

Notes ABAB1AB1IAB1I2AB1I2_2NRD27/Dec/16180,394,825

The incised body was sampled because it might be the same vessel as in previous bag.

ABAB1AB1IAB1I2AB1I2_6NRD27/Dec/16240,9172,125 ABAB1AB1IAB1I3AB1I3_15NRD19/Jan/17229,7118,330 ABAB1AB1IIAB1II2AB1II2_12NRD19/Jan/17508,2319,230Only 1 with white slip (sampled) ABAB1AB1IIAB1II2AB1II2_9NRD27/Dec/16668,4382,630

Brushing, less incised than in previous bag.

ABAB1AB1IIAB1II3AB1II3_17NRD27/Dec/16645,6973,435

NI: possible handle, but not sure. More closed shapes than beore, slightly more variety in decorations.

Base is too small to sample (less than 10mm)

ABAB1AB1IIAB1II4AB1II4_29NRD26/Dec/16132,4104,625Vertical incisions, then horizontal. ABAB1AB1IIIAB1III4AB1III4_31NRD26/Dec/1682,552,730 ABAB1AB1IIIAB1III4AB1III4_42NRD26/Dec/162,7020SU under rocks. ABAB1AB1IIIAB1III4AB1III4_49NRD26/Dec/167,54,125SU under rocks. AB1AB1AB1IIIAB1III5AB1III5_50NRD26/Dec/1611,4040 ABAB1AB1IVAB1IV5AB1IV5_41NRD26/Dec/1622,38,930

The open body that was left without sampling was decorated with red on orange paint. Level 5 has virtually no sherds.

ABAB1AB1PAB1P?AB1P?_47NRD27/Dec/1606,220 ABAB2AB2?AB2??AB2??_?NRD17/Jan/170040

Decontextualized bag, white slip, red/orange/white.

ABAB2AB2IAB2I1AB2I1_22NRD17/Jan/17261,5111,125 ABAB2AB2IIIAB2III3AB2II?_67NRD17/Jan/17010350Red slip outside. ABAB2AB2IIAB2II2AB2II2_35NRD17/Jan/171108888402 bases anulares. ABAB2AB2IIAB2II2AB2II2_39NRD17/Jan/17533,255130 ABAB2AB2IIAB2II2AB2II2_57NRD17/Jan/1712811339,635

Algunas formas abiertas tienen el exterior muy erosionado.

ABAB2AB2IIAB2II2AB2II2_58NRD17/Jan/17527,947330 ABAB2AB2IIAB2II2AB2II2_60NRD24/Jan/17642,6882,230 ABAB2AB2IIIAB2III3AB2III3_36NRD17/Jan/1703,620 ABAB2AB2IIIAB2III3AB2III3_54NRD17/Jan/1757,427,235 ABAB2AB2IVAB2IV3AB2IV3_56NRD17/Jan/17234,5143,535 ABAB3AB3IIAB3II2AB3II2_84NRD17/Jan/17123,570,725Incised are different than in units 1 and 2, they are of a rougher technique. ABAB3AB3IIAB3II2AB3II2_86NRD17/Jan/175,32,420 ABAB3AB3IIIAB3III?AB3III?_119NRD17/Jan/17020,920 ABAB3AB3IIIAB3III3AB3III3_133NRD17/Jan/17471,7228,530Hay bastardos. ABAB3AB3IVAB3IV4AB3IV4_90NRD17/Jan/17131,510,630

Material más erosionado, tamaño más grande que unidades 1 y 2.

ABAB3AB3IVAB3IV4AB3IV4_99NRD17/Jan/1719,726,330Una base tiene cicatriz de soporte (50mm diámetro), o quizás base anular? ABAB4AB4?AB4??AB4??_??NRD17/Jan/17072,530Descontextualizado Marie. ABAB4AB4IIAB4II1AB4II1_66NRD17/Jan/1714,42,910 ABAB4AB4IIAB4II2AB4II2_81NRD17/Jan/17477,6177,440

Cuerpos abiertos sobrecocidos y no corresponden a la vasija de la capa III.

