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(1)

Think global, act local.

Introducing the

Place Responsive

Design Method

for urban resilience.

Nyasha

Harper-Michon

27-8-19

M4 thesis

project

(2)
(3)

#archtivism

Think global, Act local

Introducing the Place Responsive Design Method

to foster urban resilience.

Nyasha Harper-Michon

Mentor

Marta M Roy Torecilla

Graduation Committee Members

Chris Noteboom

Jo Barnett

External Committee Members

Bastiaan Jongerius

Jan van Grunsven

Academy of Architecture Amsterdam

Masters Thesis Project

(4)
(5)

contents

introduction

place responsive

design method

the brief

the place responsive brief

the case studies

PRDM data & triggers

comparative study

drawings & visuals

curating the work

acknowledgement

7

17

27

37

55

57

71

97

137

149

(6)
(7)

Introduction

Striving for a world where

the

building industry positively impacts

(8)

#archtivism:

what is it?

#archtivism is a

contemporary movement

that strives for a world

where the building industry

positively impacts our society,

(9)

#architivism aims to facilitate the

transition to global urban resilience

by offering tools, starting with the

Place Responsive Design Method,

to empower actors of the built

environment to become

(10)

Three effects of globalisation & capitalism

on architectural design & production:

- Global homogeneity and standardisation due to desire

to cut short-term costs and time - tendency to lead

to poor quality buildings and erosion of place identity

- Prevalent “ecstasy of newness”

1

and iconism due

to individualism - tendency to lead to shallow ego-centric

designs that disregard for tradition and context

- Architectural production and a building industry that

pollutes and damages the environment.

#archtivism:

Tackling the challenges of the globalisation era

(11)
(12)

39%

36%

global final energy use

energy-related carbon dioxide emissions

source: United Nations - The Global Status Report 2017

As of now, the building industry is highly pollutive

and damaging to the environment.

Buildings and construction account

for 36% of global final energy use

and 39% of energy-related

carbon dioxide emissions

2

#archtivism:

(13)

The Place Responsive Design Method

is a universal three step tool applicable

to any brief or site worldwide

that aims to tackle the challenges

of the globalisation era

and foster urban resilience.

(14)

There is no

(15)

There is no

(16)
(17)

place

responsive

design method

universal method, unique resilient designs

A tool for the greater architectural community

to foster resilient sustainable cities and sustain

place identity.

(18)

place responsive design method:

the three pillars of place

1

2

3

PLACE

PLACE

The three pillars are to be investigated when

starting a new project. Analysing these different elements will help to determine the building’s positioning, form, materiality, structure, relation to its surroundings etc. while anchoring it in its context.

Three pillars of Place

(19)

Three pillars of Place

& the Place Responsive Design Checklist

1

ENVIRONMENT

Site characteristics • Geographical location

• Site boundaries and buildings with party walls • Neighbouring buildings: distances, heights, uses

Topography & Geology • Topography: contours

• Underlying geology and thicknesses • Soil types and depths

Water

• Existing water bodies: variation and purity • Drainage on site: natural and man-made • Water table

• Water supply

Climate • Regional Climate

• Solar exposition: sun angles, shading, cloudiness • Wind patterns: prevailing direction and strength, shelter and exposure, local breezes

• Precipitation: rainfall, snowfall • Air quality

• Natural disaster/issues: flooding, landslides, hurricanes etc.

Infrastructure

• Circulation Networks: roads, sidewalks, pathways, • Accessibility to site

• Infrastructural lines: electricity, drainage, telephone, sub-stations, sewage

Ecology

• Local flora and fauna - prevalence, relative stability and vulnerability

• Vegetation and Trees: positioning, species and quality and health

• Biodiversity goals in the region

• Local examples to foster biodiversity in the region

Sensory Properties and Qualities • Visual spaces and their quality

• Neighbours: openings and visibility onto site • Views, sight-lines and focal points • Quality of light, sound and smell: air and noise pollution issues

2

SOCIETY

Local user population

• Statistics - Population, Composition, Pattern of change • Socio-economic structure

Behaviour, Habits & Uses • How locals use space in the area • How locals use similar program Past, Present & Future

• History development of site and neighbourhood • Historical typologies & architecture related to program • Present usage

• Future intentions for the site

Psychological relationship to the site • Local mental relationship with the site • Symbolic meanings attached to the site • Hopes, fears, wishes or preferences

