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Wyplosz, N.
Publication date
2003
Link to publication
Citation for published version (APA):
Wyplosz, N. (2003). Laser desorption mass spectrometric studies of artists' organic pigments.
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Laserr desorption
masss spectrometric studies
off artists' organic pigments
J* J*
Thee work described in this thesis was performed at AMOLF (FOM Institute for Atomicc and Molecular Physics), Kruislaan 407, 1098 SJ, Amsterdam, The Netherlands.. It is part of the research program of Priority Program MOLART (Molecularr aspects of Ageing in Painted Works of Art) of the NWO (Nederlandse Organisatiee voor Wetenschappelijk Onderzoek) and of the research program nr. 28 andd 49 (Mass Spectrometry of Macromolecular Systems) of the FOM (Stichting voorr Fundamenteel Onderzoek der Materie).
ISBNN 90-77209-02-6
Laserr desorption
masss spectrometric studies
off artists' organic pigments
ACADEMISCHH PROEFSCHRIFT
terr verkrijging van de graad van doctor aann de Universiteit van Amsterdam opp gezag van de Rector Magnificus
prof.. mr. P.F. van der Heijden, tenn overstaan van een door
hett college voor promoties ingestelde commissie, inn het openbaar te verdedigen
inn de Aula der Universiteit
opp donderdag 20 november 2003 te 11.00 uur door r
Nicolass Wyplosz geborenn te Parijs (Frankrijk)
Overigee commissieleden:
Prof.. Dr. J.R.J. van Asperen de Boer Dr.. S. Ingemann
Prof.. Dr. P.G. Kistemaker Prof.. Dr. C.G. de Koster Prof.. Dr. N.H. Tennent Dr.. J. Wouters
MOLARTT and MOLART Reports
MOLL ART - Molecular Aspects of Ageing of Painted Art - was a 5-year cooperativee project between art historians, restorers, analytical chemists and technicall physicists funded by the Dutch Organisation for Scientific Research (NWO).. Technical support and advice was given by Shell-SRTCA (Amsterdam), AKZO-NOBELL (Arnhem), Instituut Collectie Nederland (ICN, Amsterdam) and thee Dutch art museums. The project was launched on 1 February 1995 and ended inn early 2003. The object of MOLART was to contribute to the development of a scientificc framework for the conservation of painted art on the molecular level. The focuss of MOLART was the determination of the present chemical and physical conditionn of works of art produced in the period from the 15th to the 20th century. Studiess of historical paint manufacturing and workshop practice must give insight intoo the nature of the painters' media and the painting technique used originally. Fundamentall studies on varnishes, paint, and colorants are undertaken to understandd the molecular aspects of ageing since this is thought to be a main cause forr the continued need to treat paintings.
Thiss report is the eighth in a series of MOLART reports that will summarise all researchh results obtained in the course of the project. Information about MOLART cann be obtained from the project co-ordinator Prof. Dr. J.J. Boon, FOM-Institute forr Atomic and Molecular Physics, Kruislaan 407, 1098 SJ Amsterdam, The Netherlands,, boon@amolf.nl.
1.. Molecular studies of fresh and aged triterpenoid varnishes, Gisela A. van der Doelen,, 1999. ISBN 90-801704-3-7
2.. A mathematical study on craquelure and other mechanical damage in paintings, Petrii de Willigen, 1999. ISBN 90-407-1946-2
3.. Solvent extractable components of oil paint films, Kenneth R. Sutherland, 2001. ISBNN 90-801704-4-5
4.. Molecular changes in egg tempera paint dosimeters as tools to monitor the museumm environment, Oscar F. van den Brink, 2001. ISBN 90-801704-6-1 5.. Discoloration in renaissance and baroque oil paintings, Margriet van Eikema Hommes,, 2002. In Press: Archetype Publications, London.
6.. Analytical chemical studies on traditional linseed oil paints, Jorrit D.J. van den Berg,, 2002. ISBN 90-801704-7-X
7.. Microspectroscopic analysis of traditional oil paint, Jaap van der Weerd, 2002. ISBNN 90-801704-8-8
Publishedd MOLART reports can be ordered from Archetype Publications, 6 Fitzroyy Square, London WIT 5HJ, England, Tel: +44 207 380 0800 Fax: +44 207 3800 0500, info@archetype.co.uk, or from FOM.