ABAB4AB4IIIAB4III3AB4II3_91NRD17/Jan/1769,77,230Vasija abierta sobrecocida. ABAB4AB4IIAB4IIFAB4IIF_132NRD17/Jan/1702,520 ABAB4AB4IIIAB4III2AB4III2_125NRD17/Jan/174,7020Cocción a baja temperatura. ABAB5AB5IIAB5II1AB5II1_65NRD29/Dec/161,11,115 ABAB5AB5IIAB5II2AB5II2_173NRD28/Dec/1644,860,225 ABAB5AB5IIIAB5III2AB5III2_109NRD27/Dec/161,4010 ABAB5AB5IIIAB5III3AB5III3_106NRD27/Dec/1611,20,625Muy mala conservación ABAB5AB5IIIAB5III4AB5III4_110NRD27/Dec/162,1020 ABAB6AB6IIAB6II2AB6II2_112NRD26/Dec/1661,622,420

Material más erosionado y fragmentado que en las otras bolsas.

ABAB6AB6IIAB6II3AB6II3_114NRD14/Jan/1781,232,725 AMAM1AM1?AM1??AM1??_32NRD13/Jan/1712,8020

Una base tiene cicatriz de soporte (50mm diámetro), o quizás base anular?

Notes ABAB1AB1IAB1I2AB1I2_2NRD27/Dec/16180,394,825

The incised body was sampled because it might be the same vessel as in previous bag.

ABAB1AB1IAB1I2AB1I2_6NRD27/Dec/16240,9172,125 ABAB1AB1IAB1I3AB1I3_15NRD19/Jan/17229,7118,330 ABAB1AB1IIAB1II2AB1II2_12NRD19/Jan/17508,2319,230Only 1 with white slip (sampled) ABAB1AB1IIAB1II2AB1II2_9NRD27/Dec/16668,4382,630

Brushing, less incised than in previous bag.

NI: possible handle, but not sure. More closed shapes than beore, slightly more variety in decorations.

Base is too small to sample (less than 10mm)

ABAB1AB1IIAB1II4AB1II4_29NRD26/Dec/16132,4104,625Vertical incisions, then horizontal. ABAB1AB1IIIAB1III4AB1III4_31NRD26/Dec/1682,552,730 ABAB1AB1IIIAB1III4AB1III4_42NRD26/Dec/162,7020SU under rocks. ABAB1AB1IIIAB1III4AB1III4_49NRD26/Dec/167,54,125SU under rocks. AB1AB1AB1IIIAB1III5AB1III5_50NRD26/Dec/1611,4040 ABAB1AB1IVAB1IV5AB1IV5_41NRD26/Dec/1622,38,930

The open body that was left without sampling was decorated with red on orange paint. Level 5 has virtually no sherds.

ABAB1AB1PAB1P?AB1P?_47NRD27/Dec/1606,220 ABAB2AB2?AB2??AB2??_?NRD17/Jan/170040

Decontextualized bag, white slip, red/orange/white.

ABAB2AB2IAB2I1AB2I1_22NRD17/Jan/17261,5111,125 ABAB2AB2IIIAB2III3AB2II?_67NRD17/Jan/17010350Red slip outside. ABAB2AB2IIAB2II2AB2II2_35NRD17/Jan/171108888402 bases anulares. ABAB2AB2IIAB2II2AB2II2_39NRD17/Jan/17533,255130 ABAB2AB2IIAB2II2AB2II2_57NRD17/Jan/1712811339,635

Algunas formas abiertas tienen el exterior muy erosionado.

ABAB2AB2IIAB2II2AB2II2_58NRD17/Jan/17527,947330 ABAB2AB2IIAB2II2AB2II2_60NRD24/Jan/17642,6882,230 ABAB2AB2IIIAB2III3AB2III3_36NRD17/Jan/1703,620 ABAB2AB2IIIAB2III3AB2III3_54NRD17/Jan/1757,427,235 ABAB2AB2IVAB2IV3AB2IV3_56NRD17/Jan/17234,5143,535 ABAB3AB3IIAB3II2AB3II2_84NRD17/Jan/17123,570,725Incised are different than in units 1 and 2, they are of a rougher technique. ABAB3AB3IIAB3II2AB3II2_86NRD17/Jan/175,32,420 ABAB3AB3IIIAB3III?AB3III?_119NRD17/Jan/17020,920 ABAB3AB3IIIAB3III3AB3III3_133NRD17/Jan/17471,7228,530Hay bastardos. ABAB3AB3IVAB3IV4AB3IV4_90NRD17/Jan/17131,510,630

Material más erosionado, tamaño más grande que unidades 1 y 2.