Legal restrictions and constraints • Ownership and rights

• Building code Legal restrictions

3

ECONOMY

Materials & Construction practices • Prevalent construction practices • Local materials

• Local construction practices

Craftsmanship • Local craftsmanship

(20)

Two ways to acquire information: Through a site visit where you use your own observations and senses and a desktop study to gather complimentary and statistical data

place responsive design method:

work flow

(21)

A simple universal method empowering architects

to combine their unique artistic voice with that of the place or site,

leading to unique resilient designs.

architect

place

Resilient

Design

(22)

Place responsive design method:

Work flow

DATA

DESIGN TRIGGERS

Interpret the information

and make pre-design

responses or ‘design

triggers’ for the (sub)

category of the PRDM to

determine implications for

design

Collect data and

information for place/

site/context conditions

and classify based on

(non exhaustive) PRDM

checklist

Designer’s interpretation -

using personal vocabulary and

(23)

PLACE DIAGRAM

Create a hierarchy of the design

triggers that are most important

for this proposal. Let your creative

juices flow to create a cohesive

design routed in its context.

(24)

for a healthy

society

economy

(25)

for a healthy

society

economy

(26)
(27)

the brief

kum

ba

live.

share.

connect.

three different sites in the world

Kumba is a global co-living chain for starters

fostering human interaction and connections

through the combination of private bedrooms

and unique communal amenities and experiences.

costs & time

efficiency/optimisation consistent

user & brand experience

(28)

Individual house meets collective housing for a healthy, social and urban place for starters, aged 25-35, to call home

bedroom with bathroom

private

lounge / working space restaurant kitchen living space public semi-private

the brief:

Kumba co-living, between private & public

(29)

25-30%

20-25%

8-10%

Bicycle/Car parking: Public

Gym, Games room & Event spaces:

Public Exterior Space (Garden/Roof Terrace):

Semi-public & Public

Lounge & Restaurant: Public

Laundrette: Semi-public Shared Kitchen & Living room: Semi-private Rooms (80-100):

Private

(30)

the brief:

Kumba going global

Different parts of the world - different

continents

Cities that have played an important

role in my life Sites undergoing urban renewal, gentrification and/ or subject to homogeneous

global architecture

A choice of three sites across the globe,

undergoing urban renewal and in cities

that have played an important role in my life.

(31)

kum

ba

Three new locations with Kumba’s

signature style with a local twist.

Paris

(32)

Port of Spain

Washington DC

Paris

Dense urban fabric within the Quartier de la Chapelle in the 18th district in Paris

In the Newtown neighbourhood on the edge of Port-of-Spain’s largest park: ‘Queen’s Park Savannah’

Grid urban fabric within the Logan/ Shaw neighbourhood of Washington DC

the brief:

the sites

(33)

1:2000 1:2000

581 m2 footprint

Includes existing buildings

Site within the dense urban fabric along narrow street

556 m2 footprint

Between city and park

(34)

ethics

before

(35)

ethics

before

(36)
(37)

kum

ba

pod

the place

responsive

brief

Reinterpreting the brief through the place responsive lens -

coupling a standardised global design with localness in a

sustainable manner through digitalisation.

(38)

The case studies

Place responsive brief

45-50%

private

rooms remaining program

45-50% 25-30% 20-25% 8-10% 25-30% 20-25% 8-10%

+

+

Standardized same at each site

Brief

Unique according to place

Creating a business model that takes the benefits of the local

and the global for a smarter design.

private :

(39)

Technical and closed functions needed to live Space to live

(host space for pod) Separate the technical and closed

functions of the room from the space

needed to live

A concept that allows for a standardised global design

to be coupled with localness in a sustainable manner

through digitalisation.

A simple and functional concept that explores

minimising the footprint and maximising the quality of life

to address the increasingly limited space available for urban living as

urban populations worldwide are growing at lightning speeds.

