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Creating stories with media

Lynda Hardman

http://www.cwi.nl/~lynda

CWI, Information Access

UvA, Institute for Informatics

http://www.flickr.com/photos/iboy/4528401870/

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Video collection:

What do you think of war as a solution?

http://www.flickr.com/photos/soldiersmediacenter/1183836576 2

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Interactive Media Access

•  Users  need  support  for  

– finding  desired  content  

– in  one  or  more  media  types   – for  their  specific  task  

•  We  need  to  be  aware  that  there  is  more  than   the  informa9on  “expressed''  by  the  media  

asset  itself,  e.g.  

– when/where  the  media  was  captured   – the  intended  purpose  of  the  creator   – the  context  in  which  the  media    

asset  was  created  

4

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 We  need  to  enable    

•  the  processing  of  informa9on-­‐bearing   content  

•  of  one  or  more  media  types  

•  that  can  be  interpreted  by  end  users    End-­‐users  are  primarily  interested  in    

•  the  meaning  conveyed  by  a   combina9on  of  media  assets  

•  interac9ng  further  with  the  media   – as  part  of  complex  “search”  task   – passing  it  on  to  someone  else  in  

media  “chain”  

We don’t care about the media!

http://www.flickr.com/photos/benheine/4687572408/ 5

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How can we get this to work?

We  need  mechanisms  

– for  iden9fying  (part  of)  an   individual  media  asset  

– for  associa9ng  metadata   with  an  iden9fied  

fragment  

– for  agreeing  on  the   meaning  of  metadata   – that  enable  larger  

meaningful  structures  to   be  composed,  iden*fied   and  annotated  

http://www.flickr.com/photos/jannem/3312115991 6

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Outline of talk

•  Informa9on  processes  in  which     media  and  metadata  play  a  role  

– “canonical  processes  of  media  produc9on”  

•  Vox  Populi  system,  demonstra9ng  high  level   user  interac9on  enabled  by  media  and  

metadata  

•  Study  of  informa9on  needs  for  videos  that  are   able  to  support  processes  of  opinion-­‐forming   and  decision-­‐making  

7

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Workflow for

Multimedia Applications

•  Iden9fy  and  define  a  number  of  canonical   processes  of  media  produc9on  

•  Community  effort  

8

–  2005: Dagstuhl seminar

–  2005: ACM MM Workshop on

Multimedia for Human Communication –  2008: Multimedia Systems Journal Special Issue

(core model and companion system papers)

editors: Frank Nack, Zeljko Obrenovic and Lynda Hardman

hLp://link.springer.com/journal/530/14/6/  

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Canonical

Reduced to the simplest and most significant form possible, without loss of generality

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Example application areas

•  multimedia feature extraction systems

•  professional news production systems (VRT)

•  new media art

•  hyper-video production

•  photo book production (CeWe)

•  ambient multimedia systems with complex sensory networks  

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Overview of Canonical Processes

11

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Example: CeWe Color PhotoBook

•  Applica9on  for  authoring  digital  photo  books  

•  Automa9c  selec9on,  sor9ng  and  ordering  of  photos  

– Context  analysis  methods:    

e.g.,  9mestamp,  annota9on   – Content  analysis  methods:  

e.g.,  color  histograms,  edge  detec9on  

•  Customized  layout  and  background  

http://www.cewe-photobook.com 12

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CeWe Color PhotoBook Processes

My  winter  ski  holidays  with  my  friends  

13

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CeWe Color PhotoBook Processes

•  Media  assets  are  captured,  generated  or   transformed  

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CeWe Color PhotoBook Processes

15

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CeWe Color PhotoBook Processes

16

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CeWe Color PhotoBook Processes

17

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landscape

portrait

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Organise  using  domain  annota8ons  

skiing holiday

Monday

Wednesday

Monday Tuesday

Tuesday

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CeWe Color PhotoBook Processes

19

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CeWe Color PhotoBook Processes

20

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Canonical Processes

hLp://link.springer.com/journal/530/14/6/   21

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Creating Stories with Media

•  Long  term  goal  to  find  and  present  informa9on  to   end-­‐users  

– In  a  way  that  is  useful  to  them  

•  We  understand  how  to  design  informa9on  interfaces   by  hand.      

– How  can  metadata  help  us  in  giving  more  flexible  access  to   media  collec9ons?  