ABAB3AB3IVAB3IV4AB3IV4_99NRD17/Jan/1719,726,330Una base tiene cicatriz de soporte (50mm diámetro), o quizás base anular? ABAB4AB4?AB4??AB4??_??NRD17/Jan/17072,530Descontextualizado Marie. ABAB4AB4IIAB4II1AB4II1_66NRD17/Jan/1714,42,910 ABAB4AB4IIAB4II2AB4II2_81NRD17/Jan/17477,6177,440

Cuerpos abiertos sobrecocidos y no corresponden a la vasija de la capa III.

ABAB4AB4IIIAB4III3AB4II3_91NRD17/Jan/1769,77,230Vasija abierta sobrecocida. ABAB4AB4IIAB4IIFAB4IIF_132NRD17/Jan/1702,520 ABAB4AB4IIIAB4III2AB4III2_125NRD17/Jan/174,7020Cocción a baja temperatura. ABAB5AB5IIAB5II1AB5II1_65NRD29/Dec/161,11,115 ABAB5AB5IIAB5II2AB5II2_173NRD28/Dec/1644,860,225 ABAB5AB5IIIAB5III2AB5III2_109NRD27/Dec/161,4010 ABAB5AB5IIIAB5III3AB5III3_106NRD27/Dec/1611,20,625Muy mala conservación ABAB5AB5IIIAB5III4AB5III4_110NRD27/Dec/162,1020 ABAB6AB6IIAB6II2AB6II2_112NRD26/Dec/1661,622,420

Material más erosionado y fragmentado que en las otras bolsas.

ABAB6AB6IIAB6II3AB6II3_114NRD14/Jan/1781,232,725 AMAM1AM1?AM1??AM1??_32NRD13/Jan/1712,8020

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Notes AMAM1AM1IAM1I1AM1I1_1NRD13/Jan/1717,7030 AMAM1AM1IAM1I5AM1I5_4NRD13/Jan/1715,8030 AMAM1AM1IBAM1IB2AM1IB2_7NRD13/Jan/1715,5020 AMAM1AM1IBAM1IB3AM1IB3_5NRD13/Jan/179,2020 AMAM1AM1IBAM1IB4AM1IB4_6NRD13/Jan/1712,1025 AMAM1AM1IIAM1II?AM1II?_31NRD13/Jan/1724,2030 AMAM1AM1IIAM1II3AM1II3_8NRD13/Jan/1747,2090Incisiones verticales. AMAM1AM1IIAM1II4AM1II4_14NRD13/Jan/1732,2030 AMAM1AM1IIAM1II4AM1II4_9NRD13/Jan/1736,3045 AMAM1AM1IIAM1II5AM1II5_12NRD13/Jan/1758,9035 AMAM1AM1IIAM1II6AM1II6_19NRD13/Jan/1783,7030 AMAM1AM1IIaAM1IIa4AM1IIa4_10NRD13/Jan/1731030 AMAM1AM1IIaAM1IIa4AM1IIa4_15NRD13/Jan/1771,6035 AMAM1AM1IIaAM1IIa5AM1IIa5_16NRD13/Jan/1755,9030 AMAM1AM1IIaAM1IIa6AM1IIa6_17NRD13/Jan/172,7025 AMAM1AM1IVAM1IV2AM1IV2_11NRD13/Jan/17136,1030 AMAM1AM1VAM1V4AM1V4_18NRD13/Jan/1718,7025 AMAM1AM1VIAM1VI6AM1VI6_22NRD13/Jan/172,3020 AMAM1AM1VIAM1VI7AM1VI7_39NRD13/Jan/1790,6035Rim neck con impresiones al estilo Carca AMAM1AM1VIIAM1VII11AM1VII11_28NRD13/Jan/1718,9025 AMAM1AM1VIIAM1VII12AM1VII12_30NRD13/Jan/170,7010 AMAM1AM1VIIAM1VII7AM1VII7_2440020 AMAM1AM1VIIAM1VII7AM1VII7_34NRD13/Jan/1712,4025 AMAM1AM1VIIAM1VII8AM1VII8_26NRD13/Jan/1720,7035 AOAO?AO?SUPAO?SUP?AO?SUP?_15NRD02/Jan/1750063

Se muestrea igual porque es el único ejemplar de algo bien diagnóstico en Alberto Obando: la decoración con un rollo aplicado (aparentemente al exterior e interior), así como un lug en forma de ojo.

AOAO1AO1IIIAO1III3AO1III3_5NRD30/Dec/16553,344625

Material mejor conservado que el nivel más profundo.