(40)

18mm

kum

ba

pod

open source digital design of the pod that features all

cutting files

sheet material for the pod depends on the location

and availability

files are sent to the CNC laser cutter to cut the

parts of the pod

all the parts are now ready to be dry assembled following the

assembly manual

dry assembly can be done on or off site depending

on feasibility

once dry assembled and installations integrated, the pod is ready for use

Process: from the digital design to physical Pod

Digital design eliminating freight transportation and related emissions

Simple design enabling flexibility and future-proofing

Dry assembly optimising time efficiency & allowing for cheaper unskilled labour

Opportunity to use local materials supporting local economy

The benefits of such a building method

the case studies

(41)
(42)

kum

ba

pod

the case studies:

Place Responsive Kumba Pod

The Kumba pod answers the client’s

budgetary and scalability demands,

creating a strong customer

and brand experience

anywhere in the world

through a local sustainable

(43)

Acoustic insulation

Electrical cabling

Kumba Pod exploded axon

the case studies:

(44)

kum

ba

pod

Kumba pod Chair design by Leo Salom

for Monstrans

the case studies:

(45)
(46)
(47)
(48)

kum

ba

pod

Section

the case studies:

(49)

Plan Pod containing all services

min.

min.

Flexible space left over to live - to relax, work, lounge

the case studies:

(50)

for a resilient

& Sustainable

built environment

(51)

for a resilient

& Sustainable

built environment

(52)
(53)

the case stud es

Demonstrating the Place Responsive Design Method’s ability

to empower architects to create sustainable and resilient designs.

Washington

d.c. USA

Port of Spain

t&t

Paris

Fr

(54)
(55)

the case stud es

prdm data & triggers

The following pages are a comparative study of the three case studies

to identify how the Place Responsive Design Method

helped to create unique sustainable and resilient designs.

Washington

d.c. USA

port of Spain

t&t

Paris

fr

(56)

the case studies

prdm study excerpt

The following pages feature excerpts from the book above

which compiles all the research/date from the Place Responsive

Design Method checklist as well as design triggers that instructed

(57)

the case studies

prdm study excerpt

(58)

the case studies

prdm study excerpt

(59)

the case studies

prdm study excerpt

(60)

the case studies

prdm data & design triggers - examples

In order to create shaded interiors and reduce the solar gain indoors, the floor plate to create large overhangs that can have planters to additionally decrease heat gain.

Great solar exposition for the incorporation of photovoltaic panels on the roof to enable the use of solar energy.

Solar Panels

Overhangs

& Terraces

port of Spain, trinidad & Tobago

Continue on to see how the idea of the planted overhang terraces

and green roof to reduce heat gain comes back in the final design.

(61)

the case studies

prdm data & design triggers - examples

The planted terraces create pleasant exterior spaces for residents to rest and offer a nice view from within the building. Green/blue roof can also be incorporated in the design to lower the temperature of the building and store rainwater.

Green/Blue roof

Planted terraces

Climate (Köppen) - Tropical Savannah (wet and dry) Dry Season (January to May) |

Rainy Season (June to December)

statistics: https://www.weather-atlas.com - Paris, Port-of-Spain, Washington DC icons: nounproject.com, by linseed studio

source: nounproject.com, icon created by adrien coquet

statistics: https://www.weather-atlas.com - Paris, Port-of-Spain, Washington DC

Average sunlight hours per day

Sun angle

Average High Temperatures

June Solstice March/September Equinox December Solstice 105° 80° 56°

Climate

(62)

1 3

2

Incorporate the existing community garden into the design

1. public - especially for the neighbours

2. semi-public - courtyard for residents/visitors 3. semi-private - garden for residents

Keeping and enhancing the existing community garden. Taking the fence away to open up the garden to the street and connect it to the building. Using the open spaces as a sequence of space from public to private within the housing complex.

Courtyard

and gardens

Routing through the courtyards

from public to private

the case studies

prdm data & design triggers - examples

Paris, France

Continue on to see how the idea of the collective garden extending

vertically connecting the building to its urban and social context

comes back in the final design.

(63)

Residents take ownership of the inner courtyards of their buildings by adding potted plants to add to the liveliness of the space. The space however serves more as a backdrop or decor to be seen from one’s window as opposed to a space to be used directly by the inhabitants.

Inner Courtyards

Greening the street

public progr am

Community garden run by an association of local residents where they come together weekly to plant vegetables and garden. The vegetable garden is greatly appreciated by neighbouring residents.

Community Garden

the case studies

prdm data & design triggers - examples

Behaviour, Habits & Uses

Bridges aligned with the street facade create exterior spaces for the residents and additional planting surfaces to optimise the capacity for growing produce. Connection between the

community garden and the public program as well as with the street and urban context.