•  We  can  link  media  assets  to  exis9ng  linked  data,  and   use  this  to  improve  presenta9on,  e.g.  by  

– Selec9ng  a  sub-­‐set  

– Grouping,  ordering  and  linking  media  assets   – Influencing  the  (visual)  presenta9on  

22

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How can annotations help?

What  can  be  expressed  explicitly?  

– the  message  to  be  conveyed  

– objects  that  are  depicted  in  a  media  asset   – domain  informa9on  (e.g.,  art,  painter)  

– human  communica9on  roles  (discourse)  

What  can  they  be  used  for?  

– disambigua9ng  query  terms  

– grouping  similar  items  for  conveying  topic  breadth   – visualizing  items  for  presenta9on,  e.g.  9meline,  map   – finding  similar  items  

– …   23

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Vox Populi:

Generating video documentaries

from annotated media repositories

Stefano Bocconi, Frank Nack (CWI, Amsterdam)

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Video Documentaries on the Web

•  Tradi9onal  video  authoring:  there  is  only  one   final  version,  what  is  shown  is  the  choice  of   the  author/editor  

•  Proposed  video  sequence  crea9on:  

– Annotate  the  video  material  

– Show  automa9cally  what  the  user  asks  to  see,   using  presenta9on  forms  a  film  editor  would  use  

25

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Video material

•  Interview  with  America    

video  footage  with  interviews  and  background   material  about  the  opinion  of  American  

people  a`er  9-­‐11  

www.interviewwithamerica.com  

•  Filming  27-­‐10-­‐2001  to  01-­‐11-­‐2001  in    

Stamford  (CT),  New  York  (NY),  Boston  (MA)   and  Cleveland  (OH)  

26

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Example: What do you think of the war in Afghanistan?

        “I  am  never  a  fan  of  military         ac*on,  in  the  big  picture  I   don’t  think  it  is  ever  a  good  thing,  but  I  think  

there  are  circumstances  in  which  I  certainly  can’t   think  of  a  more  effec*ve  way  to  counter  this  sort   of  thing...”  

http://www.flickr.com/photos/soldiersmediacenter/1183836576 27

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The annotations

Rhetorical  

– Rhetorical  Statement    

(mostly  verbal,  but  visual  also  possible)   – Argumenta9on  model:  Toulmin  model  

Descrip9ve  

– Ques9on  asked  

– Interviewee  (social)   – Filmic  next  slide  

28

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Filmic annotations

Con9nuity,  e.g.  

– camera  movement  

none,  pan  le`/right,  shaking,  9lt  up/down,  zoom  in/out  

– framing  con9nuity  

close-­‐up,  medium  shot,  long  shot  

– gaze  direc9on  of  speaker  

le`,  centre,  right  

– ligh9ng  condi9ons   – background  sound  

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Con9nuity,  e.g.  

– camera  movement  

none,  pan  le`/right,  shaking,  9lt  up/down,  zoom  in/out  

– framing  con9nuity  

close-­‐up,  medium  shot,  long  shot  

– gaze  direc9on  of  speaker  

le`,  centre,  right  

– ligh9ng  condi9ons   – background  sound  

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Statement encoding

3-­‐part  statement:  

– <subject>  <modifier>  <predicate>  

– E.g.  “war  best  solu8on”  

Thesaurus  (pre  Wordnet)  containing:    

– Terms  (155)  

– Rela9ons  between  terms:    

similar  (72),    

opposite  (108),    

generaliza9on  (10),     specializa9on  (10)  

e.g.  war  opposite  diplomacy   30

3-­‐part  statement:  

– <subject>  <modifier>  <predicate>  

– E.g.  “war  best  solu8on”  

Thesaurus  (pre  Wordnet)  containing:    

– Terms  (155)  

– Rela9ons  between  terms:    

similar  (72),    

opposite  (108),    

generaliza9on  (10),     specializa9on  (10)  

e.g.  war  opposite  diplomacy  

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Connect statements

•  Using  the  thesaurus,  generate  related   statements  and  query  the  repository  

“war  best  solu*on”,  

“diplomacy  best    solu*on”,  

“war  not    solu*on”  

•  Create  a  graph  of  related  statements  

– nodes  are  the  statements    

(corresponding  to  video  segments)  

– edges  are  either  support  or  contradict  

31

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Statement Graph

32

=  support  

=  contradict   war  best  solu9on  

war  not  solu9on  

diplomacy  best  solu9on  

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Toulmin model

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Claim Data

Qualifier Warrant

Backing

Condition

Concession

57 Claims, 16 Data, 4 Concessions, 3 Warrants, 1 Condition

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Toulmin in example

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Claim Concession

Claim contradict

support

Claim

I am not a fan

of military action

War has never solved anything

Two billions dollar bombs on tents

I cannot think of a

more effective solution

weaken

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What do you think of the war in Afghanistan?