AOAO1AO1IIIAO1III3AO1III3_6NRD30/Dec/16939,8621,630

Material bastante erosionado pero mucho mejor consevado que el nivel más profundo de la unidad. Mucha variabilidad en soportes y bordes, mayoría de formas abiertas. Parece que hubiera platos

AOAO1AO1IVAO1IV4AO1IV4_11NRD30/Dec/16238,775,725

Material menos erosionado que el nivel 5, se conservan algunos engobes y ya es más fácil distinguir abierto de cerrado y las partes de las vasijas. Más formas abiertas que cerradas

AOAO1AO1IVAO1IV5AO1IV5_56NRD30/Nov/16124,175,925

Material muy erosionado, resulta dificil diferenciar formas abiertas de cerradas, practicamente no se han conservado los engobes y los bordes son dificiles de identificar porque las fracturas estan erosionadas

AOAO2AO2IAO2I2AO2I2_59NRD02/Jan/179,8030 AOAO2AO2IAO2I2AO2I2_7NRD02/Jan/172,7015 AOAO2AO2IIAO2II2AO2II2_21NRD02/Jan/177,6025 AOAO2AO2IIAO2II3AO2II3_25NRD02/Jan/1720030 AOAO2AO2IIAO2II3AO2II3_27NRD02/Jan/1716,69,30 AOAO2AO2IIAO2II3AO2II3_33NRD02/Jan/179,7030

Uno de los fragmentos tiene el interior ahumado.

AOAO2AO2IIAO2II3AO2II3_58NRD02/Jan/1742,8030 AOAO2AO2IIIAO2III3AO2III3_26NRD02/Jan/174,3020 AOAO2AO2IIIAO2III3AO2III3_60NRD02/Jan/170,8015Ahumado al exterior.

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Notes AOAO3AO3IIAO3II3AO3II3_14NRD02/Jan/1783,621,335

La base es bastarda y tiene huella de soporte

AOAO3AO3IIAO3II3AO3II3_19NRD02/Jan/1757,3033 AOAO3AO3IIAO3II4AO3II4_57NRD30/Dec/1687,2035

El NI es una vasija de paredes gruesas extremadamente erosionada.

JHJH2JH2IIJH2II2JH2II2_7NRD13/Jan/174,4030 JHJH2JH2IIJH2II3JH2II3_30NRD13/Jan/173,8030 JHJH4JH4IIJH4II2-3JH4II2-3_25NRD13/Jan/1721,1020 JHJH5JH5IJH5I2JH5I2_24NRD13/Jan/173,4020 JHJH5JH5IJH5I2JH5I2_27NRD13/Jan/177,4020 JHJH5JH5SJH5S1JH5S1_20NRD06/Jan/175,8020 JORJOR1BJOR1BHJOR1BH17JOR1BH17_1NRD07/Jan/17018,430 JORJOR1CJOR1CHJOR1CH16JOR1CH16_4NRD07/Jan/17051,50 JORJOR2JOR2?JOR2??JOR2??_101NRD07/Jan/17026,30

Uno de los cuerpos abiertos tiene engobe negro al interior

. Un tiesto sobrecocido. JORJOR2JOR2IJOR2I5JOR2I5_11NRD07/Jan/174,4025 JORJOR2JOR2IJOR2I5JOR2I5_3NRD07/Jan/17295,6159,930Pintura negra. JORJOR2JOR2IJOR2I5JOR2I5_8NRD07/Jan/1716,538,830 JORJOR2JOR2IJOR2I6JOR2I6_4NRD07/Jan/1782,745,830 JORJOR2JOR2IIJOR2II5JOR2II5_13NRD07/Jan/175,4015

Tiene huella de desgaste con herramienta puntuda.

JORJOR2JOR2IIJOR2II5JOR2II5_14NRD07/Jan/179,5020Incisiones paralelas con instrumento JORJOR2JOR2IIJOR2II5JOR2II5_15NRD07/Jan/1760,2070 JORJOR2JOR2IIJOR2II5JOR2II5_16NRD07/Jan/1711035 JORJOR2JOR2IIJOR2II5JOR2II5_17NRD07/Jan/1726,8055 JORJOR2JOR2IIJOR2II5JOR2II5_18NRD07/Jan/1734,2045 JORJOR2JOR2IIJOR2II5JOR2II5_19NRD07/Jan/1732,3060 JORJOR2JOR2IIJOR2II5JOR2II5_21NRD07/Jan/1715,9040 JORJOR2JOR2IIJOR2II5JOR2II5_24NRD07/Jan/1711893,730 JORJOR2JOR2IIJOR2II5JOR2II5_25NRD07/Jan/171137,5106330

Engobe negro en un par de tiestos. El appliqué tiene impresiones con herramienta.