Vertical farming

& gardens

Connecting the

community garden

with greater social

& urban context

01

02 03

(64)

the case studies

prdm data & design triggers - examples

Washington d.c., United states

Breaking the S street facade into smaller sections to match residential and plot proportions will help the building to be well integrated into the neighbourhood.

Matching residential proportions

Continue on to see how the idea of dividing the facade

into residential proportions and create a public front garden

comes back in the final design.

(65)

the case studies

prdm data & design triggers - examples

S street facade view from 14th street

view from S street

Making setbacks is a way to diminish the scale of the building and bring it down to the scale of the neighbourhood.

Just as the row houses have a front garden, incorporating a planted area in the front of the building, that in this case is accessible to the public, connects

Subtle divisions

Front garden

Continue on to see how the idea of dividing the facade

into residential proportions and create a public front garden

comes back in the final design.

(66)

kumba Washington d.c., USA

kumba port of Spain, t&t

Kumba Paris, fr

place diagram place diagram place diagram

the case studies:

(67)

typical floor typical floor

CONCEPT: COURTYARD LIVING

CONCEPT:

LIVING IN THE SAVANNAH

CONCEPT:

(68)
(69)

The following pages are a comparative study of the three case studies

to identify how the Place Responsive Design Method

helped to create unique sustainable and resilient designs.

The following themes that make up urban resilience will be used to

compare the projects:

local Economy & Materiality (economy)

Healthy Living (social)

1

2

the case stud es

comparative study

Washington

d.c. USA

port of Spain

t&t

Paris

fr

(70)

Kumba: Paris

Petrified wood chips used for the insulation between upper and lower pod parts. Scots Pine wood

(pin sylvestre) - Plywood Insulation

(71)

Kumba: Washington DC

Sawdust generated from CLT construction will be used for wood pellet production

Oriented strand board OSB

(72)

Coconut Fibre Board

from up-cycled coconut coir

As coconut coir is usually seen as waste, the processing

and use of such a product not only dramatically decreases

the carbon footprint but also enriches the lives

of local coconut producers.

The husks are separated from the coconut and refined into small particle and short fibres, easily done through dry hammer milling. The fibres are then hot pressed into boards without the need for additional binders.

(73)

Coconut Fibre Board

from up-cycled coconut coir

Coconut fibre provides excellent

thermal and acoustic insulation

and due to auto-adhesive

properties derived from its intrinsic

high lignin content, no additional

binders are needed

to make the boards.

(74)

local Economy & Materiality (economy)

Local materials and resources used for the structure

Load bearing calcium silicate or sand-lime blocks/bricks are used for the party walls

North view South view

Existing load bearing walls and new steel construction

S

W

N

E

(75)

Local materials and resources used for the structure

The concrete used in this project includes recycled concrete from demolished buildings in the city.

Trinidad is located above an active earthquake zone. It is not an extremely hot zone for

earthquakes of great magnitude but

earthquakes usually of low magnitudes do hit the island fairly regularly.

Constructions therefore need to be earthquake resistant. The local practice is to use reinforced structural concrete.

The lack of load bearing walls in

North view

Earthquake resistant structural concrete

(76)

Did you know?

50% of a tree’s mass is carbon

1.8mt CO2 stored in 1 metric ton of timber

South side

Wall between adjacent construction

Bracing

Using sustainably sourced timber for this CLT construction reduces the carbon footprint of the project and minimises waste as the parts are prefabricated and easy to assemble on site.

Low carbon Cross Laminated Timber structure

harvesting pre-fabrication delivery to site assembly

(77)

This Cross Laminated Timber structure

made from locally sourced softwood

is a low-carbon building material that

allows for quick construction.

Future-proofing the structure:

CLT walls that can be removed and replaced by column and beam system with bracing if the function of the building changes to allow for more flexibility

Structural concrete base to support

(78)

local Economy & Materiality (economy)

(79)

Local materials and resources used for the facade

(80)

Reference to the ornamental balcony railing as a historical typology in Hausmannian architecture investigated during the historical study.

Rammed earth used for the street side facade of the new constructions. Each year over 20 million tons of soil is excavated in

the Paris greater area to clear the way for the Paris metro network. We can see this not as demolition debris but as material to be in new construction.

(81)

The earth excavated to make way for the underground works

for the metro network in the greater Paris area offers an opportunity

to make use of a sustainable material that is regarded as waste

and could not get more local than the earth under our feet.