35

I am not a fan of

military actions

War has

never solved anything

I cannot think of a more

effective solution

Two billions dollar bombs on tents

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Vox Populi interface

36

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Vox Populi Processes

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Vox Populi Conclusions

•  Automa9c  genera9on  of  video  interviews   augmented  with  suppor9ng  and/or  

contradic9ng  material  

•  The  user  can  determine  the  subject  and  the   bias  of  the  presenta9on  

•  The  documentarist  can  add  material  and  let   the  system  generate  new  documentaries  

38

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Pointer & Acknowledgments

•  More  on  VoxPopuli  at:  

hLp://www.cwi.nl/~media/demo/VoxPopuli/  

•  VoxPopuli  was  funded  by  the  Dutch  na9onal   ToKeN  I2RP  and  CHIME  projects  

39

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User  informa9on  needs  for  

environmental  opinion-­‐forming  and   decision-­‐making  in  

linked-­‐enriched  video  

Ana  Carina  Palumbo  

University  of  Amsterdam  

Technical  University  of  Eindhoven  

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The message

•  Inform  ci9zens  about  environmental  issues  

•  Scenario:  users  form  opinions  while  watching   videos  (from  TV  or  internet)  

•  Goal:  specify  informa9on  that  should  be   captured  in  annota9ons  

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Method

•  Expert  interviews  

– environmental  governance  

– video  produc9on  and  broadcas9ng  

•  User  survey  

– informa9on  users  say  they  need   – 215  par9cipants  

•  User  experiment  

– informa9on  users  really  select   – 6  par9cipants  

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High-level overview of results

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Environmental video conclusions

•  We  know  what  to  annotate  in  environmental   videos  to  support  opinion-­‐forming  

•  Some  annota9ons  can  be  done  automa9cally   (e.g.  subjects  and  concepts,  loca9on)    

•  Others  need  to  be  manually  annotated  

•  Challenges:  

– level  of  objec9vity  and  subjec9vity   – trustworthiness  of  sources.  

EuroITV  '13  

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What are my messages?

•  Annota9ons  associated  with  media  assets  can  be  used  for   different  stages  of  interac9ve  access,  not  just  searching    

•  Annota9ons  can  be  added  by  hand,  linked  automa9cally  or   automa9cally  extracted  

•  The  intended  message  can  be  made  explicit  (more   annota9ons)  

•  Media  content  and  associated  annota9ons  can  be  passed   among  systems  

•  We  need  community  agreement  on  how  to  do  this   (e.g.  canonical  processes)  

•  Users  can  be  given  much  richer  and  more  flexible  access  to   (annotated)  media  content,  but…  

•  we  need  to  store  annota9ons  &  media  in  a  reusable  way   45

45

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Acknowledgements  

46  

Raphaël  Troncy  

Ana  Carina   Palumbo  

Jacco  van     Ossenbruggen  

Stefano    Bocconi  

Frank  Nack  

Andre  Fialho  

(47)

47

Literature

•  Special  Issue  on  Canonical  Processes  of  Media  Produc9on   hLp://link.springer.com/journal/530/14/6/  

hLp://www.cwi.nl/~media/projects/canonical/  

•  Lynda  Hardman,  Zeljko  Obrenovic,  Frank  Nack,  BrigiLe  Kerhervé  and  Kurt   Piersol:  Canonical  Processes  of  Seman*cally  Annotated  Media  Produc*on.  

Mul9media  Systems  Journal,  14(6),  2008  

•  Philipp  Sandhaus,  Sabine  Thieme  and  Susanne  Boll:  Canonical  Processes  in   Photo  Book  Produc*on.  Mul9media  Systems  Journal,  14(6),  2008  

•  Stefano  Bocconi,  Frank  Nack  and  Lynda  Hardman:  Automa*c  genera*on  of   maIer-­‐of-­‐opinion  video  documentaries.  

Journal  of  Web  Seman9cs,  6(2),  p139-­‐150,  2008.  

•  Ana  Carina  Palumbo  and  Lynda  Hardman:  User  informa*on  needs  for  

environmental  opinion-­‐forming  and  decision-­‐making  in  link-­‐enriched  video   In  EuroITV  '13,  pp  85-­‐88  

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