Appliué de chipote en otra. JORJOR2JOR2IIJOR2II5JOR2II5_27NRD07/Jan/17539315,230Un tiesto sobrecocido JORJOR2JOR2IIJOR2II5JOR2II5_33NRD07/Jan/1713,9040 JORJOR2JOR2IIIJOR2III5JOR2III5_28NRD07/Jan/1713,1020Con huella de presión y posible desgaste. JORJOR2JOR2IIIJOR2III6JOR2III6_29NRD07/Jan/1713,3025 JORJOR2JOR2IIIJOR2III6JOR2III6_30NRD07/Jan/1713,5030 JORJOR2JOR2IIIJOR2III6JOR2III6_31NRD07/Jan/1711,9045 JORJOR2JOR2IIIJOR2III6JOR2III6_34NRD07/Jan/17695,346130

Chipote, un tiesto claramente sobrecocido.

JORJOR2JOR2IVJOR2IV6JOR2IV6_32NRD07/Jan/1716,4035 JORJOR2JOR2IVJOR2IV6JOR2IV6_68NRD07/Jan/17416,8140,430

Uno de los rim/necks abiertos es en realidad una base punzonada al interior y con cicatriz de soporte,parece pertenecer a un plato.

JORJOR2JOR2IVaJOR2IVa6JOR2IVa6_75NRD07/Jan/1710,3030 JORJOR2JOR2IVaJOR2IVa6JOR2IVa6_76NRD07/Jan/1731,1075 JORJOR2JOR2IVaJOR2IVa6JOR2IVa6_77NRD07/Jan/1717,1060 JORJOR2JOR2IVaJOR2IVa6JOR2IVa6_78NRD07/Jan/17125,40125 JORJOR2JOR2IVaJOR2IVa6JOR2IVa6_79NRD07/Jan/1746,8065 JORJOR2JOR2IVaJOR2IVa6JOR2IVa6_80NRD07/Jan/177,9040 JORJOR2JOR2IVaJOR2IVa6JOR2IVa6_81NRD07/Jan/177,9045 JORJOR2JOR2IVaJOR2IVa6JOR2IVa6_82NRD07/Jan/179,8040 JORJOR2JOR2IVaJOR2IVa6JOR2IVa6_83NRD07/Jan/17130,1075 JORJOR2JOR2IVaJOR2IVa7JOR2IVa7_71NRD07/Jan/1763,433,525 JORJOR2JOR2IVaJOR2IVa7JOR2IVa7_86NRD07/Jan/17197,546,330 JORJOR2JOR2VJOR2V6JOR2V6_40NRD07/Jan/1756,4040 JORJOR2JOR2VJOR2V6JOR2V6_41NRD07/Jan/17172,70100Rollos bien claros.

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Notes JORJOR2JOR2VJOR2V6JOR2V6_42NRD07/Jan/1727,8065 JORJOR2JOR2VJOR2V6JOR2V6_43NRD07/Jan/17165,60135 JORJOR2JOR2VJOR2V6JOR2V6_44NRD07/Jan/1773,90110 JORJOR2JOR2VJOR2V7JOR2V7_37NRD07/Jan/1766,5045 JORJOR2JOR2VJOR2V7JOR2V7_38NRD07/Jan/17147,70110 JORJOR2JOR2VJOR2V7JOR2V7_39NRD07/Jan/1719,4045Asa entrelazada JORJOR2JOR2VJOR2V7JOR2V7_45NRD07/Jan/17609266,130

Engobe rojo sobre naranja, café, negro. El asa es de rollo.