(82)

Courtyard approach

• private spaces towards the street

• circulation on the ends of the courtyard

• shared spaces around the courtyard

N

S

W

E

Private rooms Shared spaces Public Circulation

Healthy Living (social)

Inner courtyards are very common in the Parisian urban fabric and are spaces shared by the residents of the building. This thus inspired the zoning of the Kumba building in Paris where the shared spaces are centred around the atrium courtyard that is the beating heart of the project.

existing buildings

Courtyard

(83)

2 buildings & edge approach

• entrance to the private quarters through the shared kitchen

• circulation outside between the two building

• separate building for the public and other shared spaces

N

S

W

E

Programming and Organisation

Prominent exterior circulation to incite

residents to be more active and choose the elevator as a second option

The planted terraces create nice spaces for residents to rest and offer a nice view from within the building.

Inspired by the edge of the Savannah, the place under the trees where people

Planted terraces

Edge

(84)

Inner Street Approach

• private rooms on the north side • circulation through the centre • shared spaces on the south side

S

W

A design that uses local street-life as

inspiration for the inner horizontal

circulation fostering interactions

between residents.

Scenes of street life in the 14th street area

The vibrant street-life in the 14th street area inspires the inner Kumba street with a shifting border between inside and outside where various activities

can take place

Vibrant Street-life

(85)

N

E

To battle obesity, an inviting and

prominent staircase with ample daylight placed in front of the elevator encourages residents to be more active and choose the healthier option.

Obesity between 10-25%

(86)

a selection of the local flora and fauna to be incorporated into the design

Conservation of environmental assets (ecology)

Supporting local ecosystem and biodiversity

The Queen’s Park

Savannah - Port of Spain’s largest park is considered the lungs of the city

Bridging the gap between city and park - incorporating nature into the built environment

The lungs of the city

Bronze Anole aloe vera hibiscus lemon-grass heliconia Great Kiskadee Copper rumped hummingbird Tufted Coquette Hummingbird White peacock

(87)

www.sustainabledc.org 107 URBAN HEAT ISLAND IN THE DISTRICT

Supporting local ecosystem and biodiversity

Many parts of DC are peppered with large tree. Many residents consider the city to be a green city. This is less the case in the built up area in which the site is located but by adding more plants to the buildings in this part of the city, we can go from concrete jungle to urban jungle.

Green and Urban heat

silver spotted skipper carolina chickadee swamp milkweed butterfly weed Early Goldenrod Witchhazel Highbush Blueberry Cerulean Warbler Scarlet Tanager

a selection of the local flora and fauna to be incorporated into the design

DC urban heat map

Little brown bat (Myotis lucifugus)

Kumba: Washington DC

(88)

clematis blue tit common black bird pipistrelle bat chaffinch cercopis vulnerata honeysuckle meadow sage heart-of-the-earth a selection of the local flora and fauna to be incorporated into the design

The courtyard is a space shared by residents of different buildings. In existing courtyards in the area, residents have placed potted plants feeling the need to ‘beauty’ the communal areas. This project takes this idea further and creates a vertical garden shared both physically and visually with the neighbourhood.

Appropriating spaces & buffer zones

(89)

While empty, the plot was used as a community garden for the neighbourhood. This community garden is incorporated into the design in a vertical urban farm on the south side of the building.

Community Plot

Incorporating the existing green spaces and community spirit

by placing a vertical vegetable garden as a permeable green border

between the courtyards that encourages neighbourly relations

and adds to quality of life for all creatures.

(90)

Covering the courtyard reduces the exterior facade of the building making it more energy efficient. The stack effect is the ventilation model that is most appropriate for this building. During the spring and autumn months the air from the outside can be used to provide heating or cooling within the building. wind rose Covered courtyard Atrium

N

S

W

E

Kumba: Paris

(91)

As the dominant wind direction is from the south, it is important to orientate the building structure north-south to allow cross-ventilation.

The natural cross ventilation should be exploited especially during the spring and autumn time when bringing in air from outside that is either cooler or warmer than the indoor temperature can be a significant alternative to mechanical HVAC.

wind rose

south

Cross ventilation & natural HVAC

N

S

W

E

Kumba: Washington DC

(92)

Designing the plan based on the prevailing wind direction to allow for cross ventilation

Open and airy

circulation for a breezy and comfortable ‘indoor’ climate

Wind rose

33°C

N

S

W

E

(93)

CO

2

28°C

O

2

Using the natural resources to reduce cooling needs,

save energy and provide a comfortable indoor environment.

