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Digital Spaces, Material Traces : Investigating the Performance of Gender, Sexuality, and Embodiment on Internet Platforms that feature User-Generated Content - Table of Contents

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UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl)

UvA-DARE (Digital Academic Repository)

Digital Spaces, Material Traces : Investigating the Performance of Gender,

Sexuality, and Embodiment on Internet Platforms that feature User-Generated

Content

van Doorn, N.A.J.M.

Publication date

2010

Link to publication

Citation for published version (APA):

van Doorn, N. A. J. M. (2010). Digital Spaces, Material Traces : Investigating the Performance

of Gender, Sexuality, and Embodiment on Internet Platforms that feature User-Generated

Content.

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Table of Contents

Acknowledgements 3

Chapter one: Introduction 5

1.1 – Orientation: Introducing the subject matter 5

1.2 – Context: concepts, research approach and surrounding fields 6

1.3 – Practice: method(olog)ical considerations and case study design 9

1.4 – Order: contents and structure of the dissertation 11

Notes to chapter one 13

Chapter two: Theorizing Gender and the Internet: Past, Present, and Future 15

2.1 – Introduction 15

2.2 – Gender as identity 15

2.3 – Gender as Social Structure 20

2.4 – Situated practices and spaces 24

2.5 – New web, new questions, new outcomes? 27

2.6 – Conclusion 30

2.7 – Guide to further reading 31

Postscript to chapter two 33

Chapter three: A Body of Text 35

3.1 – Introduction 35

3.2 – Gender and embodiment online 36

3.3 – Method 38

3.4 – Results: Socio-cultural issues in #Cyberbar and #Queer 41

3.5 – Results part two: Interpretative repertoires and the perseverance of the body 46

3.6 – Conclusion 52

Notes to chapter three 53

Postscript to chapter three 54

Chapter four: Writing From Experience 57

4.1 – Introduction 57

4.2 – Gender identity and CMC: the research landscape 58

4.3 – Gender Identity and Weblogs 60

4.4 – Method 62

4.5 – Representing gender identity on Dutch and Flemish weblogs 63

4.6 – Conclusion 69

Notes to chapter four 71

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Chapter five: The Ties That Bind 75

5.1 – Introduction 75

5.2 – Social network sites and identity performance 76

5.3 – Performance, performativity, and social interaction 77

5.4 – A network of Dutch MySpace Friends 79

5.5 – Results 82

5.6 – Conclusion 91

5.7 – Future research 93

Notes to chapter five 94

Postscript to chapter five 96

Chapter six: Keeping it Real 99

6.1 – Introduction 99

6.2 – From the obscene to the on/scene 100

6.3 – Pornography, participatory culture, and the internet 102

6.4 – User-generated pornography: discipline or emancipation? 106

6.5 – Method 108

6.6 – Results: amateurism and the aesthetics of the ‘real’ 111

6.7 – Results part two: the construction of visual pleasure 114

6.8 – Conclusion: gender ideology and its ‘scopic regime’ 117

Notes to chapter six 120

Postscript to chapter six 121

Chapter seven: Conclusions 123

7.1 – Looking back: a recapitulation of the previous chapters 123

7.2 – Making connections: some theoretical inferences 125

7.3 – Taking inventory: research contributions 136

7.4 – Looking forward: recommendations for future research 138

Notes to chapter seven 139

Afterword 141 References 143 Nederlandse samenvatting (Dutch summary) 163

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