JORJOR2JOR2VJOR2V7JOR2V7_51NRD07/Jan/1798,6040 JORJOR2JOR2VJOR2V7JOR2V7_52NRD07/Jan/17148,60130 JORJOR2JOR2VJOR2V7JOR2V7_53NRD07/Jan/1719,4055Engobe rojo. JORJOR2JOR2VJOR2V7JOR2V7_54NRD07/Jan/1714,8045 JORJOR2JOR2VJOR2V7JOR2V7_55NRD07/Jan/1720,5065Engobe rojo. JORJOR2JOR2VJOR2V7JOR2V7_56NRD07/Jan/1717,7055 JORJOR2JOR2VJOR2V7JOR2V7_57NRD07/Jan/1733,8040Engobe rojo sobre naranja. JORJOR2JOR2VJOR2V7JOR2V7_58NRD07/Jan/17100,7060 JORJOR2JOR2VJOR2V7JOR2V7_59NRD07/Jan/1721,3045Engobe rojo sobre naranja. JORJOR2JOR2VJOR2V7JOR2V7_60NRD07/Jan/1753,2075

Borde biselado al interior (viene apareciendo desde el nivel inferior

. Engobe café sobre barbotina. JORJOR2JOR2VJOR2V7JOR2V7_61NRD07/Jan/1777,80125 JORJOR2JOR2VJOR2V7JOR2V7_62NRD07/Jan/1745,400 JORJOR2JOR2VJOR2V7JOR2V7_63NRD07/Jan/1797,40110 JORJOR2JOR2VJOR2V7JOR2V7_64NRD07/Jan/1720045Engobe rojo al exterior. JORJOR2JOR2VJOR2V7JOR2V7_91NRD07/Jan/1761,246,635 JORJOR2JOR2VI8JOR2VI7JOR2VI7_48NRD07/Jan/17332,2160,835

El apliqué tiene impresiones con herramienta.

JORJOR2JOR2VIJOR2VI7JOR2VI7_66NRD07/Jan/1755,9080 JORJOR2JOR2VIJOR2VI7JOR2VI7_67NRD07/Jan/17279060 JORJOR2JOR2VIJOR2VI7JOR2VI7_74NRD07/Jan/1710,7030 JORJOR2JOR2VI8_92JOR2VI8_92JOR2VI8_92NRD07/Jan/17465,6401,635Engobes rojos, appliqué de chipote JORJOR2JOR2VIIJOR2VII8JOR2VII8_95NRD07/Jan/1788,2090Possible base, check. JORJOR2JOR2VIIJOR2VII9JOR2VII9_96NRD07/Jan/17300,3193,135Chipotes. Cuellos con engobe rojo JORJOR2JOR2VIIJOR2VII9JOR2VII9_98NRD07/Jan/1734,86,720 LALA1LA1ILA13LA13_14NRD02/Jan/1716910525

Similar a capa II, pero hay una asa. Posible teja. Cuellos con impresiones digitales al exterior

. LALA1LA1ILA1I2LA1I2_1NRD02/Jan/17372,9293,330

Posibles tejas. Un cuerpo con engobe rojo, el primero en toda la unidad.

LALA1LA1IILA1II2LA1II2_4NRD02/Jan/17236,9179,425

Las bases tienen huellas de impresión textil en el interior y los cuellos impresiones digitales en el exterior

. Posible teja. LALA1LA1IILA1II2LA1II2_5NRD02/Jan/17185,517,130

Impresión textil al interior de la vasija, ahumados internos y externos, huellas de shaving, cepillado, impresiones digitales.

LALA1LA1IILA1II3LA1II3_11NRD02/Jan/1715861254,430

Igual que las otras dos bolsas, material de tendal y/o teja, ahumados, impresiones digitales en los cuellos, comales ahumados.

LALA1LA1IILA1II3LA1II3_22NRD02/Jan/17647,7436,625

Ahumados al interior y exterior. Bordes y

cuellos con impresiones digitales. Bordes muy erosionados al exterior

, con una

especie de flap de erosión. Buena conservación. Se observan algunos voids planares y paralelos a la superficie, al centro. Comal

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Notes LALA1LA1IILA1II3LA1II3_23NRD02/Jan/171206,61034,930

Muchas impresiones digitales, buena conservación, mayoría absoluta de formas abiertas. Checar huellas de percusión. Shaving, granos volados, granos flotantes. Hay fragmentos muy gruesos que parecen teja, pero son demasiado planos (tendales?).

LALA1LA1IILA1II3LA1II3_24NRD02/Jan/17353,2197,830 LALA1LA1IILA1II4LA1II4_31NRD02/Jan/1737326830

Impresiones digitales en cuellos, casi totalidad de formas abiertas. Buena preservación, casi no hay engobes de colores.