(94)
(95)

the case stud es

drawings & visuals

Washington

d.c. USA

port of Spain

t&t

Paris

Fr

Explore the different atmospheres of the three Kumba buildings

through the drawings and visuals on the following pages.

(96)
(97)

PARIS, FR

Paris Kumba experience:

Inviting you to penetrate

into the courtyards of the urban

city blocks of Paris and discover

a vibrant inner world

between old and new that

embraces community spirit

and fosters connections.

(98)
(99)
(100)
(101)
(102)

Paris Kumba experience:

The charm of an existing

Parisian apartment

building with its exposed

brick walls, views of

Montmartre and its

plywood KumbaPods.

(103)
(104)
(105)
(106)

Facade & section fragment

(107)
(108)

Port of Spain

Kumba experience:

Bringing the Savannah, the

lungs of the city, as well as its

collective qualities on the site

for a green and community-rich

place to call home.

(109)
(110)
(111)
(112)
(113)
(114)
(115)

Port of Spain Kumba experience:

Blurring the lines between inside and

outside for a lush and breezy tropical

lifestyle featuring rooms with unique

coconut fibre board KumbaPods.

(116)
(117)
(118)

Facade & section fragment

(119)
(120)
(121)

DC Kumba experience:

Explore the city grid extended

vertically into the building

creating a vertical village with

a network of inner streets that

(122)
(123)
(124)
(125)
(126)
(127)

DC Kumba experience:

Enjoy our own light-

filled space, with its OSB

KumbaPods, that seems

to get even larger when

windows are opened

and the room extends

out towards the city.

(128)
(129)
(130)

Facade & section fragment

(131)
(132)

#archtivism

#archtivism

(133)

#archtivism

#archtivism

(134)
(135)

Curating

the work

I like to think that a presentation of a

given work is only complete when the

environment in which it is given is a

vehicle to convey the message.

Curation is therefore a critical part of all

the work that I do.

In the following pages, I invite you to

discover the first #archtivism exhibition

that took place on the 27th of August

2019 at the Academy of Architecture

Amsterdam.

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(147)

acknowledgements

Firstly, I would like to give a special thanks to my graduation committee: Marta M Roy Torecilla, Chris Noteboom and Jo Barnett. Thank you Marta, for indulging my weekly meetings to your office on Thursday evenings and for your unwavering belief in me and my ideas. You pushed me to go beyond my comfort zone and I am ever so grateful for your guidance and support from day one to the final stage of this process. Chris, thank you for our fruitful meetings at Circl and for sharing your knowledge of structural engineering with me, making the project all the more sound and grounded in reality. Jo, thank you for challenging me during the process and helping me to understand the direction in which I would like to go as a designer. I would like to express my sincere gratitude to the following people for brainstorm sessions, insights, references, facts and figures, challenging conversations and support: Mark Raymond, Enny Breure, Ayana Harper, Andrew Manswell, Elise Laurent, Jakub Jekiel, Sean Leonard, Jan-Richard Kikkert, Jo-Ann Murell, Philomene van der Vliet, Vibeke Gieskes, Jan van Grunsven, Bastiaan Jongerius and Philippe Sarfati.

I want to acknowledge my colleagues at OIII Architecten. Thank you all for your encouragement and support. Thank you Maarten Sanders for your patience and understanding. I would also like to thank Kitty Luiken, as you played an important role in the development of my detailing and structural skills during the course of my academic career - thank you for taking the time to pass on your knowledge and for coming to the final presentation to support me.

In addition, I would like to acknowledge the Academy of Architecture Amsterdam and all my ‘invisible’ mentors, those that I did not meet with in person but through books, articles, blog posts and images who inspired this work and guided me through this challenging yet exciting year.

I would like to thank my family for always believing in me. I want to acknowledge my wife, Gwendoline, in particular, who is my biggest supporter. Your unfaltering encouragement and belief in me has played a vital role in this project and in all that I do. Thank you for the long hours, your openness, your dedication, your challenging questions and your patience.

Without all of you, #archtivism would not have been possible. I am extremely grateful and wholeheartedly thank you.

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#archtivism

#archtivism

#archtivism

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