LALA2LA2ILA2I10LA2I10_19NRD02/Jan/1776,3133,225Mucha posible teja. LALA2LA2ILA2I11LA2I11_27NRD02/Jan/178167530 LALA2LA2IILA2II10LA2II10_20NRD02/Jan/1752,868,720 LALA2LA2IIILA2III10LA2III10_21NRD02/Jan/17131,5270,825 LALA2LA2IIILA2III11LA2III11_26NRD02/Jan/1796,3398,130 LALA2LA2VLA2V11LA2V11_35NRD02/Jan/1741,100 LALA2LA2VILA2VI11LA2VI11_55NRD02/Jan/171824,235Parece pura teja. LALA2LA2VILA2VI12LA2VI12_34NRD02/Jan/1718035 LALA3LA3ILA3I1LA3I1_28NRD02/Jan/17910,620 LALA3LA3ILA3ILA3I2_36NRD02/Jan/17718,9489,625

Impresiones digitales en cuellos, posibles tejas, se parece a la ceramica de la unidad 1.

LALA3LA3ILA3I2LA3I2_48NRD02/Jan/17164,213825No hay teja. LALA3LA3IILA3II4LA3II4_53NRD02/Jan/1711,2035 LALA3LA3IIILA3III3LA3III3_51NRD02/Jan/1743,611,325 LDLD?LD??LD???LD???_36/75NSG26/Jan/1702657,640

Descontextualizado. Mezcla de bolsas: LD1V3_36 y LD2VII2_75.

LDLD?LD??LD???LD???_74NSG26/Jan/170487,270Donación de Luisa Diaz LDLD1ABLD1ABXIVLD1ABXIV5LD1ABXIV5_174NSG25/Jan/1712,3055

Horizontal. Pintura roja sobre engobe blanco al exterior y pintura negra sobre engobe blanco al interior

. Se aprecia un carenado después del Neck. LDLD1ABLD1ABXIVLD1ABXIV5LD1ABXIV5_177NSG26/Jan/17394,2195,545

Una de las closed body tiene restos de carbón al interior

. LDLD1ABLD1ABXVLD1ABXV6LD1ABXV6_191NSG25/Jan/1731,3035 LDLD1ABLD1ABXVLD1ABXV6LD1ABXV6_193NSG24/Jan/17321,7227,735 LDLD1ABLD1ABXVIILD1ABXVII6LD1ABXVII6_210NSG24/Jan/1718889,730 LDLD1ALD1AHLD1AH2LD1AH2_1NSG23/Jan/17051 LDLD1ALD1AIILD1AII2LD1AII2_4NSG23/Jan/17124,611125 LDLD1ALD1AIILD1AII2LD1AII2_6NSG23/Jan/1751,8075Horizontal LDLD1ALD1AIIaLD1AIIa2LD1AIIa2_18NSG23/Jan/1700,410 LDLD1ALD1AIIILD1AIII2LD1AIII2_13NSG24/Jan/1710,4030Con incisiones en la parte superior. LDLD1ALD1AIIILD1AIII2LD1AIII2_14NSG23/Jan/17825110,330 LDLD1ALD1AIIILD1AIII2LD1AIII2_19NSG23/Jan/17105,4030 LDLD1ALD1AIIILD1AIII2LD1AIII2_20NSG23/Jan/1783,303,5 LDLD1ALD1AIIILD1AIII2LD1AIII2_21NSG23/Jan/1727,506 LDLD1ALD1AIIILD1AIII2LD1AIII2_22NSG23/Jan/1734,2050Engobe en el exterior LDLD1ALD1AIIILD1AIII2LD1AIII2_23NSG23/Jan/17138,8187 LDLD1ALD1AIIILD1AIII2LD1AIII2_44NSG24/Jan/17147,9045Contexto: Perfil W. Con engobes LDLD1ALD1AIIILD1AIII2LD1AIII2_7NSG23/Jan/1730,3045Engobe rojo al interior LDLD1ALD1AIIILD1AIII2LD1AIII2_8NSG23/Jan/1783,2090 LDLD1ALD1AIIILD1AIII2LD1AIII2_9NSG23/Jan/17432,3381,13,5

Las incisas abierta están incisas por la cara interna. Las closed por la parte de fuera.

LDLD1ALD1AIIIaLD1AIIIa2LD1AIIIa2_27NSG23/Jan/1707025 LDLD1ALD1APLD1AP?LD1AP?_175NSG26/Jan/17029940 LDLD1ALD1APLD1AP?LD1AP?_64NSG26/Jan/172,2020